"It's 1937 in Mimosa, Mississippi, and fourteen-year-old Max Brinkmann is an active, happy kid in the lively railroad town: he and his buddies keep their eyes on the cute girls at school, he and his little brothers make and fly kites, and he dreams of running track and playing baseball at Mimosa High School. But when Max's father, Josef (a devout Roman Catholic), announces that the small Catholic school in Mimosa is closing, Max's world is turned upside down. Not only is Josef moving the family to a farm in the middle of nowhere. The only option for a Catholic education is enrollment at nearby St. Agnes Academy. An all-girls school."--Taken from front flap of book cover.

A literary lesbian landmark that “will transport today’s readers . . . to the 1950s homosexual scene” (Marcia M. Gallo, author of Different Daughters). Three years after the publication of her groundbreaking 1955 bestseller, We Walk Alone, Ann Aldrich expanded on her journalistic portraits of lesbian subcultures in and around New York, in We, Too, Must Love. Inspired by the hundreds of letters she received by women from around the country (many reprinted here), Aldrich tackled questions of class division; explored the diverse careers lesbians held; guided readers through the social cliques and bar scenes; set the record straight on gay stereotypes; observed the differences among the “Village,” “Uptown,” and Brooklyn lesbian communities; and hinted at the growing consciousness that would fuel later lesbian and gay rights movements. We Walk Alone and We, Too, Must Love are, in effect, “indispensable guides to a hidden world” (Advocate.com). “Simultaneously intimate and investigative, subjective and discerning” (UTNE Magazine), “Aldrich touched innumerable lives and gave hope to lesbians mired in a harsh and ignorant era. Read these books to learn what it was like back then, what we believed and how we made a start in the struggle against prejudice.” —Ann Bannon, author of The Beebo Brinker Chronicles

It looks like Viola and Cercis are finally starting to see eye to eye when Cercis suddenly tells her that he'll be leaving for a campaign in a neighboring kingdom. Will Viola be okay by herself in the manor while he's away? Well, maybe ‘alone’ isn’t the right word—after all, her servant friends will still be there! Or so she says. Before he leaves, though, he’s intent on taking her on one more date! Hope it doesn’t go like the last one. Find out how our heroine fares looking after the estate while Cercis is away in volume three of Can Someone Please Explain What’s Going On!?

From the outside, Ruth seems to have it all: a high-powered career, happy marriage and family. But her inner Peace-Corps-Volunteer is hollering to be let out. When Ruth bumps into Vivian, her long-lost friend and former hut-mate, she realizes how different she is from the person she used to be and wonders if she’s lost part of herself—the best part—in her quest for “the perfect life.” Her internal tug of war gathers steam and knocks her seemingly perfect urban life out of kilter. As they struggle with their differences and try to resurrect their friendship, the two women realize—with humor and a growing respect—that they each have strengths to contribute to a venture neither would have discovered on her own, one that melds past and present to shape an exciting and surprising future. This contemporary literary novel toggles between flashback scenes in West Africa and present day Manhattan as it chronicles the power of the women’s friendship. The characters are simultaneously memorable and down-to-earth, and readers begin to feel they’ve known them for a long time. They’re treated with affection, nuanced understanding, and a healthy dose of wit. This fast-paced, funny, and honest coming-of-middle age novel playfully walks the line between humor and wisdom as it deals with serious issues of mid-life and aging.

The Farmerfield Mission explores the history of a residential Christian community in South Africa established for Africans in 1838 by Methodist missionaries, destroyed in 1962 by the apartheid government when it was zoned as an exclusive area for white occupation, and returned to the descendants of the community under South Africa's land reform program in 1999.

If you thought regular marriages were insane, wait until you see the contract Viola signed! Our heroine, the daughter of an earl, signed herself away in a marriage contract to an aloof duke, Cersis, in order to save her family from a lifetime of poverty. All of a sudden, Viola’s life is turned upside down when she moves into the Fisaris family’s manor and is left to negotiate her new life as a “show wife” in a world she had only ever caught glimpses of before. How will she shake things up at the Fisaris estate?

Ellie Morgan's life isn't going exactly as she planned. She finds herself divorced and working as a teacher in the Midwest when word arrives that a distant relative has died ... and left her everything. Ellie travels to Tennessee to attend to the estate, which includes a large plantation house that has been in the family since the early 1800s. Ellie feels drawn to the attic, where she finds a stack of letters hidden in a hatbox. The letters appear to be from a Civil War soldier by the name of Rafe Collins. Rafe fought on the Confederate side; however, the letters are addressed to Ms. Hattie Townes, whose family stood behind the Union. Ellie can't help but read the one-sided exchange, wondering at the love shared between Rafe and Hattie, despite the division of war. The more immersed Ellie gets, the more she suspects she isn't alone in the grand plantation house. A haunted spirit wanders the halls, and Ellie soon realizes it's the ghost of Rafe Collins. Distressed by his lost love, he lingers in the house, looking for answers. What ever became of Hattie? Why didn't she answer his letters? Ellie decides to try to solve Rafe's mystery-and, in the process, develops feelings for a local man. Perhaps Ellie's broken heart can be mended, and perhaps Rafe can finally find peace in the arms of his beloved.