In the study of Christian liturgical music, the first three centuries of the Christian era are foundational. Seldom, however, does this period receive serious attention from scholars. One of the reasons for this oversight is the fluid auditory environment of this period, and the inadequacy of the Western concept of ""music"" to describe this environment. Foundations of Christian Music addresses this lacuna by exploring the auditory environment of first-century CE Judaism and emerging Christianity until the time of Constantine (d. 337). Through a consideration of the text, styles, forms, performance, and settings of Jewish and early Christian worship, Foundations offers an unusually rich perspective on the lyrical nature of emerging Christian worship.

This volume brings together an ecumenical team of scholars to present key theological concepts related to worship to help readers articulate their own theology of worship. Contributors explore the history of theology's impact on worship practices across the Christian tradition, highlighting themes such as creation, pneumatology, sanctification, and mission. The book includes introductions by N. T. Wright and Nicholas Wolterstorff. A forthcoming volume will address the historical foundations of worship.

In the study of Christian liturgical music, the first three centuries of the Christian era are foundational. Seldom, however, does this period receive serious attention from scholars. One of the reasons for this oversight is the fluid auditory environment of this period, and the inadequacy of the Western concept of "music" to describe this environment. Foundations of Christian Music addresses this lacuna by exploring the auditory environment of first-century CE Judaism and emerging Christianity until the time of Constantine (d. 337). Through a consideration of the text, styles, forms, performance, and settings of Jewish and early Christian worship, Foundations offers an unusually rich perspective on the lyrical nature of emerging Christian worship.

This volume brings together an ecumenical team of scholars to offer a historical overview of how worship developed. The book first orients readers to the common core elements the global church shares in the history and development of worship theology and historical practice. It then introduces the major streams of worship practice: Catholic, Orthodox, and Protestant, including Reformation traditions, evangelicalism, and Pentecostalism. The book includes introductions by John Witvliet and Nicholas Wolterstorff. A previous volume addressed the theological foundations of worship.

In one systematic volume, James Montgomery Boice provides a readable overview of Christian theology. With scholarly rigor and a pastor's heart, Boice carefully opens the topics of the nature of God, the person and work of Christ, the work of the Holy Spirit in justification and sanctification, and ecclesiology and eschatology. This updated edition includes a foreword by Philip Ryken and a section-by-section study guide.

Written by a veteran Christian educator, this readable book describes the relationship between the Christian faith and the world of learning by looking at the five modern worldviews competing with Christian theism.

'I found myself praying from Christian Foundations in new ways. Of course, like most academics, I had heard it all before. But I haven't- not this way, at least. It was truly an experience of talking to God while thinking about God- not a bad way to do theology...Needless to say, I will use it with my undergraduates.' -Dr. Thomas Groome, Boston College

2020 Association of Catholic Publishers first place award, resources for liturgy 2020 Catholic Press Association first place award, liturgy soft cover Spirituality is a motion, a responsive movement of heart, mind, and spirit to the life of God moving within us. Starting from his Roman Catholic roots but working ecumenically, Bob Hurd explores this notion of spirituality in two parts. Part 1 places it in the theological framework of Creation-Grace-Incarnation, concluding that its specific form is participation in Christ’s self-emptying love of God, humankind, and creation. Part 2 investigates this kenotic spirituality liturgically, exploring how it comes to expression in the ritual stages of Gathering, Word, Eucharistic Prayer, Communion, and Sending. Comparing and contrasting each stage with corresponding patterns in various Protestant traditions, Hurd lays out the possibility of a spirituality common to Christians of various confessions.

This work addresses worship themes developed in both the Old and New Testaments in four separate parts: an introduction to worship in the Bible, focusing on both the Hebrew tradition and the primitive Christian Church; a survey of the history and institutions of Biblical Worship, specifically the Tabernacle, the Synagogue, and the New Testament Church; the Biblical role of festivals in worship; music and the arts in worship.

A fascinating re-creation, with impeccable scholarship, of the early attifudes towards music and singing in Christian worship, done in the context of the cultures in which the Church grew up.