Ricorso and Revelation traces the impact on Modernism of the archaeological discoveries of the Palace of Knossos, the Royal Cemetery of Ur, and the Tomb of Tutankhamen, and the artifacts recovered from these sites, showing how they entered the narrative strategies of the Modernist movement. The author also develops a new argument about the four myth configurations — the maze, alchemy, the Great Goddess, and the Apocalypse — which were of central importance to the literature of European Modernism between 1895 and 1946, studying their appearances in a wide range of European modernist writers and in the paintings of Picasso and the films of Jean Cocteau. Drawing from a variety of theories on myth, Smith suggests that each of these four myths represents a creative return to the origins (ricorso), a reduction of the raw materials of daily life to the fundamental elements of creation (revelation), followed by a recreation of the world (cosmogenesis), of the poet (ontogenesis), and of the text (poesis).

Hegel and Whitehead presents a careful exploration of the similarities between these two formidable representatives of systematic philosophy. Some of the most distinguished scholars in European and American philosophy converge herein to explore the similarities in Hegel's and Whitehead's contemporary influence, as well as in the content of their respective systems and in their philosophical styles. This volume begins with important critical, comparative, and historical assessments of the contemporary problems in metaphysics, philosophy of science, philosophy of mind, ethics, social thought, and philosophy of religion, of history, and of culture against the background of the important contributions made to these discussions by both Hegel and Whitehead. The result is a collection of vigorous new essays in systematic philosophy that reflect the enduring contributions of these two philosophers to the contemporary philosophical climate on two continents.

A separate section of the journal, Molecular and developmental evolution, is devoted to experimental approaches to evolution and development.

Volumes 1-5 include Proceedings of the Association of American anatomists (later American Association of Anatomists), 15th-20th session (Dec. 1901/Jan. 1902-Dec. 1905).

An examination of Whitehead's metaphysics through a study of his Process and Reality.

The title says it all. Eric Weiss is going for the gold. I'm watching and believing. -Michael Murphy, Cofounder of Esalen Institute Author of The Future of the Body As I read Eric Weiss' The Long Trajectory, I am often lifted beyond understanding into ecstasy. Integrating the physical, transphysical, and spiritual dimensions, Weiss offers a metaphysical model that heals the past and opens the door to a new future for humanity. -Dr. Christopher M. Bache, Youngstown State University Author of Dark Night, Early Dawn What happens to us after we die? Do we cease to exist? Do we survive bodily death? Do we live again in a new body? Without answers to these questions, we cannot know who and what we really are. In The Long Trajectory, author and philosopher Eric Weiss explores these fundamental questions. Inspired by the philosophies of Alfred North Whitehead and Sri Aurobindo, Weiss develops a new metaphysical system he calls "transphysical process metaphysics." It rethinks space, time, matter/energy, consciousness, and personality in ways consistent with the findings of science, while providing a coherent explanation for the survival of the personality beyond death and how it can reincarnate in a new body.

Process theism, in a variety of manifestations and modifications stemming from Whitehead's original suggestions, dominates discussions of philosophical and natural theology in Europe and America. In Transforming Process Theism Ford argues that subsequent modifications of Whitehead's original line of thought mask a fundamental and unresolved aporia in that original proposal: since only past or "objectified" determinate events can influence present experiences and since God, as conceived by Whitehead, is never fully determinate or objectifiable as a "past event," it is difficult to see how this divine persuasive power can have any influence on the present as a source of creativity and genuinely new possibilities for enactment. Ford meticulously reconstructs and evaluates Whitehead's own versions of theism, and he critically appraises the most influential subsequent modifications of these unrecognized variants by other process thinkers. He recovers the original trajectory of Whitehead's continuous revision of his conception of God, and forges an appropriate solution to this central aporia. He concludes that—consistent with Whitehead's overarching metaphysical principles, there is another kind of causal influence that does not require objectification, and is the opposite of past determinateness. The future, conceived as active, offers an account of subjectivity which is both universal and transcendent. God, according to Ford's revisions, must be understood as this particular but indefinite creativity or universal activity of the future, bestowing subjectivity on each present occasion of experience without ever becoming determinate.

Foreword by Daniel A. Dombrowski. A central concern of nearly every environmental ethic is its desire to extend the scope of direct moral concern beyond human beings to plants, nonhuman animals, and the systems of which they are a part. Although nearly all environmental philosophies have long since rejected modernity's conception of individuals as isolated and independent substances, few have replaced this worldview with an alternative that is adequate to the organic, processive world in which we find ourselves. In this context, Brian G. Henning argues that the often overlooked work of Alfred North Whitehead has the potential to make a significant contribution to environmental ethics. Additionally inspired by classical American philosophers such as William James, John Dewey and Charles Sanders Pierce and environmental philosophers such as Aldo Leopold, Peter Singer, Albert Schweitzer, and Arne Naess, Henning develops an ethical theory of which the seminal insight is called "The Ethics of Creativity."By systematically examining and developing a conception of individuality that is equally at home with the microscopic world of subatomic events and the macroscopic world of ecosystems, The Ethics of Creativity correctly emphasizes the well-being of wholes, while not losing sight of the importance of the unique centers of value that constitute these wholes. In this way, The Ethics of Creativity has the potential to be a unique voice in contemporary moral philosophy.

Hegel, History, and Interpretation is a collection of essays that extends critical discussions of Hegel into contemporary debates about the nature of interpretation and theories of philosophical hermeneutics. Essays by Susan Armstrong, John D. Caputo, William Desmond, Robert Dostal, Shaun Gallagher, Philip T. Grier, H. S. Harris, Walter Lammi, George R. Lucas, Jr., Michael Prosch, Thomas Rockmore, and E Christopher Smith explore difficult issues concerning historical interpretation, the nature of hermeneutics at the end of metaphysics, the social and critical function of reason, and the inadequacy of Hegel's interpretation of the experience of otherness. In the course of these essays Hegel is made to converse with Kierkegaard, Nietzsche, and Heidegger as well as with contemporary theorists such as Gadamer, Habermas, Foucault, and Derrida. Thus the contributors explore both the themes that form the common ground between Hegelian philosophy and contemporary interpretation theory and the mixed reception of Hegel's philosophy into contemporary discussions about history, deconstruction, critical theory, and alterity.