When Great Britain abolished slavery in 1833, sugar planters in the Caribbean found themselves facing the prospect of paying working wages to their former slaves. Cheaper labor existed elsewhere in the empire, however, and plantation owners, along with the home and colonial governments, quickly began importing the first of what would eventually be hundreds of thousands of indentured laborers from India. Madhavi Kale draws extensively on the archival materials from the period and argues that imperial administrators sanctioned and authorized distinctly biased accounts of postemancipation labor conditions and participated in devaluing and excluding alternative accounts of slavery. As she does this she highlights the ways in which historians, by relying on these biased sources, have perpetuated the acceptance of a privileged perspective on imperial British history.

This lively book will be essential to all those attempting to understand the state of Cultural Studies in the West today. Ion Davies, who was in at the birth of Cultural Studies in Britain and followed its development in many parts of the world, is uniquely qualified to add historical depth and comparative breadth to this subject. Introducing the central theoretical issues, as well as the key personalities, Cultural Studies and Beyond traces the origins, growth and diffusion of the subject.

The Spanish Empire was a complex web of places and peoples. Through an expansive range of essays that look at Africa, the Americas, Asia, the Caribbean, and the Pacific, this volume brings a broad range of regions into conversation. The contributors focus on nuanced, comparative exploration of the processes and practices of creating, maintaining, and transforming cultural place making within pluralistic Spanish colonial communities. The Global Spanish Empire argues that patterned variability is necessary in reconstructing Indigenous cultural persistence in colonial settings. The volume’s eleven case studies include regions often neglected in the archaeology of Spanish colonialism. The time span under investigation is extensive as well, transcending the entirety of the Spanish Empire, from early impacts in West Africa to Texas during the 1800s. The contributors examine the making of a social place within a social or physical landscape. They discuss the appearance of hybrid material culture, the incorporation of foreign goods into local material traditions, the continuation of local traditions, and archaeological evidence of opportunistic social climbing. In some cases, these changes in material culture are ways to maintain aspects of traditional culture rather than signifiers of new cultural practices. The Global Spanish Empire tackles broad questions about Indigenous cultural persistence, pluralism, and place making using a global comparative perspective grounded in the shared experience of Spanish colonialism. Contributors Stephen Acabado Grace Barretto-Tesoro James M. Bayman Christine D. Beaule Christopher R. DeCorse Boyd M. Dixon John G. Douglass William R. Fowler Martin Gibbs Corinne L. Hofman Hannah G. Hoover Stacie M. King Kevin Lane Laura Matthew Sandra Montón-Subías Natalia Moragas Segura Michelle M. Pigott Christopher B. Rodning David Roe Roberto Valcárcel Rojas Steve A. Tomka Jorge Ulloa Hung Juliet Wiersema

Attila, king of the Huns, is a name universally known even 1,500 years after his death. His meteoric rise and legendary career of conquest left a trail of destroyed cities across the Roman Empire. At its height, his vast domain commanded more territory than the Romans themselves, and those he threatened with attack sent desperate embassies loaded with rich tributes to purchase a tenuous peace. Yet as quickly he appeared, Attila and his empire vanished with startling rapidity. His two decades of terror, however, had left an indelible mark upon the pages of European history. Priscus was a late Roman historian who had the ill luck to be born during a time when Roman political and military fortunes had reached a nadir. An eye-witness to many of the events he records, Priscus's history is a sequence of intrigues, assassinations, betrayals, military disasters, barbarian incursions, enslaved Romans and sacked cities. Perhaps because of its gloomy subject matter, the History of Priscus was not preserved in its entirety. What remains of the work consists of scattered fragments culled from a variety of later sources. Yet, from these fragments emerge the most detailed and insightful first-hand account of the decline of the Roman Empire, and nearly all of the information about Attila’s life and exploits that has come down to us from antiquity. Translated by classics scholar Professor John Given of East Carolina University, this new translation of the Fragmentary History of Priscus arranges the fragments in chronological order, complete with intervening historical commentary to preserve the narrative flow. It represents the first translation of this important historical source that is easily approachable for both students and general readers.

An exploration of how an official French visual culture normalized France’s colonial project and exposed citizens and subjects to racialized ideas of life in the empire. By the end of World War I, having fortified its colonial holdings in the Caribbean, Latin America, Africa, the Indian Ocean, and Asia, France had expanded its dominion to the four corners of the earth. This volume examines how an official French visual culture normalized the country’s colonial project and exposed citizens and subjects alike to racialized ideas of life in the empire. Essays analyze aspects of colonialism through investigations into the art, popular literature, material culture, film, and exhibitions that represented, celebrated, or were created for France’s colonies across the seas. These studies draw from the rich documents and media—photographs, albums, postcards, maps, posters, advertisements, and children’s games—related to the nineteenth- and twentieth-century French empire that are held in the Getty Research Institute’s Association Connaissance de l’histoire de l’Afrique contemporaine (ACHAC) collections. ACHAC is a consortium of scholars and researchers devoted to exploring and promoting discussions of race, iconography, and the colonial and postcolonial periods of Africa and Europe.

Fragments of Culture explores the evolving modern daily life of Turkey. Through analyses of language, folklore, film, satirical humor, the symbolism of Islamic political mobilization, and the shifting identities of diasporic communities in Turkey and Europe, this book provides a fresh and corrective perspective to the often-skewed perceptions of Turkish culture engendered by conventional western critiques. In this volume, some of the most innovative scholars of post 1980s Turkey address the complex ways that suburbanization and the growth of a globalized middle class have altered gender and class relations, and how Turkish society is being shaped and redefined through consumption. They also explore the increasingly polarized cultural politics between secularists and Islamists, and the ways that previously repressed Islamic elements have reemerged to complicate the idea of an "authentic" Turkish identity. Contributors examine a range of issues from the adjustments to religious identity as the Islamic veil becomes marketed as a fashion item, to the media's increased attention in Turkish transsexual lifestyle, to the role of folk dance as a ritualized part of public life. Fragments of Culture shows how attention to the minutiae of daily life can successfully unravel the complexities of a shifting society. This book makes a significant contribution to both modern Turkish studies and the scholarship on cross-cultural perspectives in Middle Eastern studies.

Award-winning author Caryl Phillips presents a biographical novel of the life of Jean Rhys, the author of Wide Sargasso Sea, which she wrote as a prequel to Charlotte Brontë’s Jane Eyre. Caryl Phillips’s A View of the Empire at Sunset is the sweeping story of the life of the woman who became known to the world as Jean Rhys. Born Ella Gwendolyn Rees Williams in Dominica at the height of the British Empire, Rhys lived in the Caribbean for only sixteen years before going to England. A View of the Empire at Sunset is a look into her tempestuous and unsatisfactory life in Edwardian England, 1920s Paris, and then again in London. Her dream had always been to one day return home to Dominica. In 1936, a forty-five-year-old Rhys was finally able to make the journey back to the Caribbean. Six weeks later, she boarded a ship for England, filled with hostility for her home, never to return. Phillips’s gripping new novel is equally a story about the beginning of the end of a system that had sustained Britain for two centuries but that wreaked havoc on the lives of all who lived in the shadow of the empire: both men and women, colonizer and colonized. A true literary feat, A View of the Empire at Sunset uncovers the mysteries of the past to illuminate the predicaments of the present, getting at the heart of alienation, exile, and family by offering a look into the life of one of the greatest storytellers of the twentieth century and retelling a profound story that is singularly its own.

A reflective examination of everyday life in Lebanon in times of precarity and political torpor.

The French Revolution invented the notion of the citizen, but it also invented the noncitizen—the person whose rights were nonexistent. The South American outpost of Guiana became a depository for these outcasts of the new French citizenry, and an experimental space for the exercise of new kinds of power and violence against marginal groups.