Innovatively combining philosophical inquiry and aphoristic writing, this study presents a bold new interpretation of philosophical poetics. Exploring fragments, both thematically and formally, Luke Fischer situates the form as uniquely positioned between philosophy and poetry. Like poetry, fragments condense insights into few words, employ striking metaphors that draw intuitive connections, and make space for creative interpretation. Contrasting with the logical linearity of much philosophy, fragments disclose rather than prove, intimate more than argue, suggest a whole without elaborating a system, and emphasize the intuitive act of thinking. Fischer readjusts our understanding of philosophical ideas as they originate in moments of illumination, and reveals the fragment as philosophy in process. In a collection of original fragments and an exploratory essay, Fischer sheds light on the relation between poetry and philosophy, aesthetics and society, art and the environment, and discusses seminal practitioners of the fragmentary form, including Novalis, F. Schlegel, Nietzsche and Heraclitus. Philosophical Fragments as the Poetry of Thinking makes an engaging, nonlinear case for the possibility and significance of a poetic transmutation of philosophy.

American national trade bibliography.

An impossible decision in the chaos of D-Day. Ripples that cascade seventy-five years into the present. And two lives transformed by the tenuous resolve to reach out of the darkness toward fragments of light. Cancer stole everything from Ceelie—her peace of mind, her selfimage, perhaps even her twenty-three-year marriage to her college sweetheart, Nate. Without the support of Darlene, her quirky elderly friend, she may not have been able to endure so much loss. So when Darlene’s own prognosis turns dire, Ceelie can’t refuse her seemingly impossible request—to find a WWII paratrooper named Cal, the father who disappeared when Darlene was an infant, leaving a lifetime of desolation in his wake. The search that begins in the farmlands of Missouri eventually leads Ceelie to a small town in Normandy, where she uncovers the harrowing tale of the hero who dropped off-target into occupied France. Alternating between Cal’s D-Day rescue by two French sisters and Ceelie’s present-day journey through trial and heartbreak, Fragments of Light explores a timeless question: When life becomes unbearable, will you surrender to the darkness or dare to press toward a lingering light? Praise for Fragments of Light “Michèle Phoenix skillfully explores the strength and resiliency of the human spirit but also its heartbreaking limits. Brimming with expertly researched wartime details, Fragments of Light abounds with poignancy and insight.” —Susan Meissner, bestselling author of The Last Year of the War “As a D-Day Airborne participant, I recommend this novel with enthusiasm. Everyone should read it.” —Staff Sergeant Thomas Rice, WWII Veteran, 101st Airborne “Michele Phoenix’s Fragments of Light is a luminous portrait of men and women grappling with the past in a brave attempt to forge a different kind of future . . . A story as beautiful as it is heartbreaking. In short, I loved this book!” —Lauren Denton, USA TODAY bestselling author of The Hideaway “Deeply personal and beautifully humane, Phoenix once again asserts her power as one of the most moving and lyrical voices in inspirational fiction.” —Rachel McMillan, author of The London Restoration “Written with depth and understanding, this story offers readers a wonderful journey spanning from war-torn World War II France to a battle for love in our time.” —Katherine Reay, bestselling author of Dear Mr. Knightley “As the title suggests, there are no easy illuminations on the path of healing. Cancer attacks more than the body. War destroys more than flesh and bone. Not all heroes welcome the attention, and not all husbands are up to the challenge. Women find the most unlikely sources of strength, and the best families defy definition.” —Allison Pittman, bestselling author of The Seamstress “It’s not often a story moves me as Fragments of Light has. With a rare and honest voice, Michèle Phoenix weaves a story of heroes from yesteryear and also those from your neighborhood—each with hearts of valor—as they endure the fight of their lives.” —Elizabeth Byler Younts, Carol Award–winning author The Solace of Water

What is it to listen? How do we hear? How do we allow meanings to emerge between each other? 'This book is about what Freud called "freely" or "evenly suspended attention", a form of listening, a kind of receptive incomprehension, which is fundamental and mandatory for the practice of psychoanalysis and psychotherapy. The author steps outside the usual parameters of psychoanalytic writing and explores how works of art and literature which elicit and require such listening began to appear in Europe, in abundance, from the late eighteenth-century onwards. Uncertainties, Mysteries, Doubts is a timely reminder, in the present era of audit and manualisation, of some of psychoanalysis's deep and living cultural roots. It hopes- by immersing the reader in the emotional, critical and contextual worlds of some artists and poets of Romanticism- to help psychotherapists, psychoanalysts, and counsellors in the endless challenge of staying open to their clients and patients, faced as we all are, therapists and clients alike, by multiple pressures to knowledgeable closure.

A deeply informed, yet playful and ironic look at how the internet has changed human experience, memory, and our sense of self, and that belongs on the shelf with the best writings of Roland Barthes and Jean Baudrillard. “One day, as I was daydreaming on the boulevard Beaumarchais, I had the idea—it came and went in a flash, almost in spite of myself—of Googling to find out what I’d been up to and where I’d been two evenings before, at five o’clock, since I couldn’t remember on my own.” So begins Maël Renouard’s Fragments of an Infinite Memory, a provocative and elegant inquiry into life in a wireless world. Renouard is old enough to remember life before the internet but young enough to have fully accommodated his life to the internet and the gadgets that support it. Here this young philosopher, novelist, and translator tries out a series of conjectures on how human experience, especially the sense of self, is being changed by our continual engagement with a memory that is impersonal and effectively boundless. Renouard has written a book that is rigorously impressionistic, deeply informed historically and culturally, but is also playful, ironic, personal, and formally adventurous, a book that withstands comparison to the best of Roland Barthes and Jean Baudrillard.

The candid and far-reaching interview with the public intellectual and author of Illness as Metaphor, conducted in 1978 Paris and New York. Over the summer and fall of 1978, Susan Sontag engaged in a series of deeply stimulating, provocative and intimate conversations with Jonathan Cott of Rolling Stone magazine. While the printed interview was extensive, it covered only a third of their twelve hours of discussion. Now, for the first time, the entire transcript of Sontag’s remarkable conversation is available in book form, accompanied by Cott’s preface and recollections. An acclaimed author of novels and essays, a renowned cultural critic and radical anti-war activist, Sontag was at the height of her powers in the late 1970s. Her musings and observations in this interview reveal the breadth and depth of her critical intelligence and curiosities at the time. These hours of conversation offer a revelatory and indispensable look at the self-described "besotted aesthete" and "obsessed moralist."

Aboard a long-range research vessel, in the vast reaches of the South Pacific, the cast and crew of the reality show Sealife believe they have found a ratings bonanza. For a director dying for drama, a distress call from Henders Island—a mere blip on any radar—might be just the ticket. Until the first scientist sets foot on Henders—and the ultimate test of survival begins. For when they reach the island’s shores, the scientists are utterly unprepared for what they find—creatures unlike any ever recorded in natural history. This is not a lost world frozen in time; this is Earth as it might have looked after evolving on a separate path for half a billion years—a fragment of a lost continent, with an ecosystem that could topple ours like a house of cards.