A step-by-step framework for structuring, drafting and closing a venture capital deal from the perspective of both the company and the investor.

Exterior analysis uses differential forms (a mathematical technique) to analyze curves, surfaces, and structures. Exterior Analysis is a first-of-its-kind resource that uses applications of differential forms, offering a mathematical approach to solve problems in defining a precise measurement to ensure structural integrity. The book provides methods to study different types of equations and offers detailed explanations of fundamental theories and techniques to obtain concrete solutions to determine symmetry. It is a useful tool for structural, mechanical and electrical engineers, as well as physicists and mathematicians. - Provides a thorough explanation of how to apply differential equations to solve real-world engineering problems - Helps researchers in mathematics, science, and engineering develop skills needed to implement mathematical techniques in their research - Includes physical applications and methods used to solve practical problems to determine symmetry

A practical guide to Internet business transactions. With over 65 forms and checklists from actual Internet deals and transactions, it's a hands-on guide to the law of Internet commerce.

Structure and Style, first published in 1962 and expanded in 1979, fills the need for new ways of analysis that put 20th-century music in perspective. It spans forms in use before 1600 through forms and techniques in use today. Anthology of Musical Forms provides musical examples of forms treated in Structure and Style. Some examples are analyzed throughout. Most are left for the student to analyze. These books reflect Leon Stein's impressive background as student, musician, and composer. Stein studied composition with Leo Sowerby, Frederick Stock (conductor of the Chicago Symphony) and orchestration with Eric DeLamarter, his assistant. He earned M. Mus and Ph.D degrees at DePaul University and was associated with its School of Music as director of the Graduate Division and chairman of the Department of Theory and Composition until his retirement in 1976. He has composed a wide variety of works, including compositions for orchestra, chamber combinations, two operas, and a violin concerto.