Four speculative near futures by Kit Reed, author of Where and Mormama, showcasing her sharp and transgressive social dystopias where characters are pushed to their psychological limits. @Expectations Jenny lives a typical suburban life and stumbles upon an online community where people create their own lives through words. Soon she becomes so far removed from her life that she can no longer see the line between reality and fantasy. Thinner Than Thou In a world where religion says everyone must look young and perfect, the ultimate heresy is being too fat, too thin, or too old. The Baby Merchant Precipitously falling fertility rates (due to viruses and other biological complications) allow Tom Starbird to make a living finding the perfect "unwanted" baby for the perfect, very wealthy, parents. Enclave The compelling story of an isolated community under pressure, Enclave shows how men, women, and teenagers react when their hermetically-sealed mountaintop community is attacked by biological and electronic viruses. Some become heroes, some become villains . . . and some confound their own and others' expectations. This ebook contains the full text of four novels by Kit Reed. @Expectations Thinner Than Thou The Baby Merchant Enclave At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

MORMAMA is a riveting supernatural, southern gothic tale from Kit Reed, the author of Where. *2018 LOCUS AWARD FINALIST FOR BEST HORROR* *Locus 2017 Recommended Reading List* One of io9's 20 Amazing New Scifi and Fantasy Books for May Kirkus' the Best Science Fiction, Fantasy, and Horror Reads for May Dell Duval has been living on the street since his accident. He can't remember who he was or where he came from. All he has is a tattered note in his pocket with an address for the Ellis house, a sprawling, ancient residence in Jacksonville. He doesn't know why he's been sent here. In the house, Lane and her son Theo have returned to the ancient family home—their last resort. The old house is ruled by an equally ancient trio of tyrannical aunts, who want to preserve everything. Nothing should ever leave the house, including Lane. Something about the house isn't right. Things happen to the men and boys living there. There are forces at work one of which visits Theo each night—Mormama, one mama too many. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

TV says it. Magazines say it. American society commands it. You must be thin. You must be young. Fad diets. Fat-purging pills. Fitness clubs. Liposuction. Breast implants. Steroids. In the tomorrow of Thinner Than Thou, the cult of the body has become the one true religion. The Dedicated Sisters are a religious order sworn to help anorexic, bulimic, and morbidly obese youth. Throughout the land, houses of worship have been replaced by the health clubs of the Crossed Triceps. And through hypnotically powerful evangelical infomercials, the Reverend Earl preaches the heaven of the Afterfat, where you will look like a Greek god and eat anything you want. Just sign over your life savings and come to Sylphania, the most luxurious weight-loss spa in the world, where the Reverend himself will personally supervise your attainment of physical perfection. But the glory of youth and thinness that America worships conceals a hidden world where teens train for the competitive eating circuit, where fat porn and obese strippers feed people's dark desires, and where an underground railroad of rebellious religions remember when people worshipped God instead of the Afterfat. As Annie, an anorexic, and her friend Kelly, who is so massive she can barely walk, find out, the tender promises of the Dedicated Sisters are fulfilled by forced feedings and enforced starvation in hidden prisons. As middle-aged Jeremy discovers, Sylphania is a concentration camp where failure to lose weight and tone up leads to brutal punishment. The Rev. Earl's public sympathy for the overweight conceals a private contempt . . . and, beneath that, a terrible longing known only to a select few. The inevitable decay of old age is the only thing keeping mankind from reaching perfection. Luckily, Reverend Earl has a plan that will take care of that . . . . At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Inside the Castertown MegaMall, the biggest mall in the world, live the night children—runaways, abandoned kids, kids who got lost and were never found. They only come out at night, after all the shoppers are gone. When thirteen-year-old Jule Devereaux visits the mall after the mysterious disappearance of her aunt, she becomes a pawn in the war between two gangs of night children: the Castertown Crazies, led by the stalwart Tick Stiles, and the Dingos, whose leader is the batty Burt Arno. What the night children don’t realize is that the megalomaniacal owner of the MegaMall, billionaire Amos Zozz, knows all about them. To him, they are vermin—“rats” living in his beautiful mall—and he has plans to exterminate them. Julie, Tick, and Burt must join forces if they want to survive.…

Future and Fantastic Worlds embodies an unusual approach to the field of bibliographic research, including over 700 annotations of every DAW book published through mid-1987, with indexes by author, artist, and title, providing a massive guide to modern SF writers and their works, with much background data. Interspersed throughout the book are numerous wry, irreverent, and amusing observations offered by the late and highly respected researcher in this extremely valuable genre tool.

Space-opera heroines, gender-bending aliens, post-apocalyptic pregnancies, changeling children, interplanetary battles of the sexes, and much more: a groundbreaking new collection of classic American science fiction by women from the 1920s to the 1960s SF-expert Lisa Yaszek presents the biggest and best survey of the female tradition in American science fiction ever published, a thrilling collection of twenty-five classic tales. From Pulp Era pioneers to New Wave experimentalists, here are over two dozen brilliant writers ripe for discovery and rediscovery, including Leslie F. Stone, Judith Merril, Leigh Brackett, Kit Reed, Joanna Russ, James Tiptree Jr., and Ursula K. Le Guin. Imagining strange worlds and unexpected futures, looking into and beyond new technologies and scientific discoveries, in utopian fantasies and tales of cosmic horror, these women created and shaped speculative fiction as surely as their male counterparts. Their provocative, mind-blowing stories combine to form a thrilling multidimensional voyage of literary-feminist exploration and recovery. CONTENTS Introduction by LISA YASZEK CLARE WINGER HARRIS The Miracle of the Lily (1928) LESLIE F. STONE The Conquest of Gola (1931) C. L. MOORE The Black God’s Kiss (1934) LESLIE PERRI Space Episode (1941) JUDITH MERRIL That Only a Mother (1948) WILMAR H. SHIRAS In Hiding (1948) KATHERINE MACLEAN Contagion (1950) MARGARET ST. CLAIR The Inhabited Men (1951) ZENNA HENDERSON Ararat (1952) ANDREW NORTH All Cats Are Gray (1953) ALICE ELEANOR JONES Created He Them (1955) MILDRED CLINGERMAN Mr. Sakrison’s Halt (1956) LEIGH BRACKETT All the Colors of the Rainbow (1957) CAROL EMSHWILLER Pelt (1958) ROSEL GEORGE BROWN Car Pool (1959) ELISABETH MANN BORGESE For Sale, Reasonable (1959) DORIS PITKIN BUCK Birth of a Gardner (1961) ALICE GLASER The Tunnel Ahead (1961) KIT REED The New You (1962) JOHN JAY WELLS & MARION ZIMMER BRADLEY Another Rib (1963) SONYA DORMAN When I Was Miss Dow (1966) KATE WILHELM Baby, You Were Great (1967) JOANNA RUSS The Barbarian (1968) JAMES TIPTREE JR. The Last Flight of Dr. Ain (1969) URSULA K. LE GUIN Nine Lives (1969)

"Taut and elegant, carefully introspected and thoughtfully explored."—The New York Times From Hugo award-winning author Sarah Pinsker comes a novel about one family and the technology that divides them. Everybody's getting one. Val and Julie just want what’s best for their kids, David and Sophie. So when teenage son David comes home one day asking for a Pilot, a new brain implant to help with school, they reluctantly agree. This is the future, after all. Soon, Julie feels mounting pressure at work to get a Pilot to keep pace with her colleagues, leaving Val and Sophie part of the shrinking minority of people without the device. Before long, the implications are clear, for the family and society: get a Pilot or get left behind. With government subsidies and no downside, why would anyone refuse? And how do you stop a technology once it's everywhere? Those are the questions Sophie and her anti-Pilot movement rise up to answer, even if it puts them up against the Pilot's powerful manufacturer and pits Sophie against the people she loves most.

The New York Times bestseller Shortlisted for the 2020 Financial Times & McKinsey Business Book of the Year Netflix cofounder Reed Hastings reveals for the first time the unorthodox culture behind one of the world's most innovative, imaginative, and successful companies There has never before been a company like Netflix. It has led nothing short of a revolution in the entertainment industries, generating billions of dollars in annual revenue while capturing the imaginations of hundreds of millions of people in over 190 countries. But to reach these great heights, Netflix, which launched in 1998 as an online DVD rental service, has had to reinvent itself over and over again. This type of unprecedented flexibility would have been impossible without the counterintuitive and radical management principles that cofounder Reed Hastings established from the very beginning. Hastings rejected the conventional wisdom under which other companies operate and defied tradition to instead build a culture focused on freedom and responsibility, one that has allowed Netflix to adapt and innovate as the needs of its members and the world have simultaneously transformed. Hastings set new standards, valuing people over process, emphasizing innovation over efficiency, and giving employees context, not controls. At Netflix, there are no vacation or expense policies. At Netflix, adequate performance gets a generous severance, and hard work is irrel­evant. At Netflix, you don’t try to please your boss, you give candid feedback instead. At Netflix, employees don’t need approval, and the company pays top of market. When Hastings and his team first devised these unorthodox principles, the implications were unknown and untested. But in just a short period, their methods led to unparalleled speed and boldness, as Netflix quickly became one of the most loved brands in the world. Here for the first time, Hastings and Erin Meyer, bestselling author of The Culture Map and one of the world’s most influential business thinkers, dive deep into the controversial ideologies at the heart of the Netflix psyche, which have generated results that are the envy of the business world. Drawing on hundreds of interviews with current and past Netflix employees from around the globe and never-before-told stories of trial and error from Hastings’s own career, No Rules Rules is the fascinating and untold account of the philosophy behind one of the world’s most innovative, imaginative, and successful companies.

The best stories from a master of speculative fiction Called "one of our brightest cultural commentators" by Publishers Weekly, Kit Reed draws from life—with a difference. This new collection brings together thirty-four of her strong, original stories, from early classics like "The Wait" and "Winter" to six never-before-collected short stories, including "The Legend of Troop 13" and "Wherein We Enter the Museum." An early favorite, "Automatic Tiger," is the first in a series of Reed's stories about animals. There's a monkey who grinds out bestsellers with the help of a "creative writing" app. Her uncanny black dog can enter a crowded room and sit down at the feet of the next man to die. Her characters confront war in various arenas: mother/daughter battles, the war of the sexes, the struggles of men scarred by war. Kit Reed's self-described "transgenred" fiction is confirmation of an "extraordinary talent" (The Financial Times). The range and complexity of her work speaks for itself in The Story Until Now.