The strange visitors had landed. Why had they come, and what unknown terror would they bring upon our world? The radio and television stations of the world carried the short, terrifying statement: The visitors were telepaths. These children from another time, another planet, were about to read human minds. They were utterly invincible. And they were infinitely dreaded... In the Pentagon and the Kremlin, leaders were grim with the awareness that all military secrets would be exposed...The overlords of the underworld realized the children could smash their most profitable rackets...And even ordinary citizens shuddered at the prospect of their shabby sins being found out. So four small children came to be hated by the entire world. A whole civilization wanted them dead.

I went through the gateway, towing my equipment in a contragravity hamper over my head. As usual, I was wondering what it would take, short of a revolution, to get the city of Port Sandor as clean and tidy and well lighted as the spaceport area. I knew Dad's editorials and my sarcastic news stories wouldn't do it. We'd been trying long enough. The two girls in bikinis in front of me pushed on, still gabbling about the fight one of them had had with her boy friend, and I closed up behind the half dozen monster-hunters in long trousers, ankle boots and short boat-jackets, with big knives on their belts. They must have all been from the same crew, because they weren't arguing about whose ship was fastest, had the toughest skipper, and made the most money. They were talking about the price of tallow-wax, and they seemed to have picked up a rumor that it was going to be cut another ten centisols a pound. I eavesdropped shamelessly, but it was the same rumor I'd picked up, myself, a little earlier...

H. Beam Piper's novels, 'Four Day Planet' & 'Lone Star Planet,' are classic works of science fiction that explore themes of colonization, politics, and social dynamics in a futuristic setting. Known for his concise yet vivid prose, Piper seamlessly blends action and world-building to create immersive narratives that captivate the reader. 'Four Day Planet' follows the inhabitants of Fenris, a harsh world with a four-day rotation, as they navigate political intrigue and economic struggles. On the other hand, 'Lone Star Planet' presents a satirical take on democracy and government corruption, set on the planet New Texas. Piper's attention to detail and world-building skills make both novels a must-read for fans of the science fiction genre. As an author who drew inspiration from historical events and societal issues, Piper's works provide thought-provoking commentary on human nature and the consequences of colonization. Whether you are a seasoned sci-fi enthusiast or new to the genre, 'Four Day Planet' & 'Lone Star Planet' are sure to engage and entertain.

NEWBERY MEDAL WINNER • TIME MAGAZINE’S 100 BEST FANTASY BOOKS OF ALL TIME • NOW A MAJOR MOTION PICTURE FROM DISNEY Read the ground-breaking science fiction and fantasy classic that has delighted children for over 60 years! "A Wrinkle in Time is one of my favorite books of all time. I've read it so often, I know it by heart." —Meg Cabot Late one night, three otherworldly creatures appear and sweep Meg Murry, her brother Charles Wallace, and their friend Calvin O'Keefe away on a mission to save Mr. Murray, who has gone missing while doing top-secret work for the government. They travel via tesseract--a wrinkle that transports one across space and time--to the planet Camazotz, where Mr. Murray is being held captive. There they discover a dark force that threatens not only Mr. Murray but the safety of the whole universe. A Wrinkle in Time is the first book in Madeleine L’Engle’s Time Quintet.

Audisee® eBooks with Audio combine professional narration and sentence highlighting to engage reluctant readers! Josh Higgins has an alien gizmo that lets him think his way to other planets—and he does NOT want to use it. But his sister Maggie won't stop bugging him, so he agrees to an off-world vacation. Josh dreams up a planet full of blue oceans, white beaches, and sunny weather. And he prepares for everything...well, almost. A parade of cranky creatures soon spoils Josh and Maggie's perfect getaway—including a one-horned beast, a sharp-toothed sea princess, and a two-tailed monkey. The planet's locals just can't get along, and Josh and Maggie find themselves caught up in the squabbling. As the Earth kids rush from one danger to another, will they discover a way to keep the peace? Or will Josh and Maggie become prisoners of the not-so-perfect planet?

In 2358 Wayne Douglas Barlowe joined the first manned flight to Darwin IV, a newly discovered world beyond our solar system. Here he provides naturalistic paintings that vividly capture the alien creatures he encountered. Illustrations, full-color paintings, and maps.

When the beautiful invaders took over, only Texas fought back! A "different" science fiction novel by award-winning author Richard Wilson. Originally published in 1955, this is a science fiction romp that pokes fun at the B-Movie notion of beautiful alien invaders. Richard Wilson (1920–1987) was a Nebula Award winning American science fiction writer and fan. He was a member of the Futurians (alongside such notables as Isaac Asimov, Donald A. Wollheim, and C.M. Kornbluth). His books included the novels The Girls from Planet 5 (1955); 30-Day Wonder (1960); and And Then the Town Took Off (1960); and the collections Those Idiots from Earth (1957) and Time Out for Tomorrow (1962). His short stories included "The Eight Billion" (nominated for a Nebula Award as Best Short Story in 1965); "Mother to the World" (nominated for the Hugo for Best Novelette in 1969 and winner of the Nebula in 1968); and "The Story Writer" (nominated for the Nebula Award for Best Novella in 1979).

AN INSTANT NEW YORK TIMES BESTSELLER "Provocative and appealing . . . well worth your extremely limited time." —Barbara Spindel, The Wall Street Journal The average human lifespan is absurdly, insultingly brief. Assuming you live to be eighty, you have just over four thousand weeks. Nobody needs telling there isn’t enough time. We’re obsessed with our lengthening to-do lists, our overfilled inboxes, work-life balance, and the ceaseless battle against distraction; and we’re deluged with advice on becoming more productive and efficient, and “life hacks” to optimize our days. But such techniques often end up making things worse. The sense of anxious hurry grows more intense, and still the most meaningful parts of life seem to lie just beyond the horizon. Still, we rarely make the connection between our daily struggles with time and the ultimate time management problem: the challenge of how best to use our four thousand weeks. Drawing on the insights of both ancient and contemporary philosophers, psychologists, and spiritual teachers, Oliver Burkeman delivers an entertaining, humorous, practical, and ultimately profound guide to time and time management. Rejecting the futile modern fixation on “getting everything done,” Four Thousand Weeks introduces readers to tools for constructing a meaningful life by embracing finitude, showing how many of the unhelpful ways we’ve come to think about time aren’t inescapable, unchanging truths, but choices we’ve made as individuals and as a society—and that we could do things differently.

From Doris Lessing, winner of the Nobel Prize for Literature, this is the first instalment in the visionary novel cycle 'Canopus in Argos: Archives'. The story of the final days of our planet is told through the reports of Johor, an emissary sent from Canopus. Earth, now named Shikasta (the Stricken) by the kindly, paternalistic Canopeans who colonised it many centuries ago, is under the influence of the evil empire of Puttiora. War, famine, disease and environmental disasters ravage the planet. To Johor, mankind is a 'totally crazed species', racing towards annihilation: his orders to save humanity set him what seems to be an impossible task. Blending myth, fable and allegory, Doris Lessing's astonishing visionary creation both reflects and redefines the history of our own world from its earliest beginnings to an inevitable, tragic self-destruction.