In his four last plays (Blood Wedding, Yerma, The House of Bernarda Alba, Dona Rosita the Spinster) Federico Garc ́ia Lorca offered his disturbed and disturbing personal vision to Spanish audiences of the 1930s---unready, as he thought them, for the sexual frankness and surreal expression of his more experimental work. The authentic sense of danger of Lorca's theatre is finely conveyed here in John Edmunds's fluent and rhythmic new translations that lend themselves admirably to performance.

Four plays by Henrik Ibsen: A Doll's House, Ghosts, Hedda Gabler and the Master Builder.

Presents four plays by Henrik Ibsen, with detailed explanatory notes, an overview of key themes, and an introduction to the author's life and times.

Collects five plays spanning Ibsen's career, with general introductions, explanatory annotations, criticism, and selections from his correspondence and other writings.

Ibsen's twelve outstanding plays, from Pillars of Society to When We Dead Awaken, are accompanied by brief introductions illuminating the distinctive features of each

This collection of plays is taken from the Oxford Ibsen, James McFarlane's acclaimed scholarly edition.

In these three unforgettably intense plays, Henrick Ibsen explores the problems of personal and social morality that he perceived in the world around him and, in particular, the complex nature of truth.

Curt Columbus endows these timeless dramas Seagull, Uncle Vanya, Three Sisters and Cherry Orchard with dialogue that is faithful to the russian original but dazzlingly attuned to contemporary audiences.