Here is the extreme story of the indestructible LA group from their early funk days to eventual success as one of America's top-selling bands. Despite an epic reputation for exhibitionism, drug taking and debauchery, through it all the Chili Peppers have continued to produce records that shock, challenge and intrigue their fans. Author Jeff Apter has interviewed dozens of people - many speaking openly for the first time - who have moved in and out of the Chili Peppers' circle over the past three decades. He has spoken with former Chili Peppers, life-long friends, classmates, family members, album producers and music business insiders, as he plots the band's rise from Hollywood 'latchkey kids', willing to test-drive any drug or woman they could score, to the camomile-tea sipping superstars of today, whose only true family is this band.

From their humble beginnings as friends in high school, to playing strip clubs in nothing but well-placed socks, through a struggle to find the right guitarist, to the present day, Red Hot Chili Peppers FAQ chronicles the adventures of the best-selling alternative rock band of all time. No other book goes through each era of the band's history. Unlike other band biographies, Red Hot Chili Peppers FAQ digs into the trivia that hardcore fans obsess over: every recorded (and unreleased) song and their origins, the story behind each band member's every tattoo, and every piece of gear each band member past and present has ever used. Ever wonder why current drummer Chad Smith switched drum companies? Or how Flea and Dave Navarro ended up recording with Alanis Morissette on "You Oughta Know"? Just when did Anthony Kiedis meet current guitarist Josh Klinghoffer for the first time? When did Kiedis first try harder drugs? How did Cher end up as a babysitter for young Kiedis? When did Buckethead try out for the band? Who currently owns the mansion where they recorded Blood Sugar Sex Magik? All the answers lay in the pages of Red Hot Chili Peppers FAQ.

Focusing on portrayals of California in popular culture, this collection of new essays traces a central theme of darkness through literature (Toby Barlow, Angela Carter, Joan Didion, Thomas Pynchon, and Claire Vaye Watkins), video games (L.A. Noire), music (Death Grips, Lana Del Rey, and the Red Hot Chili Peppers), TV (True Detective and American Horror Story), and film (Starry Eyes, Southland Tales and A Girl Walks Home Alone at Night). Providing insight into the significance of Californian icons, the contributors explore the interplay between positive stereotypes connected to the myth of the Golden State and ambivalent responses to the myth based on social and political power, the consequences of consumerism, transformations of the landscape and the dominance of hyperreality.

The contextual approach and form criticism are two well-established methodologies in Biblical Studies, but the natural affinities between the two have historically gone under-appreciated. Yet the substantial reconsideration of classic tenets of form-criticism that has transpired in recent memory has further separated these two like-minded methods. Through a series of case studies that carefully consider certain Old Testament texts contextually, Silhouettes of Scripture: Considering the Contextual Approach with Form-criticism considers important methodological critiques and fuse elements of both methods in order to not only re-focus natural affinities but also more precisely define how contextual studies could proceed. Initiated by a literary trigger, Schreiner and Holland’s method navigates between what has been called "parallel-o-mania" and "parallel-anonia" to consider a range of similarities and differences in terms of broad and narrow convergences. The result is a work that not only looks upon well-known parallels with fresh eyes but also seeks to establish new trajectories.

From The Joshua Tree to Blood Sugar Sex Magik, from Automatic for the People to OK Computer, they produced some of the most memorable rock albums of the post-punk era. Beyond the music, though, the members of U2, R.E.M., Radiohead and the Red Hot Chili Peppers share several common bonds. Having emerged from punk's do-it-yourself ethos, they embody collective creativity over individual artistry. With the exception of the Chili Peppers' revolving-door guitarists, each band's lineup has remained stable while the groups outlasted most of their contemporaries. The twin factors of group-inspired music and long-term collaboration make these four bands important case studies in modern rock and roll. With a focus on creative dynamics, author Mirit Eliraz studies four of the most popular, critically acclaimed, and prolific rock bands of the last quarter century. Introductory chapters offer band bios; reasons for formation; and each group's friends, collaborators and business partners. Middle chapters discuss the governing structures and general relations within the bands; obstacles to unity and survival; how diverse elements are merged into a productive whole; role divisions; the collaborative process; and life on the road. Concluding chapters cover external influences on band dynamics; the evolution of each band's communal life; and challenges to the band paradigm.

(Book). Bono called Jeff Buckley "a pure drop in an ocean of noise." In this startling new biography, Buckley's friends, peers, enemies, collaborators, lovers, and others speak of the Jeff they knew or, in some cases, thought they knew. His struggles with writer's block are explored, as are his battles with the concept of stardom, his desire for escape, and his attempts to deal with the unavoidable legacy of his equally gifted father, Tim Buckley.

This one-of-a-kind reference investigates the music and the musicians that set the popular trends of the last half century in America. Many rock fans have, at one time or another, ranked their favorite artists in order of talent, charisma, and musical influence on the world as they see it. In this same spirit, author and music historian David V. Moskowitz expands on the concept of "top ten" lists to provide a lineup of the best 100 musical groups from the past 60 years. Since the chosen bands are based on the author's personal taste, this two-volume set provokes discussion of which performers are included and why, offering insights into the surprising influences behind them. From the Everly Brothers, to the Ramones, to Public Enemy, the work covers a wide variety of styles and genres, clearly illustrating the connections between them. Entries focus on the group's history, touring, membership, major releases, selected discography, bibliography, and influence. Contributions from leading scholars in popular music shed light on derivative artists and underscore the overall impact of the performers on the music industry.