"Stephanie, if we're going to get serious I should tell you that Taiwan will always be the other woman." "You mean I have to share you with 23 million other people?" Stephanie has never been to Asia; Portland, Oregon seems to be a metropolis to this small-town girl. Josh has spent years living in Taiwan and plans to make that country his home once again. Several years later, they've packed a few essentials, given away everything else and are on a flight to Taipei. From five-star luxury to a hostel on an island that was once a penal colony, from the chaotic excitement of urban night markets to an isolated mountain village, Josh shows Stephanie the country that has claimed him. Hoping she'll fall in love with Taiwan and choose to live there with him, he's even chosen the place where he plans to propose to her. And then they visit a fortune-teller. Stephanie, plunged into a whirlwind exploration of Taiwan before she's even recovered from jet lag, is an artist faced with a nonstop barrage of sensory overload. She doesn't speak Chinese, she's on a gluten-free diet, and she's firmly rooted in Josh's itinerary, where there's no room for sitting still. Luckily she's a woman with a taste for adventure. Formosa Moon sets the bar for a whole new form of travel writing. Written in two voices, it gives the vivid impressions of a first-time Asia traveler and the deep-rooted knowledge of a man who is returning home. Stephanie's excitement, confusion, and delight combine with Josh's irreverent humor and carefully researched facts to create a travel memoir/travel guide that's cloaked in a quest for home. Josh has already found his but he knows Stephanie needs to find hers in her own way. And then there's that fortune-teller...

This ethnological research done by Janet McGovern records a trip taken a few years earlier in Taiwan. From 1916 to 1918, she walked off the beaten track to find the stories and lives of the aborigines of Taiwan. This study mainly focuses on social organization and costumes of the Indigenous inhabitants of Taiwan.

When Joshua Samuel Brown first stepped out of the passenger terminal at Chiang Kai-shek International Airport in Taiwan, he was a stranger in a humid land with insufficient funds, zero job prospects and an over-packed suitcase. Like much else in his life up to that point, his decision to move to Taiwan was based largely on random occurrence and cosmic coincidence. He was twenty-four years old, thousands of miles away from home, and at that moment the happiest man alive. This anthology of short stories, travel essays, photographs, random meditations, and political meanderings grew out of his years on the island formerly known as Formosa.

Formosa is a young boy who loves reading storybooks. He loves his bedtime stories so much that he dreams of becoming one of the characters. Every night around bedtime, Formosa happily falls asleep reading about his favorite storybook characters. He loves his storybook friends. But Formosa also loves to color and draw all over his storybooks. He drew a mustache and bushy eyebrows on Mazu Goddess, and now she must hide away in her carriage. He drew all over Monster Nians body, and now all of his friends laugh at him because he looks so strange. Naturally, the characters of Formosas storybook become angry with him. Its a good thing they cant get out of the book to confront him. One night, as Formosa happily falls asleep with his book, hes pulled into the pages of his bedtime story, where all of the angry characters await. His peaceful sleep becomes an exciting adventure as Formosa tries to make his storybook friends forgive him for his mistakes. Formosas Masquerade is a fun and exciting adventure spiced with Taiwanese culture and mythology. Join Formosa, a spirited young boy, as he embarks on a magical journey in a storybook world to win the forgiveness of the storybook characters hes offended.

"Whoppers presents the fascinating stories of over fifty people who lied for money, fame, honor, acceptance, and, sometimes, just for the heck of it."--Page 4 of cover.

Mark J.P. Wolf’s study of imaginary worlds theorizes world-building within and across media, including literature, comics, film, radio, television, board games, video games, the Internet, and more. Building Imaginary Worlds departs from prior approaches to imaginary worlds that focused mainly on narrative, medium, or genre, and instead considers imaginary worlds as dynamic entities in and of themselves. Wolf argues that imaginary worlds—which are often transnarrative, transmedial, and transauthorial in nature—are compelling objects of inquiry for Media Studies. Chapters touch on: a theoretical analysis of how world-building extends beyond storytelling, the engagement of the audience, and the way worlds are conceptualized and experienced a history of imaginary worlds that follows their development over three millennia from the fictional islands of Homer’s Odyssey to the present internarrative theory examining how narratives set in the same world can interact and relate to one another an examination of transmedial growth and adaptation, and what happens when worlds make the jump between media an analysis of the transauthorial nature of imaginary worlds, the resulting concentric circles of authorship, and related topics of canonicity, participatory worlds, and subcreation’s relationship with divine Creation Building Imaginary Worlds also provides the scholar of imaginary worlds with a glossary of terms and a detailed timeline that spans three millennia and more than 1,400 imaginary worlds, listing their names, creators, and the works in which they first appeared.

The year is 1624. In southwestern Taiwan the Dutch establish a trading settlement; in Nagasaki a boy is born who will become immortalized as Ming dynasty loyalist Koxinga. Lord of Formosa tells the intertwined stories of Koxinga and the Dutch colony from their beginnings to their fateful climax in 1662. The year before, as Ming China collapsed in the face of the Manchu conquest, Koxinga retreated across the Taiwan Strait intent on expelling the Dutch. Thus began a nine-month battle for Fort Zeelandia, the single most compelling episode in the history of Taiwan. The first major military clash between China and Europe, it is a tale of determination, courage, and betrayal - a battle of wills between the stubborn Governor Coyett and the brilliant but volatile Koxinga. Although the story has been told in non-fiction works, these have suffered from a lack of sources on Koxinga as the little we know of him comes chiefly from his enemies. While adhering to the historical facts, author Joyce Bergvelt sympathetically and intelligently fleshes out Koxinga. From his loving relationship with his Japanese mother, estrangement from his father (a Chinese merchant pirate), to his struggle with madness, we have the first rounded, intimate portrait of the man. Dutch-born Bergvelt draws on her journalism background, Chinese language and history studies, and time in Taiwan, to create an irresistible panorama of memorable characters caught up in one of the seventeenth century's most fascinating dramas.