Jenny Windell is a teenage girl who’s fascinated with murder mysteries. So when she finds her estranged aunt, Jane Latour, dead she’s excited to have a mystery of her own to solve, but worried she may be a suspect she flees the crime scene. On the run, she befriends Derek Fenton, the dashing younger brother of acclaimed crime writer Archibald Fenton, and persuades him to join her in her Sherlock Holmes like attempts to solve the crime. It’s no problem for them to outsmart dim-witted Inspector Marigold and they even find time for romance to blossom.

Jenny Windell is obsessed with murder mysteries, so when she discovers her estranged aunt dead at her country home, the stage is set for her own investigation. Worried that being the first at the scene of the crime will make her a suspect and ruin her inquiry, she flees. On the run, she befriends Derek Fenton, the dashing younger brother of acclaimed crime writer Archibald Fenton, and persuades him to join her in her attempts to solve the crime and outsmart dim-witted Inspector Marigold.

#1 NEW YORK TIMES BESTSELLER • Millions of people have fallen in love with Auggie Pullman, an ordinary boy with an extraordinary face—who shows us that kindness brings us together no matter how far apart we are. Read the book that inspired the Choose Kind movement, a major motion picture, and the critically acclaimed graphic novel White Bird. And don't miss R.J. Palacio's highly anticipated new novel, Pony, available now! I won't describe what I look like. Whatever you're thinking, it's probably worse. August Pullman was born with a facial difference that, up until now, has prevented him from going to a mainstream school. Starting 5th grade at Beecher Prep, he wants nothing more than to be treated as an ordinary kid—but his new classmates can’t get past Auggie’s extraordinary face. Beginning from Auggie’s point of view and expanding to include his classmates, his sister, her boyfriend, and others, the perspectives converge to form a portrait of one community’s struggle with empathy, compassion, and acceptance. In a world where bullying among young people is an epidemic, this is a refreshing new narrative full of heart and hope. R.J. Palacio has called her debut novel “a meditation on kindness” —indeed, every reader will come away with a greater appreciation for the simple courage of friendship. Auggie is a hero to root for, a diamond in the rough who proves that you can’t blend in when you were born to stand out.

About this Book... NOW A MAJOR MOTION PICTURE STARRING JULIA ROBERTS, OWEN WILSON, AND JACOB TREMBLAY Over 6 million people have read the #1 New York Times bestseller WONDER and have fallen in love with Auggie Pullman, an ordinary boy with an extraordinary face. With more than 6 million copies sold worldwide and over fiveyears as a New York Times bestseller, Wonder has inspired countless readers to reflect on their actions and to Choose Kind. These notebooks--one lined, one blank, one bulleted, and one graph--are a colorful gift for Wonder fans, a useful back-to-school purchase, and colorful merchandise that can be traded among friends. With one blue, one red, one yellow, and one green cover, these notebooks will appeal to Wonder fans of both genders.

From typographic illustrator Marian Bantjes, I Wonder will make you think in new ways about art, design, beauty, and popular culture. This unique presentation features the elaborately crafted word pictures of Marian Bantjes, the most inventive and creative typographic illustrator of our time. Whether intricately hand-drawn or using computer illustration software, Bantjes's work crosses the boundaries of time, style, and technology. There is, however, another side to Bantjes's visual work: her thoughtful treatises on art, design, beauty, and popular culture that add a deeper dimension to the decorative nature of her best-known work. These reflections cover the cult of Santa, road-side advertising, photography and memory, the alphabet's letterforms, heraldry, and stars. Bantjes's writing style ranges from the playful to the confrontational, but it is always imbued with perspicacity, insight, and a sense of fun. Intended to inspire creatives of any persuasion, this is more than a collection of ideas: Bantjes has meticulously illustrated every page of the book in her inimitable style to create an accessible work of art that is far greater than the sum of its parts. Quirky, poignant, astute, funny--this beautiful book presents a compelling collection of observations on visual culture and design. In Stefan Sagmeister's telling words, Bantjes's work is his "favorite example of beauty facilitating the communication of meaning." This paperback edition is expanded with a new essay from the author.

In this beautifully written account of his daughter's first three years, psychologist and novelist Fernyhough combines his vivid observations with a synthesis of developmental theory, recreating what that time--lost to the memory of adults--is like from a child's perspective.

When an amnesiac friend wakes up with blood on his hands—and it seems to be someone else’s—Ellery Queen takes the case in this “enigmatic entertainment” (Kirkus Reviews). Howard Van Horn wakes up in a Bowery flophouse. His knuckles are bruised, his head is bloodied, all his valuables are gone, and he has a strong urge to leap out the window. He has been unconscious for nineteen days—another in a long line of amnesiac episodes that have destroyed this once-promising sculptor. As he comes to grips with this latest blackout, he realizes something awful. The blood on his clothes suggests that another life has been wrecked. Van Horn goes to an old friend, amateur sleuth Ellery Queen, who works hand in hand with the New York Police Department. Though Queen has solved countless murders, never before has he been asked to determine whether a crime was committed at all. To get to the root of the sculptor’s attacks, Queen forces him to return to Boston, to confront a family secret so dark that Van Horn’s mind destroyed itself rather than face it.

Now a Netflix film starring Florence Pugh: In this “old-school page turner” (Stephen King, New York Times Book Review) by the bestselling author of Room, an English nurse is brought to a small Irish village to observe what appears to be a miracle—a girl said to have survived without food for months—and soon finds herself fighting to save the child's life. Tourists flock to the cabin of eleven-year-old Anna O'Donnell, who believes herself to be living off manna from heaven, and a journalist is sent to cover the sensation. Lib Wright, a veteran of Florence Nightingale's Crimean campaign, is hired to keep watch over the girl. Written with all the propulsive tension that made Room a huge bestseller, The Wonder works beautifully on many levels -- a tale of two strangers who transform each other's lives, a powerful psychological thriller, and a story of love pitted against evil. Acclaim for The Wonder: "Deliciously gothic.... Dark and vivid, with complicated characters, this is a novel that lodges itself deep" (USA Today, 3/4 stars) "Heartbreaking and transcendent"(New York Times) "A fable as lean and discomfiting as Anna's dwindling body.... Donoghue keeps us riveted" (Chicago Tribune) "Donoghue poses powerful questions about faith and belief" (Newsday)

This book is an appreciation of selected authors who make extensive use of humor in English detective/crime fiction. Works using humor as an amelioration of the serious have their heyday in the Golden Age of crime writing but they belong also to a long tradition. There is an identifiable lineage of humorous writing in crime fiction that ranges from mild wit to outright farce, burlesque, even slapstick. A mix of entertainment with instruction is a tradition in English letters. English crime fiction writers of the era circa 1913 to 1940 were raised in the mainstream literary tradition but turned their skills to detective fiction. And they are the humorists of the genre. This book is not an exhaustive study but an introduction into the best produced by the most capable and enjoyable authors. What the humorists seek is to surprise the reader by overturning their expectations using a repertoire of stylistic conceits and motifs (recurring incidents, devices, references). Humor has a liberating effect but is concerned too with "comic contrast" through ugliness and caricature. In crime fiction one effect is intellectual pleasure at solving (or attempting to solve) a puzzle. Another is entertainment but with serious undertones.