Key Selling Points • Interlink’s 2022 charity cookbook to raise awareness and funds for the Lebanese Food Bank • Long-awaited new cookbook from award-winning and bestselling author of Soup for Syria • 100 easy-to-prepare recipes that showcase Lebanon’s culinary heritage • Filled with stories and anecdotes about the food and people • Stunning food and location photography that portray Beirut’s culture before and after the blast that devastated half the city • Strong author connections with the international Slow Food movement • Mediterranean cuisine is widely known to be healthful. A new cookbook from the bestselling author of Soup for Syria to support the Lebanese Food Bank and help families in dire need of food after the devastating blast and ensuing economic collapse Beirut, nicknamed “Paris of the East,” is the capital of Lebanon. It is the culinary capital of the Arab world, with an unmatched cuisine that has ancient roots and is influenced by a number of civilizations and cooking styles, including Arab, Turkish, and French. It is one of the oldest cities in the world and one of the most cosmopolitan and religiously diverse in the region. Situated on the Mediterranean coast and flanked by the majestic Mount Lebanon, it boasts an abundance of flavorful ingredients and spices, including whole grains, fruits, vegetables, and seafood. Written by renowned Lebanese chef and award-winning cookbook writer Barbara Abdeni Massaad, Forever Beirut is a collection of 100 easy-to-prepare recipes that celebrate Beirut’s rich culinary heritage, its resilience, and healing power. It is Barbara’s way of honoring the city of her childhood, her dreams, her Lebanese family kitchen, and the food that roots her. It is filled with stories and anecdotes about the customs, food, people, and traditions, with sections for soups, salads, breads and savory pastries, mezze, kibbeh, grilling, main dishes, pickles and preserves, and sweets. With beautiful food and location photography, Forever Beirut is a must-have for cooks who love healthful and delicious Middle Eastern food.

The book explores the affairs of Mount Lebanon and its surrounds through fourteen centuries, beginning with the emergence of its Christian, Muslim and Islamic-derived communities between the sixth and eleventh centuries. Against this backdrop, it interprets the modern republic of Lebanon from Ottoman antecedents to present day crises.

Revered by some as the Arab Garibaldi, maligned by others as an intriguer and opportunist, Fawzi al-Qawuqji manned the ramparts of Arab history for four decades, leading or helping to lead Arab forces in nearly every significant military conflict from 1914 to 1948. When an effort to overthrow the British rulers of Iraq failed, he moved to Germany, where he spent much of the Second World War battling his fellow exile, the Mufti of Jerusalem, who had accused him of being a British spy. In 1947, Qawuqji made a daring escape from Allied-occupied Berlin, and sought once again to shape his region's history. In his most famous role, he would command the Arab Liberation Army in the Arab-Israeli war of 1948. In this well-crafted, lively and definitive biography, Laila Parsons tells Qawuqji's dramatic story and sets it in the full context of his turbulent times. Following Israel's decisive victory, Qawuqji was widely faulted as a poor commander with possibly dubious motives. Parsons shows us that the truth was more complex: although he doubtless made some strategic mistakes, he never gave up fighting for Arab independence and unity, even as those ideals were undermined by powers inside and outside the Arab world. 'An outstanding book ... one of the most important new works in modern Middle Eastern history.' Eugene Rogan, author of The Arabs 'With great skill and impressive scholarship, Laila Parsons uses the extraordinary career of Fawzi al-Qawuqji as a prism through which to understand the tumultuous history of the Arab world in the first half of the twentieth century.' Charles Tripp, SOAS 'An indispensable account of the career of a remarkable Arab military leader whose life involved participation in most of the Middle East's major twentieth-century battles' Roger Owen, Harvard University

Raif Shwayri begins his family's story with his grandfather Habib Shwayri's arrival at Ellis Island in 1902. Having left Beirut, then a harbor city on the Syrian coast of the Ottoman Empire, only weeks before, he took the name Alfred Nicola and made his way to relatives in New Orleans. There, he began peddling down the Bayou Lafourche, befriending the communities living alongside the water and earning the nickname "Sweet Papa" for his kindness and generosity. When he returned home to Lebanon in 1920, he invested the money he had made, from years of peddling, in real estate and died a wealthy man in 1956. After his death, his youngest son, Nadim (Raif's father), turned his part of the inheritance into an endowment that started Al-Kafaàt, an iconic and unique institution in Lebanon that serves the handicapped and underprivileged. Alfred Nicola's story, like the story of Lebanon itself, begins farther back in history. In its account of centuries of Ottoman rule, decades of colonial occupation, and years of internal political strife and civil war, Beirut on the Bayou intertwines a family narrative with the story of a people, of Lebanon in the making. From the Fertile Crescent that was Syria to the Crescent City that is New Orleans, the saga of the Shwayri family reflects the experiences of those Lebanese who walked the path of immigration to the United States, as well as those who stayed behind—or returned—to help forge a nation.

Lebanon seems a country in the grip of permanent crisis. In recent years it has suffered blow after blow, from Rafiq Hariri's assassination in 2005, to the 2006 July War, to the current Syrian conflict, which has brought a million refugees streaming into the country. This is an account not just of Lebanon's high politics, with its endless rows, walk-outs, machinations and foreign alliances, but also of the politics of everyday life: all the stresses and strains the country's inhabitants face, from electricity black-outs and uncollected rubbish to stagnating wages and property bubbles. Andrew Arsan moves between parliament and the public squares where protesters gather, between luxury high-rises and refugee camps, and between expensive nightclubs and seafront promenades, providing a comprehensive view of Lebanon in the twenty-first century. Where others have treated Lebanon's woes as exceptional, a by-product of its sectarianism and particular vulnerability to regional crises, Arsan argues that there is nothing particular about Lebanon's predicament. Rather, it is a country of the age--one of neoliberal economics, populist fervor, forced displacement, rising xenophobia, and public disillusion. Lebanon, in short, offers us a lens through which to look on our times.

An introduction to the the peoples of Western Asia details each country's ancient and modern history, languages, religions, peoples, foods, industries, arts and crafts, sports, and holidays.

The blood of Adonis, thought Sarah, remembering the church that was built like a pagan temple. Coquelicot rouge - the symbol of a dying man whose blood stained the hillside in the spring. Sarah Lane, abandoning her French lover for the brilliant Lebanese sunshine, believes that the day will belong to her alone. But when a street bomb hurls her into the arms of a dangerously handsome Syrian colonel, she finds herself trapped once again. Is this a kidnapping? A seduction? Or merely the chaos of the Middle-East? The Wakefield Crime Classics series revives forgotten or neglected gems of crime and mystery fiction by Australian authors. Many of the writers have established international reputations but are little known in Australia. 'The Wakefield Crime Classics series is marvellous ... a wonderful collection of writing that should not have been overlooked in this country in the first place.' - Terry O'Connor, Courier Mail

Pity the Nation ranks among the classic accounts of war in our time, both as historical document and as an eyewitness testament to human savagery. Written by one of Britain's foremost journalists, this remarkable book combines political analysis and war reporting in an unprecedented way: it is an epic account of the Lebanon conflict by an author who has personally witnessed the carnage of Beirut for over a decade. Fisk's book recounts the details of a terrible war but it also tells a story of betrayal and illusion, of Western blindness that had led inevitably to political and military catastrophe. Updated and revised, Fisk's book gives us a further insight into this troubled part of the world. 'Robert Fisk is one of the outstanding reporters of this generation. As a war correpondent he is unrivalled.' Edward Mortimer, Financial Times

A happily misanthropic Middle East divorcee finds refuge in books in a “beautiful and absorbing” novel of late-life crisis (The New York Times). Aaliya is a divorced, childless, and reclusively cranky translator in Beirut nurturing doubts about her latest project: a 900-page avant-garde, linguistically serpentine historiography by a late Chilean existentialist. Honestly, at seventy-two, should she be taking on such a project? Not that Aailiya fears dying. Women in her family live long; her mother is still going crazy. But on this lonely day, hour-by-hour, Aaliya’s musings on literature, philosophy, her career, and her aging body, are suddenly invaded by memories of her volatile past. As she tries in vain to ward off these emotional upwellings, Aaliya is faced with an unthinkable disaster that threatens to shatter the little life she has left. In this “meditation on, among other things, aging, politics, literature, loneliness, grief and resilience” (The New York Times), Alameddine conjures “a beguiling narrator . . . who is, like her city, hard to read, hard to take, hard to know and, ultimately, passionately complex” (San Francisco Chronicle). A finalist for the National Book Critics Circle Award and the National Book Award, An Unnecessary Woman is “a fun, and often funny . . . grave, powerful . . . [and] extraordinary” Washington Independent Review of Books) ode to literature and its power to define who we are. “Read it once, read it twice, read other books for a decade or so, and then pick it up and read it anew. This one’s a keeper” (The Independent)