Experience the majesty and terror of the Gold Rush firsthand While the seminal California Gold Rush of 1849 produced numerous firsthand diaries and accounts, Joseph Goldsborough Bruff’s—widely regarded as the best and most accurate—provides the basis of this narrative reimagining of a quintessential American legend. Ken Lizzio traces the pioneer’s thrilling adventure from the first rumors of gold, through his crossing of the frontier, all the way to his incredible survival and escape to a prosperous life back east. This is the first book to create a narrative of Bruff’s journey from his meticulously written and preserved diary. And with more than fifty of Bruff’s original pencil sketches and paintings, Forty-Niner provides a new, immersive vision of one of America’s most fabled eras. The American Grit series brings you true tales of endurance, survival, and ingenuity from the annals of American history. These books focus on the trials of remarkable individuals with an emphasis on rich primary source material and artwork.

Experience the majesty and terror of the Gold Rush firsthand While the seminal California Gold Rush of 1849 produced numerous firsthand diaries and accounts, Joseph Goldsborough Bruff’s—widely regarded as the best and most accurate—provides the basis of this narrative reimagining of a quintessential American legend. Ken Lizzio traces the pioneer’s thrilling adventure from the first rumors of gold, through his crossing of the frontier, all the way to his incredible survival and escape to a prosperous life back east. This is the first book to create a narrative of Bruff’s journey from his meticulously written and preserved diary. And with more than fifty of Bruff’s original pencil sketches and paintings, Forty-Niner provides a new, immersive vision of one of America’s most fabled eras. The American Grit series brings you true tales of endurance, survival, and ingenuity from the annals of American history. These books focus on the trials of remarkable individuals with an emphasis on rich primary source material and artwork.

“If you seek vicarious adventure, these pages await the armchair explorer.” —Providence Journal In 1804, John Colter set out with Meriwether Lewis and William Clark on the first US expedition to traverse the North American continent. During the 28- month ordeal, Colter served as a hunter and scout, and honed his survival skills on the western frontier. But when the journey was over, Colter stayed behind. He spent two more years trekking alone through dangerous and unfamiliar territory, charting some of the West’s most treasured landmarks. Historian David W. Marshall crafts this captivating history from Colter’s primary sources, and has retraced Colter’s steps— experiencing firsthand how he survived in the wilderness (how he pitched a shelter, built a fire, followed a trail, and forded a stream)— adding a powerful layer of authority and detail.

Chauncey de Leon Canfield (1843-1909) first published "The diary of a forty-niner" in 1906, and 1,200 of the 2,000 copies in that edition were burned. Joseph Gaer's Bibliography of California literature describes this book as written in the form of a diary, but fictional. The diary of a forty-niner (1920) reprints Canfield's 1906 publication. It purports to be the diary of Alfred T. Jackson, of Litchfield County, Connecticut, during his days as a gold prospector, 1850-1852. Jackson offers first-hand accounts of Nevada City and neighboring Rock Creek; descriptions of Grass Valley, North and South Yuba Valleys, and the Sierra Mountains; details of gold mining with accounts of pioneer overland crossings, and foreign mineworkers (including Chinese). Entries concerning Jackson's personal life include details of his courtship of a French woman in the camps.

Winner of the 2015 Benjamin Franklin Silver Award! In the West, Islam has replaced Communism as the new bugbear, while Sufism, Islam’s mystical dimension, is often dismissed as the delusions of an irrational and backward people. Ken Lizzio corrects such misperceptions in this firsthand account of the year he spent in 1991 living with the head of the Naqshbandis, Afghanistan’s largest Sufi order. He presents the order in all its dimensions—social, economic, political, and spiritual—at a pivotal moment in history. He also gives a rare glimpse of everyday life in an Afghan Sufi school and of how the school has coped with the upheavals in its country. Poignantly, the Naqshbandi way of life faces threats to its very existence. One threat lies in the creeping secularization of Islamic society, another in the dismissal of Sufism by various fundamentalist Islamic sects claiming the franchise on truth. But historically, Lizzio points out, Sufism has always been Islam’s wellspring for spiritual revival. And because Sufis deal in matters that transcend time and cultures, they help outsiders understand not only the true nature of Islam, but the deeper meaning of all religions. The sound of that meaning echoes throughout this eloquent and fascinating memoir.

"Gold! Gold on the American River!" This declaration, shouted in the streets of San Francisco in the spring of 1848, electrified the nation, and its echo was heard in the farthest corners of the globe. In the five years that followed, tens of thousands of hopeful argonauts made their way to the vast territory on the Pacific conquered by the United States in its recent war with Mexico. They traveled overland from the Missouri River, their ox-drawn wagons crossing the Rocky Mountains, vast plains and deserts, and the formidable peaks of the Sierra Nevada. They journeyed by boat and on foot across the fever-ridden jungles of the Isthmus of Panama. They took ship from eastern seaports and sailed sixteen thousand miles via Cape Horn to the gateway of the goldfields, the new city of San Francisco. In Eldorado, award-winning historian Dale L. Walker presents the complete, often gaudy, always fascinating story of the California Gold Rush, the greatest mining bonanza in all of American history. The story ranges from the discovery by a New Jersey carpenter at a sawmill north of Sutter's Fort to the advent of large-scale hydraulic mining that spelled the ruination of the land and the end of the boom days when a Forty-niner with a pick and a pan found "colors" in a streamed and earned his wages-an ounce of raw gold a day. Walker's narrative of this pivotal event of American history is drawn from the lives and experiences of those "on the ground" in the rush, those who blazed the trails and settled the West in their search for the riches at the rainbow's end. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Even among iconic frontiersmen like John C. Frémont, Kit Carson, and Jedediah Smith, Jim Bridger stands out. A mountain man of the American West, straddling the fur trade era and the age of exploration, he lived the life legends are made of. His adventures are fit for remaking into the tall tales Bridger himself liked to tell. Here, in a biography that finally gives this outsize character his due, Jerry Enzler takes this frontiersman’s full measure for the first time—and tells a story that would do Jim Bridger proud. Born in 1804 and orphaned at thirteen, Bridger made his first western foray in 1822, traveling up the Missouri River with Mike Fink and a hundred enterprising young men to trap beaver. At twenty he “discovered” the Great Salt Lake. At twenty-one he was the first to paddle the Bighorn River’s Bad Pass. At twenty-two he explored the wonders of Yellowstone. In the following years, he led trapping brigades into Blackfeet territory; guided expeditions of Smithsonian scientists, topographical engineers, and army leaders; and, though he could neither read nor write, mapped the tribal boundaries for the Great Indian Treaty of 1851. Enzler charts Bridger’s path from the fort he built on the Oregon Trail to the route he blazed for Montana gold miners to avert war with Red Cloud and his Lakota coalition. Along the way he married into the Flathead, Ute, and Shoshone tribes and produced seven children. Tapping sources uncovered in the six decades since the last documented Bridger biography, Enzler’s book fully conveys the drama and details of the larger-than-life history of the “King of the Mountain Men.” This is the definitive story of an extraordinary life.

Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.