Fort Worth Stories is a collection of thirty-two bite-sized chapters of the city’s history. Did you know that the same day Fort Worth was mourning the death of beloved African American “Gooseneck Bill” McDonald, Dallas was experiencing a series of bombings in black neighborhoods? Or that Fort Worth almost got the largest statue to Robert E. Lee ever put up anywhere, sculpted by the same massive talent that created Mount Rushmore? Or that Fort Worth was once the candy-making capital of the Southwest and gave Hershey, Pennsylvania, a good run for its money as the sweet spot of the nation? A remarkable number of national figures have made a splash in Fort Worth, including Theodore Roosevelt while he was President; Vernon Castle, the Dance King; Dr. H.H. Holmes, America’s first serial killer; Harry Houdini, the escape artist; and Texas Guinan, star of the vaudeville stage and the big screen. Fort Worth Stories is illustrated with 50 photographs and drawings, many of them never before published. This collection of stories will appeal to all who appreciate the Cowtown city.

This work offers a new look at the history of Fort Worth. The history of this people includes the stories of early Mexicanos, escaping the hardships of the Mexican revolution, to the attempts of second generation Mexican-Americans to assimilate to their political voice and freedoms.

Fort Worth history is far more than the handful of familiar names that every true-blue Fort Worther hears growing up: leaders such as Amon Carter, B. B. Paddock, J. Frank Norris, and William McDonald. Their names are indexed in the history books for ready reference. But the drama that is Fort Worth history contains other, less famous characters who played important roles, like Judge James Swayne, Madam Mary Porter, and Marshal Sam Farmer: well known enough in their day but since forgotten. Others, like Al Hayne, lived their lives in the shadows until one, spectacular moment of heroism. Then there are the lawmen, Jim Courtright, Jeff Daggett, and Thomas Finch. They wore badges, but did not always represent the best of law and order. These seven plus five others are gathered together between the covers of this book. Each has a story that deserves to be told. If they did not all make history, they certainly lived in historic times. The jury is still out on whether they shaped their times or merely reflected those times. Either way, their stories add new perspectives to the familiar Fort Worth story, revealing how the law worked in the old days and what life was like for persons of color and for women living in a man's world. As the old TV show used to say, "There are a million stories in the 'Naked City.'" There may not be quite as many stories in Cowtown, but there are plenty waiting to be told--enough for future volumes of Fort Worth Characters. But this is a good starting point.

A collection of nine fictional crime stories set in Fort Worth, Texas.

Timothy Isaiah "Longhair Jim" Courtright operated on both sides of the law and became a legend in his lifetime and after his death. One of the most colorful characters from the wild and woolly days of Fort Worth's Hell's Half Acre, Courtright was at various times city marshal, deputy sheriff, deputy U.S. marshal, private detective, hired killer, and racketeer. Today, he is almost forgotten, either as a gunfighter or a lawman, except in Fort Worth. Little is known about Courtright's early life, though he apparently served in the Union army during the Civil War. But when he arrived in the West, Courtright seemed to attract trouble. He was involved in a shootout during the 1886 railroad strikes and was accused of murder in New Mexico. Deputies were sent to Fort Worth to escort him to New Mexico to stand trial. His escape from them, complete with guns hidden under a restaurant table, is one of Fort Worth's most colorful stories. Finally, he was killed in a shootout that he apparently provoked with gambler and gunman Luke Short. To this day nobody is sure what provoked that feud, but Courtright was honored with the longest funeral procession Fort Worth had ever seen. The myth of Courtright as legendary gunfighter was built in two previous biographies--one by a novelist and the other by a Franciscan priest. After exhaustive research into contemporary newspapers and other accounts and close study of the previous two books, historian Robert K. DeArment deconstructs the myth of Longhair Jim and reconstructs the gunfighter as a real human being, complex, flawed, often courageous, usually both honorable and dishonorable. This book is a must for all those interested in the legends of the West, its lawmen, and its outlaws.

In 2010 "Written in Blood Volume 1" told the stories of thirteen law officers who died in the line of duty between 1861 and 1909. Now Selcer and Foster are back with Volume 2 covering more line-of-duty deaths. This volume covers 1910 to 1928, as Fort Worth experiences a race riot, lynchings, bushwhacking, assassinations and martial law imposed by the U.S. Army.

A History of Fort Worth in Black & White fills a long-empty niche on the Fort Worth bookshelf: a scholarly history of the city's black community that starts at the beginning with Ripley Arnold and the early settlers, and comes down to today with our current battles over education, housing, and representation in city affairs. The book's sidebars on some noted and some not-so-noted African Americans make it appealing as a school text as well as a book for the general reader. Using a wealth of primary sources, Richard Selcer dispels several enduring myths, for instance the mistaken belief that Camp Bowie trained only white soldiers, and the spurious claim that Fort Worth managed to avoid the racial violence that plagued other American cities in the twentieth century. Selcer arrives at some surprisingly frank conclusions that will challenge current politically correct notions.

The stories of Fort Worth women are told in category's, but women are had pigeon-hole. No women living at the time the book was written ar included, to avoid problems of offended feelings.

Aware that some may see the title of this volume as an oxymoron, James Ward Lee argues in his "Argumentative Introduction" that for more than a century Fort Worth writers have written well about a city too often dismissed as a semi-rural cow town. Writers have celebrated its world of cattle and oil, to be sure, but many have seen other sides of Fort Worth--the country club set, the literati, the artists and artisans, the musicians, the intellectuals, and the whole minority sub-culture that has given a cosmopolitan tone to the Queen City of the Prairies. Fort Worth is in many ways the most typical of Texas cities--proud of its slogan of "Cowtown and Culture." People mingle as easily at the new Bass Hall, with its world-class visiting entertainers and the Van Cliburn Piano Competition, as they do at the White Elephant Saloon or the Cowtown Coliseum. They visit a museum complex unrivalled anywhere in the world for a city Fort Worth's size, and they attend the Southwest Exposition and Livestock Show. Lee and Judy Alter, both Fort Worth residents and well-known writers themselves, found passages in novels, short stories, and poetry that caught the city's atmosphere and odd bits of its history. And they found that some of the best writing done about Cowtown is journalistic rather than what is usually considered literary. There are articles by current and former members of the staff of the Fort Worth Star-Telegram and one particularly poignant piece about the last day of the old Fort Worth Press. Literary Fort Worth is a literary smorgasbord, with something to appeal to almost any reader's taste. And literary? You bet!

Includes material on Luke Short, Bat Masterson, Wyatt Earp, Doc Holliday, Sam Bass, and Butch Cassiday.