The catacombs of Rome have captured imaginations for centuries. This innovative study takes a fresh look at these underground spaces, and considers how art, space, texts, and practices can tell us more about the catacombs and the people who dug and decorated them.

Martyrs create space and time through the actions they take, the fate they suffer, the stories they prompt, the cultural narratives against which they take place and the retelling of their tales in different places and contexts. The title "Desiring Martyrs" is meant in two senses. First, it refers to protagonists and antagonists of the martyrdom narratives who as literary characters seek martyrs and the way they inscribe certain kinds of cultural and social desire. Second, it describes the later celebration of martyrs via narrative, martyrdom acts, monuments, inscriptions, martyria, liturgical commemoration, pilgrimage, etc. Here there is a cultural desire to tell or remember a particular kind of story about the past that serves particular communal interests and goals. By applying the spatial turn to these ancient texts the volume seeks to advance a still nascent social geographical understanding of emergent Christian and Jewish martyrdom. It explores how martyr narratives engage pre-existing time-space configurations to result in new appropriations of earlier traditions.

Composed within the first Christian century by a Roman named Hermas, the Shepherd remains a mysterious and underestimated book to scholars and laypeople alike. Robert D. Heaton argues that early Christians mainly received the Shepherd positively and accepted it unproblematically alongside texts that would ultimately be canonized, requiring decisive actions to exclude it from the late-emerging collection of texts now known as the New Testament. Freshly evaluating the evidence for its popularity in patristic treatises, manuscript recoveries, and Christian material culture, Heaton propounds an interpretation of the Shepherd of Hermas as a book meant to guide his readers toward salvation. Ultimately, Heaton depicts the loss of the Shepherd from the closed catalogue of Christian scriptures as a deliberate constrictive move by the fourth-century Alexandrian bishop Athanasius, who found it useless for his political, theological, and ecclesiological objectives and instead characterized it as a book favored by his heretical enemies. While the book’s detractors succeeded in derailing its diffusion for centuries, the survival of the Shepherd today attests that many dissented from the church’s final judgment about Hermas’s text, which portends a version of early Christianity that was definitively overridden by devotion to Christ himself, rather than principally to his virtues.

The dominant reading of the book of Jonah—that the hapless prophet Jonah is a lesson in not trying to run away from God—oversimplifies a profoundly literary biblical text, argues Amy Erickson. Likewise, the more recent understanding of Jonah as satire is problematic in its own right, laden as it is with anti-Jewish undertones and the superimposition of a Christian worldview onto a Jewish text. How can we move away from these stale interpretations to recover the richness of meaning that belongs to this short but noteworthy book of the Bible? This Illuminations commentary delves into Jonah’s reception history in Christian, Jewish, and Islamic contexts while also exploring its representations in visual arts, music, literature, and pop culture. After this thorough contextualization, Erickson provides a fresh translation and exegesis, paving the way for pastors and scholars to read and utilize the book of Jonah as the provocative, richly allusive, and theologically robust text that it is.

Religious Representation in Place brings together an interdisciplinary group of scholars from the Humanities and Sciences to broaden the understanding of how religious symbols and spatial studies interact. The essays consider the relevance of religion in the experience of space, a fundamental dimension of culture and human life.

Gordon W. Lathrop explores the place of the Bible as the subject of critical exegesis in contemporary liturgy. The text is grounded in the life of the assembly and the role of intertextuality in its creation. Lathrop finds patterns in biblical narratives that suggest revising our models of the "shape" of liturgy (Dix, Schmemann) and our understanding of baptism, preaching, Eucharist, and congregational prayer.Saving Images calls for a new, reconceived biblical-liturgical movement that takes seriously both biblical scholarship and the mystery at the heart of worship.

Spaces, too, have a history. And history always takes place in spaces. But what do historians mean when they use the word "spaces"? And how can spaces be historically investigated? Susanne Rau provides a survey of the history of Western concepts of space, opens up interdisciplinary approaches to the phenomenon of space in fields ranging from physics and geography to philosophy and sociology, and explains how historical spatial analysis can be methodologically and conceptually conceived and carried out in practice. The case studies presented in the book come from the fields of urban history, the history of trade, and global history including the history of cartography, but its analysis is equally relevant to other fields of inquiry. This book offers the first comprehensive introduction to the theory and methodology of historical spatial analysis. Supported by Open Access funds of the University of Erfurt

How the utopian tradition offers answers to today’s environmental crises In the face of Earth’s environmental breakdown, it is clear that technological innovation alone won’t save our planet. A more radical approach is required, one that involves profound changes in individual and collective behavior. Utopianism for a Dying Planet examines the ways the expansive history of utopian thought, from its origins in ancient Sparta and ideas of the Golden Age through to today's thinkers, can offer moral and imaginative guidance in the face of catastrophe. The utopian tradition, which has been critical of conspicuous consumption and luxurious indulgence, might light a path to a society that emphasizes equality, sociability, and sustainability. Gregory Claeys unfolds his argument through a wide-ranging consideration of utopian literature, social theory, and intentional communities. He defends a realist definition of utopia, focusing on ideas of sociability and belonging as central to utopian narratives. He surveys the development of these themes during the eighteenth and nineteenth centuries before examining twentieth- and twenty-first-century debates about alternatives to consumerism. Claeys contends that the current global warming limit of 1.5C (2.7F) will result in cataclysm if there is no further reduction in the cap. In response, he offers a radical Green New Deal program, which combines ideas from the theory of sociability with proposals to withdraw from fossil fuels and cease reliance on unsustainable commodities. An urgent and comprehensive search for antidotes to our planet’s destruction, Utopianism for a Dying Planet asks for a revival of utopian ideas, not as an escape from reality, but as a powerful means of changing it.

What if everything in the Bible has a larger outer context than is usually accounted for? Missional and biblical theologies suggest that the Bible presents a grand story like a play with multiple acts. The acts typically include creation, fall, redemption, and finally restoration. But what if the whole story itself occurs in another larger setting, occurring within a mission running in the background throughout the whole Bible? How might this aid our research, reading, and application? And why is this being proposed now? This book explores these questions. The larger context is the production of the place of God—a home and homeland wherein God, with his people, dwell on earth. Since place is underdeveloped in biblical studies, the book presents a new method for interpreting place. Then the book lays out the case that a grand mission to produce the place of God becomes the outer context for the whole Bible. Finally, the book defends this proposal with an in-depth placial commentary of the bookends of the Bible, since these bookends provide keys to unlock this message, thereby inviting further study on the rest of the Bible and on the implications for this transformative perspective.

Compares monumental designs and performance spaces of Christian, Buddhist, and related sanctuaries, exploring how brain networks, animal-human emotions, and cultural ideals are reflected historically and affected today as "inner theatre" elements. Integrating research across the humanities and sciences, this book explores how traditional designs of outer theatrical spaces left cultural imprints for the inner staging of Self and Other consciousness, which each of us performs daily based on how we think others view us. But believers also perform in a cosmic theatre. Ancestral spirits and gods (or God) watch and interact with them in awe-inspiring spaces, grooming affects toward in-group identification and sacrifice, or out-group rivalry and scapegoating. In a study of over 80 buildings – shown by 40 images in the book, plus thousands of photos and videos online – Pizzato demonstrates how they reflect meta-theatrical projections from prior generations. They also affect the embodied, embedded, enacted, and extended (4E) cognition of current visitors, who bring performance frameworks of belief, hope, and doubt to the sacred site. This involves neuro-social, inner/outer theatre networks with patriarchal, maternal, and trickster paradigms. European Churches and Chinese Temples as Neuro-Theatrical Sites investigates performative material cultures, creating dialogs between theatre, philosophy, history, and various (cognitive, affective, social, biological) sciences. It applies them to the architecture of religious buildings: from Catholic, Orthodox, and Protestant in Europe, plus key sites in Jerusalem and prior “pagan” temples, to Buddhist, Daoist, Confucian, and imperial in China. It thus reveals individualist/collectivist, focal/holistic, analytical/dialectical, and melodramatic/tragicomic trajectories, with cathartic poetics for the future.