A New History of Ireland is the largest scholarly project in modern Irish history. In 9 volumes, it provides a comprehensive new synthesis of modern scholarship on every aspect of Irish history and prehistory, from the earliest geological and archaeological evidence, through the Middle Ages, down to the present day. Volume VII covers a period of major significance in Ireland's history. It outlines the division of Ireland and the eventual establishment of the Irish Republic. It provides comprehensive coverage of political developments, north and south, as well as offering chapters on the economy, literature in English and Irish, the Irish language, the visual arts, emigration and immigration, and the history of women. The contributors to this volume, all specialists in their field, provide the most comprehensive treatment of these developments of any single-volume survey of twentieth-century Ireland.

Irish Media: A Critical History maps the landscape of media in Ireland from the foundation of the modern state in 1922 to the present. Covering all principal media forms, print and electronic, in the Republic and in Northern Ireland, John Horgan shows how Irish history and politics have shaped the media of Ireland and, in turn, have been shaped by them. Beginning in a country ravaged by civil war, it traces the complexities of wartime censorship and details the history of media technology, from the development of radio to the inauguration of television in the 1950s and 1960s. It covers the birth, development and - sometimes - the death of major Irish media during this period, examining the reasons for failure and success, and government attempts to regulate and respond to change. Finally, it addresses questions of media globalisation, ownership and control, and looks at issues of key significance for the future. Horgan demonstrates why, in a country whose political divisions and economic development have given it a place on the world stage out of all proportion to its size, the media have been and remain key players in Irish history.

Broadcasting in Ireland (1978) outlines the historical and sociological background of Ireland to place the progress of its broadcasting service in the context of its post-independence development. It analyses the difficulties of running public service broadcasting financed by both licence fee and advertising, and competing in half its television reception area with two of the premier broadcasting systems in the world. With regular broadcasting beginning with Independence, its development was inevitably bound up with the process of building the political, economic and social framework of the new State, and this book closely examines how the Irish broadcasting system coped with the attending economic, cultural and political difficulties.

This book explores the question of how society has changed with the introduction of private screens. Taking the history of television in Ireland as a case study due to its position at the intersection of British and American media influences, this work argues that, internationally, the transnational nature of television has been obscured by a reliance on institutional historical sources. This has, in turn, muted the diversity of audience experiences in terms of class, gender and geography. By shifting the focus away from the default national lens and instead turning to audience memories as a key source, A Post-Nationalist History of Television in Ireland defies the notion of a homogenous national television experience and embraces the diverse and transnational nature of watching television. Turning to people’s memories of past media, this study ultimately suggests that the arrival of the television in Ireland, and elsewhere, was part of a long-term, incremental change where the domestic and the intimate became increasingly fused with the global.

Produced in association with the Museum of Broadcast Communications in Chicago, the Encyclopedia of Radio includes more than 600 entries covering major countries and regions of the world as well as specific programs and people, networks and organizations, regulation and policies, audience research, and radio's technology. This encyclopedic work will be the first broadly conceived reference source on a medium that is now nearly eighty years old, with essays that provide essential information on the subject as well as comment on the significance of the particular person, organization, or topic being examined.

This book attests to the unique development of modernism in Ireland - driven by political as well as artistic concerns.

A ground-breaking history of the twentieth century in Ireland, written on the most ambitious scale by a brilliant young historian. It is significant that it begins in 1900 and ends in 2000 - most accounts have begun in 1912 or 1922 and largely ignored the end of the century. Politics and political parties are examined in detail but high politics does not dominate the book, which rather sets out to answer the question: 'What was it like to grow up and live in 20th-century Ireland'? It deals with the North in a comprehensive way, focusing on the social and cultural aspects, not just the obvious political and religious divisions.

Morgan Llywelyn's masterly epic, The Irish Century, continues in 1949, a sequel to 1916 and 1921. The struggle of the Irish people for independence is one of the compelling historical dramas of the twentieth century. 1949 tells the story of Ursula Halloran, a fiercely independent young woman who comes of age in the 1920s. The tragedy of Irish civil war gives way in the 1920s to a repressive Catholic state led by Eamon De Valera. Married women cannot hold jobs, divorce is illegal, and the IRA has become a band of outlaws still devoted to and fighting for a Republic that never lived. The Great Depression stalks the world, and war is always on the horizon, whether in Northern Ireland, Spain, or elsewhere on the European continent. Ursula works for the fledgling Irish radio service and then for the League of Nations, while her personal life is torn between two men: an Irish civil servant and an English pilot. Defying Church and State, Ursula bears a child out of wedlock, though she must leave the country to do so, and nearly loses her life in the opening days of World War II. Eventually she returns to an Ireland that is steadfastly determined to remain neutral during the war. 1949 is the story of one strong woman who lives through the progress of Ireland from a broken land to the beginnings of a modern independent state. The Irish Century Novels 1916: A Novel of the Irish Rebellion 1921: The Great Novel of the Irish Civil War 1949: A Novel of the Irish Free State 1972: A Novel of Ireland's Unfinished Revolution 1999: A Novel of the Celtic Tiger and the Search for Peace At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

The Real Ireland is the first study of Irish documentary film, but more than that, it is a study of Ireland itself--of how the idea of Ireland evolved throughout the twentieth century and how documentary cinema both recorded and participated in the process of change. More than just a film studies work, it is a discussion of history, politics and culture, which also explores the philosophical roots of the documentary idea, and how this idea informs concepts of society, self and nation. It features rare and previously unseen illustrations and a detailed documentary filmography, the first of its kind in print anywhere.