Fort Martin Scott still stands guard in the heart of Texas 150 years after its construction, which was prompted by a peace treaty between Germans and the Penateka Comanches. The first frontier fort in Texas, the original complex of twenty-one buildings allowed soldiers to patrol the Upper Immigrant Trail through Comanche and Apache territory. The old fort was a hub for military patrols during the Texas Indian Wars. Famous army units, including the First and Eighth Infantries, as well as the Second Dragoons and Fourth Cavalry, were all stationed at this post at one time or another. Fort Martin Scott was the locality of much partisan conflict during the Civil War. Author and historian Joseph Luther tells the full story of this historic Texas icon.

Fort Martin Scott still stands guard in the heart of Texas 150 years after its construction, which was prompted by a peace treaty between Germans and the Penateka Comanches. The first frontier fort in Texas, the original complex of twenty-one buildings allowed soldiers to patrol the Upper Immigrant Trail through Comanche and Apache territory. The old fort was a hub for military patrols during the Texas Indian Wars. Famous army units, including the First and Eighth Infantries, as well as the Second Dragoons and Fourth Cavalry, were all stationed at this post at one time or another. Fort Martin Scott was the locality of much partisan conflict during the Civil War. Author and historian Joseph Luther tells the full story of this historic Texas icon. Book jacket.

The forts of Texas, once teeming with soldiers, settlers and Native Americans, today stand like silent sentinels, abandoned to the ravages of sun, wind, and time. Their legends and stories are ghostly reminders of a past steeped in violence and tragic loss. Tales of Indians wrapped in buffalo robes and a ghostly lady delivering white roses to an officer's desk are woven with historical facts, placing the reader in the midst of the action. Photographs of these historic places send the reader back in time as haunted souls of long-lost legends fill the pages.

Texas Tales and Tall Ships, Vol. 1: Texas History from 1528-1945 the End of WW 2 By: Malcom Lee Johnson Texas Tales & Tall Ships is a well-documented book on the history of the region of the United States now known as Texas, covering the time period from 1528 when Cabeza de Vaca arrived, to the end of World War II in 1945. This well-referenced and educational look into the past is an important work for understanding the history of Texas and how it has evolved into the Lone Star State.

This book features ten tours to Central Texas that capture the essence of its flavor and charm. Included in this guide are historic tidbits, folklore, geography, major attractions, maps, listings of accomodations, a calendar of events, and more.

Certificate of Commendation, American Association for State and Local History, 1994 T. R. Fehrenbach Book Award, Texas Historical Commission, 1992 San Antonio Conservation Society Citation, 1993 Dramatic historical events have frequently provided subject matter for artists, particularly in pre-twentieth-century Texas, where works portraying historical, often legendary, events and individuals predominated. Until now, however, these paintings of Texas history have never received the kind of study given to historical, fictional, and film versions of the same events. Painting Texas History to 1900 fills this gap with an interdisciplinary approach that explores these paintings both as works of art and as historical documents. The author examines the works of more than forty artists, including Henry McArdle, Theodore Gentilz, Robert Onderdonk, William Huddle, Frederic Remington, Friedrich Richard Petri, Arthur T. Lee, Seth Eastman, Sarah Hardinge, Frank Reaugh, W. G. M. Samuel, Carl G. von Iwonski, and Julius Stockfleth. He places each work within its historical and cultural context to show why such subject matter was chosen, why it was depicted in a particular way, and why such a depiction gained popular acceptance. For example, paintings of heroic events of the Texas Revolution were especially popular in the years following the Civil War, when, in Ratcliffe's view, Texans needed such images to assuage the loss of the war and the humiliation of Reconstruction. Though the paintings cut across traditional art history categories—from the pictographs of early historic Indians to European-inspired oil paintings—they are bound together by their artists' intent for them to function as historically evocative documents. With their visual narratives of events that characterized all of America's westward expansion—Indian encounters, military battles, farming, ranching, surveying, and the closing of the frontier—these works add an important chapter to the story of the American West.

On May 9, 1846, Second Lieutenant Theodore Lincoln Chadbourne, United States Army, fell in the battle of Resaca de la Palma during the war with Mexico. Dead at twenty-three in a remote desert, his promise outweighing his accomplishments, Chadbourne slid into obscurity. But his lapse was not immediate, nor was it complete; clues to Chadbourne lay scattered about the historical landscape. Hunting Lieutenant Chadbourne is Jim W. Corder's account of his obsessive search for information about this soldier, whose name he first read on a historical marker beside a highway in Texas. A thoughtful meditation on the connectedness of history and the possibilities of recovering and understanding the past, the book reveals as much about Corder's literary and historiographical preoccupations as it does about the life of his subject. Rather than order his material into a linear, chronological narrative, Corder presents it in much the same sequence and form as it came to him. The effect is to dramatize the historical process and allow the very details that Corder collects to reveal Chadbourne to the reader. Who was Chadbourne, and can we ever really know? If Corder has any answers, they lie in his subtext of uncertainty.

Ferdinand Lindheimer was already renowned as the father of Texas botany when, in late 1852, he became the founding editor of the Neu-Braunfelser Zeitung, a German-language weekly newspaper for the German settler community on the Central Texas frontier. His first year of publication was a pivotal time for the settlers and the American Indians whose territories they occupied. Based on an analysis of the paper’s first year—and drawing on methods from documentary and narrative history, ethnohistory, and literary analysis—Daniel J. Gelo and Christopher J. Wickham deliver a new chronicle of the frontier in 1853. In keeping with Lindheimer’s background as a naturalist, the natural resources available are a constant subject for reporting. One special concern is the availability and ownership of wood, so essential for building lumber, fencing, and fuel. Most dramatically, the discovery of trace amounts of gold encouraged prospecting by German and Anglo settlers, which later influenced decisions to remove Indians to reservations. The activities of the area’s Indian peoples emerge in weekly details not found in other sources. Some Lipan Apaches are killed when the army does not learn of their peaceful intentions; restitution is made at Fredericksburg. A settler named Gadt is murdered, and Tonkawas are suspected. A horse raid southeast of San Antonio is blamed on the Lipans but turns out to be the work of non-Indians in disguise. The Delawares are driven temporarily to Indian Territory. Comanche men leave their families at Fort Chadbourne to embark on a raid against the Lipans. The Penateka band of Comanches honors the peace agreement they signed with the Germans six years earlier, but their days in the region are numbered. Lindheimer enhances the reportage with lengthy features on related subjects and exerts a strong editorial voice as he seeks to influence the development of a distinctive Texas German identity. His work, explained in this new study, will appeal not only to students of Texas history and ecology, Indigenous populations, immigration, intercultural encounters, and nineteenth-century Americana, but also to general readers who enjoy the rediscovery of hidden history.

This book explores the unanticipated benefits that may arise after wars and conflicts, showing how the preservation of battlefields and the establishment of borderlands can create natural capital in the former landscapes of war. The editors call this Collateral Value, in contrast to the collateral damage that war inflicts upon infrastructure, natural capital, and human capital. The book includes case studies recounting successes and failures, opportunities and risks, and ambitious proposals. The book is organized in two sections. The first visits U.S., English, and French battlefield sites dating from medieval England to World War I. The second explores borderlands located on several continents, established to end or prevent conflict. Both of these can create value beyond their original purpose, by preserving natural areas and restoring biodiversity. Among the topics covered are: · Registering English Battlefields · Old forts and new amenities in the Southern Plains of the U.S. · Verdun, France, and the conservation of WWI cultural and natural heritage · Conservation lessons learned in the Cordillera del Condor Corridor of the Andes mountains · Korea’s DMZ and its nature preserve · Wakhan National Park, a mountainous buffer area between Afghanistan and Pakistan The book examines state-of-the-art applications of landscape ecology, including methods for change detection, connectivity analysis, and the quantification of ecosystem services. Also included is a chapter on a creative proposal for “Guantánamo 2.0,” which would transform the Gitmo detention facility into a peace park and ecological research center. A concluding chapter appraises the past, present, and future of Collateral Values. Collateral Values: The Natural Capital Created by Landscapes of War benefits a broad audience of advanced undergraduate and graduate students, researchers, and practicing professionals.