Forest Lawn Cemetery, covering over 269 acres, contains the graves of 144,000 people who helped build Buffalo into a great industrial city. Here are the captivating stories of many of those people as seen from the perspective of the cemetery they are buried in. These are more than 100 color pictures and 60 black & whites pictures to illustrate the 147 years of Forest Loan's fascinating history.

Judson: Innovation in Stained Glass by David Judson and Steffie Nelson is a history of the world-renowned family of artisans who began crafting stained glass windows in Los Angeles in 1897. Five generations of Judsons have worked with artists, architects, and designers to create Old World-style stained glass whose quality and craftsmanship has often been compared to the work of Louis Tiffany. Famed for its Craftsman glass, Judson arts-and-crafts era windows have been celebrated by experts in the field for decades. Judson's work with Frank Lloyd Wright on Hollyhock House in the 1920s was recently re-saluted when the house was named to the UNESCO World Heritage Sites list. Established in the Pasadena during the heyday of the Arroyo Culture, headquarters of Judson Studios are still housed in the original Craftsman-era home and studio of patriarch William Lees Judson. Much of Judson's finest early work was installed in religious buildings. Along with the studio's numerous institutional and residential projects, Judson: Innovation in Stained Glass illustrates fine work in churches dating back to the early twentieth century. Modern work is also featured, including the extraordinary Air Force Academy Chapel in Colorado Springs, completed in 1962, a mid-century wonder whose soaring panels of color introduced an architecturally mesmerizing approach to stained glass that had never been executed before. In 2018, under David Judson's leadership, the studio created the world's largest fused glass window for the Church of the Resurrection in Leawood, Kansas. Including 140 panels, and measuring more than 3,400 square feet of art glass, the window made news internationally, intriguing congregants, tourists, and stained glass experts alike with its precision detail and artful melding of colors in a mural that depicted both sacred and secular stories. Once Judson Studios developed methods for blending subtle variations of color in glass for the Church of the Resurrection window, the possibilities of glass as an artist's medium were apparent. Now, in addition to its work in traditional leaded stained glass, Judson Studios is working with fine artists creating effects in fused glass that were previously unachievable. Most recently, fine artist Sarah Cain worked with Judson Studios to create a work in glass 10 feet high by 150 feet long; it was installed at the San Francisco International Airport in July 2019. About the Authors: David Judson is president of Judson Studios, the fifth generation of the Judson family to lead the studio since it was founded in 1897. David oversees the studio's creative process, where he works with architects, designers, and artists who turn to Judson for its legendary work in stained glass. In 2015, he opened the second Judson Studios facility which incorporates the firm's innovative fusing technology that allows fine artists to express their vision in glass. David is the president of the Stained Glass Association of America (SGAA) and lives with his family in Pasadena, California. Steffie Nelson has covered art, design, and culture for The New York Times, Los Angeles Times, W Magazine, and others.

A hauntingly beautiful travel guide to the world's most visited cemeteries, told through spectacular photography andtheir unique histories and residents. More than 3.5 million tourists flock to Paris's Pè Lachaise cemetery each year.They are lured there, and to many cemeteries around the world, by a combination of natural beauty, ornate tombstones and crypts, notable residents, vivid history, and even wildlife. Many also visit Mount Koya cemetery in Japan, where 10,000 lanterns illuminate the forest setting, or graveside in Oaxaca, Mexico to witness Day of the Dead fiestas. Savannah's Bonaventure Cemetery has gorgeous night tours of the Southern Gothic tombstones under moss-covered trees that is one of the most popular draws of the city. 199 Cemeteries to See Before You Die features these unforgettable cemeteries, along with 196 more, seen in more than 300 photographs. In this bucket list of travel musts, author Loren Rhoads, who hosts the popular Cemetery Travel blog, details the history and features that make each destination unique. Throughout will be profiles of famous people buried there, striking memorials by noted artists, and unusual elements, such as the hand carved wood grave markers in the Merry Cemetery in Romania.

10,000 Steps a Day in L.A.: 52 Walking Adventures is for urban adventurers with a passion for healthy living who are also hungry to explore L.A.’s hidden, unsung, and sometimes quirky side. This unique guidebook provides everything readers need to venture out and tackle the city’s 500 square miles. The book is based on a concept that first took hold in Japan—that if people walked 10,000 steps each day, they would burn 20 percent of their caloric intake through that activity alone. Now an ingrained part of the American lifestyle, the 10,000 steps phenomenon is taking the country by storm; it is now a recognized daily goal by a number of major insurance companies like Kaiser Permanente and health institutes such as the World Health Organization, the U.S. Center for Disease Control, the U.S. Surgeon General, and the American Heart Foundation. In this first-ever book to explore the 10,000 steps concept in the City of Angels, these walks take readers through the terrain that makes Los Angeles the envy of many a metropolis—beaches, mountains, rivers, and reservoirs, not to mention the nation’s largest urban park, Griffith Park—all while immersing them in the city’s history and lore, offbeat locales, and popular landmarks. 10,000 Steps a Day in L.A. promises three things: 10,000 steps in each walk, a blueprint for doing it each weekend of the year (52 walks equals a year’s worth of weekends), and a sense of fun and discovery about L.A. that will only make the 10,000 steps goal that much easier to attain. Readers need bring only their feet—pedometers optional.

For the first time the true story of the early struggles to start the cemetery that became the famous Forest Lawn Memorial-Park are told by former Forest Lawn CEO John F. Llewellyn, the third and last generation to manage this uniquely Southern California institution.

It was an explosion that reverberated across the country—and into the very heart of early-twentieth-century America. On the morning of October 1, 1910, the walls of the Los Angeles Times Building buckled as a thunderous detonation sent men, machinery, and mortar rocketing into the night air. When at last the wreckage had been sifted and the hospital triage units consulted, twenty-one people were declared dead and dozens more injured. But as it turned out, this was just a prelude to the devastation that was to come. In American Lightning, acclaimed author Howard Blum masterfully evokes the incredible circumstances that led to the original “crime of the century”—and an aftermath more dramatic than even the crime itself. With smoke still wafting up from the charred ruins, the city’s mayor reacts with undisguised excitement when he learns of the arrival, only that morning, of America’s greatest detective, William J. Burns, a former Secret Service man who has been likened to Sherlock Holmes. Surely Burns, already world famous for cracking unsolvable crimes and for his elaborate disguises, can run the perpetrators to ground. Through the work of many months, snowbound stakeouts, and brilliant forensic sleuthing, the great investigator finally identifies the men he believes are responsible for so much destruction. Stunningly, Burns accuses the men—labor activists with an apparent grudge against the Los Angeles Times’s fiercely anti-union owner—of not just one heinous deed but of being part of a terror wave involving hundreds of bombings. While preparation is laid for America’s highest profile trial ever—and the forces of labor and capital wage hand-to-hand combat in the streets—two other notable figures are swept into the drama: industry-shaping filmmaker D.W. Griffith, who perceives in these events the possibility of great art and who will go on to alchemize his observations into the landmark film The Birth of a Nation; and crusading lawyer Clarence Darrow, committed to lend his eloquence to the defendants, though he will be driven to thoughts of suicide before events have fully played out. Simultaneously offering the absorbing reading experience of a can’t-put-it-down thriller and the perception-altering resonance of a story whose reverberations continue even today, American Lightning is a masterpiece of narrative nonfiction.

The meaning of our concern for mortal remains—from antiquity through the twentieth century The Greek philosopher Diogenes said that when he died his body should be tossed over the city walls for beasts to scavenge. Why should he or anyone else care what became of his corpse? In The Work of the Dead, acclaimed cultural historian Thomas Laqueur examines why humanity has universally rejected Diogenes's argument. No culture has been indifferent to mortal remains. Even in our supposedly disenchanted scientific age, the dead body still matters—for individuals, communities, and nations. A remarkably ambitious history, The Work of the Dead offers a compelling and richly detailed account of how and why the living have cared for the dead, from antiquity to the twentieth century. The book draws on a vast range of sources—from mortuary archaeology, medical tracts, letters, songs, poems, and novels to painting and landscapes in order to recover the work that the dead do for the living: making human communities that connect the past and the future. Laqueur shows how the churchyard became the dominant resting place of the dead during the Middle Ages and why the cemetery largely supplanted it during the modern period. He traces how and why since the nineteenth century we have come to gather the names of the dead on great lists and memorials and why being buried without a name has become so disturbing. And finally, he tells how modern cremation, begun as a fantasy of stripping death of its history, ultimately failed—and how even the ashes of the victims of the Holocaust have been preserved in culture. A fascinating chronicle of how we shape the dead and are in turn shaped by them, this is a landmark work of cultural history.

The Last Great Necessity is a quite wonderful, and often surprising, portrait of American popular culture in action. As David Charles Sloane traces the history of modern cemeteries he meets all the ambivalences and coping strategies Americans have used when they have been forced by nature to confront the meanings of their lives. - From Sam Bass Warner, Jr., Boston University.

Hollywood Remains to Be Seen is a fascinating, gossipy guide to the fourteen most significant Hollywood-era cemeteries and the final resting places of the movie stars who are buried in them. Arranged as an easy-to-follow tours of the properties, the fourteen chapters-one for each cemetery-include histories of the cemeteries, directions for finding them, and a detailed listing of exactly where more than three hundred stars, and a detailed listing of exactly where more than three hundred stars are buried.Strange as it may seem, cemeteries are becoming one of the most popular destinations for tourists to Hollywood and for film fans who want to pay their respects to the rich and famous and passed-on. Every year, millions of people from all over the world visit the graves of the legendary film stars buried in Hollywood, and the interest in these places grows from year to year.Hollywood Remains to Be Seen highlights the legend and lore of celebrity graves, from Rudolph Valentino's mysterious "Lady In Black" to the regular delivery of one red rose to Marilyn Monroe's grave, to the strange journeys made by the body of John Barry more immediately after his death in 1942- and again thirty-eight years later. Also included are information and images of Hollywood's most lavish and majestic graves, from the huge mausoleum of Douglas Fairbanks, Sr., complete with Roman pillars and giant reflecting pool; to Liberace's flamboyant tomb, with a musical score set on white marble; to the spectacular domed monument of Al Jolson, featuring a life-sized statue of the entertainer atop a 120-foot cascadin waterfall.Heavily illustrated with nearly one hundred photographs, Hollywood Remains to Be Seen includes photographs of the celebrities as well as photographs of the cemeteries, mausoleums, and graves, maps of the burial grounds and gravesites, and a final section fitly titled "Exit Lines" made up of celebrities' last words.

In this detailed guide, family historian Paul Milner explains how and why English parish records were created, beginning in 1538, what the records look like and what information they contain. The guide continues by explaining how and where to get access to the records (online, microfilm, originals or in print) and concludes by explaining what to do when you can't find your ancestors in the records.