Forgery and Counter-forgery: The Use of Literary Deceit in Early Christian Polemics is the first major contemporary work on forgery in early Christian literature. It examines the motivation and function behind Christian literary forgeries.

""Arguably the most distinctive feature of the early Christian literature, "" writes Bart Ehrman, ""is the degree to which it was forged."" The Homilies and Recognitions of Clement; Paul's letters to and from Seneca; Gospels by Peter, Thomas, and Philip; Jesus' correspondence with Abgar, letters by Peter and Paul in the New Testament--all forgeries. To cite just a few examples. Forgery and Counterforgery is the first comprehensive study of early Christian pseudepigrapha ever produced in English. In it, Ehrman argues that ancient critics--pagan, Jewish, and Christian--understood false authorial.

Bart D. Ehrman, the New York Times bestselling author of Jesus, Interrupted and God’s Problem reveals which books in the Bible’s New Testament were not passed down by Jesus’s disciples, but were instead forged by other hands—and why this centuries-hidden scandal is far more significant than many scholars are willing to admit. A controversial work of historical reporting in the tradition of Elaine Pagels, Marcus Borg, and John Dominic Crossan, Ehrman’s Forged delivers a stunning explication of one of the most substantial—yet least discussed—problems confronting the world of biblical scholarship.

"Scientific Investigation of Copies, Fakes and Forgeries is a comprehensive guide to the technical and scientific study of the authenticity of a wide range of antiquities and artworks. It is the first book to provide a full survey of the subject of forgery from a scientific basis, examining a wide range of materials and techniques." "The demand for copies, fakes and forgeries is driven by rising prices in an international marketplace. The book examines the available new technologies and ever more sophisticated forging techniques, looking at production and distribution of fraudulent artworks. The subject is exemplified by numerous internationally based case studies, some turning out not to be as conclusive as is sometimes believed." "The book is aimed at those who need to understand the available approaches to and methods of scientific and technical authentication, be they curator, collector, conservator or scientist." --Book Jacket.

Cedric J. Robinson offers a new understanding of race in America through his analysis of theater and film of the early twentieth century. He argues that economic, political, and cultural forces present in the eras of silent film and the early "talkies" firmly entrenched limited representations of African Americans. Robinson grounds his study in contexts that illuminate the parallel growth of racial beliefs and capitalism, beginning with Shakespearean England and the development of international trade. He demonstrates how the needs of American commerce determined the construction of successive racial regimes that were publicized in the theater and in motion pictures, particularly through plantation and jungle films. In addition to providing new depth and complexity to the history of black representation, Robinson examines black resistance to these practices. Whereas D. W. Griffith appropriated black minstrelsy and romanticized a national myth of origins, Robinson argues that Oscar Micheaux transcended uplift films to create explicitly political critiques of the American national myth. Robinson's analysis marks a new way of approaching the intellectual, political, and media racism present in the beginnings of American narrative cinema.

An expatriate is beset by dark temptations in this tale by the author of The Talented Mr. Ripley: “Her best novel” (The New Yorker). Set in Tunisia in the mid-1960s, this is the story of Howard Ingham, an American writer who has gone abroad to gather material for a movie too sordid to be set in America. Ingham is cool toward the girlfriend he left behind in New York—but his feelings start to change when she doesn’t answer his increasingly aggravated letters, and the filmmaker who hired Ingham fails to show in Tunisia. Amid the tea shops and alleys of the souk, the sun-blasted architecture, and the beaches and hotels frequented by international tourists, Ingham tries to pass the time by working on a writing project. But a series of peculiar events—a hushed-up murder, a vanished corpse, secret broadcasts to the Soviet Union—will pull him in, and may finally put his increasingly fragile sense of morality to the test. “Highsmith’s finest novel.” —Graham Greene, author of The Quiet American “Her books have stylistic texture, psychological depth, mesmeric readability.” —The Sunday Times

"A deliciously twisted gothic fantasy you'll want to read again and again, with characters you'll adore, prose that'll spellbind you, romance you'll swoon over, and a mystery that'll keep you guessing until the last stunning twist." —Diana Urban, author of These Deadly Games From the author of Sing Me Forgotten comes a lush new fantasy novel with art-based magic, romance, and murder… Myra has a gift many would kidnap, blackmail, and worse to control: she’s a portrait artist whose paintings alter people’s bodies. Guarding that secret is the only way to keep her younger sister safe now that their parents are gone. But one frigid night, the governor’s wife discovers the truth and threatens to expose Myra if she does not complete a special portrait that would resurrect the governor's dead son. Once she arrives at the legendary stone mansion, however, it becomes clear the boy’s death was no accident. A killer stalks these halls--one disturbingly obsessed with portrait magic. Desperate to get out of the manor as quickly as possible, Myra turns to the governor’s older son for help completing the painting before the secret she spent her life concealing makes her the killer’s next victim. “A heady blend of the fantastical, the murderous, and the romantic.” —Kirkus Reviews, STARRED review “Marvelously magical and steeping with mystery.” —Adalyn Grace, author of All the Stars and Teeth Also by Jessica S. Olson: Sing Me Forgotten

The flame of love burns bright in the second book of Sharon M. Draper’s award-winning Hazelwood High trilogy. When Gerald was a child he was fascinated by fire. But fire is dangerous and powerful, and tragedy strikes. His substance-addicted mother is taken from him. Then he loses the loving generosity of a favorite aunt, and a brutal stepfather with a flaming temper and an evil secret makes his life miserable. The one bright light in Gerald's life is his little half sister, Angel, whom he struggles to protect from her father, who is abusing her. Somehow Gerald manages to finds success as a member of the Hazelwood Tigers basketball team, and Angel develops her talents as a dancer, despite the trouble that still haunts them. And Gerald learns, painfully, that young friends can die and old enemies must be faced. In the end he must stand up to his stepfather alone in a blazing confrontation. In this second book of the Hazelwood High trilogy, Sharon M. Draper has woven characters and events from Tears of a Tiger in an unflinchingly realistic portrayal of poverty and child abuse. It is an inspiring story of a young man who rises above the tragic circumstances of his life by drawing on the love and strength of family and friends.

Right from the beginning, classical literature has been embroiled with questions of authenticity, fakes, frauds, and, of course, scandal. Issues of dubious authorship, and contested authority confront philologists, critics and publishers today as surely as they did in the classical era itself. The new era of postmodernism, however, encourages us to look at the work of the forger with fresh eyes, and recent scholarship reflects this in an interdisciplinary approach which goes well beyond the conventional academic endeavor to separate the authentic from the fake. Fakes and Forgers of Classical Literature comprises essays from an international cast of scholars who, in their diverse and creative approaches to questions of authenticity both old and new, radically revise the position of the forged text in the literary tradition and, in light of modern approaches of philology and literary criticism, offer exciting new strategies for understanding forgery and the play with authenticity within ancient literature itself.

From the National Book Critics Circle Award-winning author comes the gripping true story of a sensational religious forgery and the scandal that shook Harvard. In 2012, Dr. Karen King, a star religion professor at Harvard, announced a breathtaking discovery just steps from the Vatican: she’d found an ancient scrap of papyrus in which Jesus calls Mary Magdalene “my wife.” The mysterious manuscript, which King provocatively titled “The Gospel of Jesus’s Wife,” had the power to topple the Roman Catholic Church. It threatened not just the all-male priesthood, but centuries of sacred teachings on marriage, sex, and women’s leadership, much of it premised on the hallowed tradition of a celibate Jesus. Award-winning journalist Ariel Sabar covered King’s announcement in Rome but left with a question that no one seemed able to answer: Where in the world did this history-making papyrus come from? Sabar’s dogged sleuthing led from the halls of Harvard Divinity School to the former headquarters of the East German Stasi before landing on the trail of a Florida man with an unbelievable past. Could a motorcycle-riding pornographer with a fake Egyptology degree and a prophetess wife have set in motion one of the greatest hoaxes of the century? A propulsive tale laced with twists and trapdoors, Veritas is an exhilarating, globe-straddling detective story about an Ivy League historian and a college dropout—and how they worked together to pass off an audacious forgery as a long-lost piece of the Bible.