Fully updated, the second edition of this book covers the widespread advances in digital imaging technology, techniques, and devices. It discusses the increased power, storage capacity, and use of digital cameras, laptop computers, tablets, and cell phones in forensic science. It addresses methods for presenting evidence in a courtroom, including under Frye and Daubert rules. It also explains concepts with minimal jargon, making it accessible to a wide range of photography, criminal justice, forensic, and legal professionals.

Digital imaging technology has been used in forensics since at least 1992, yet until now there?has been?no practical instruction available to address the unique issues of image processing in an everyday forensic environment. Photoshop CS3 for Forensics Professionals serves the everyday, real-world needs of law enforcement and legal personnel dealing with digital images (including both photos and video stills). This book is an excellent tool for: Law enforcement personnel, from crime scene and arson investigators, detectives, and patrol officers to forensic photographers, fingerprint examiners, video analysts, tool mark and footwear examiners, and criminalists. Security pros in such fields as private investigation, insurance, fraud detection, and loss prevention. Scientific and technical users of Photoshop with workflows similar to law enforcement, such as medical photographers, research imaging experts, engineering and architecture staff, and industrial photographers. Staff responsible for maintaining a photo archive or printing images for court. Photoshop CS3 for Forensics Professionals is the only book to provide forensics professionals with specific answers to their imaging questions. This is the perfect resource for those who want to move from simple theory to the essential skills needed to be more effective. This resource is dividied into three parts: Part I: The Essentials is about setting up your workflow, archiving your images, and familiarizing yourself with Adobe Photoshop and Adobe Bridge, including the setting up of preferences. Also covered are the best practices in writing reports and providing courtroom testimony. Part II: The Digital Darkroom teaches how to use Photoshop to accomplish what traditionally was done in the darkroom, from correcting color casts to making prints and exhibits for courtroom use. Part III: Image Analysis & Enhancement covers techniques for clarifying images so that details can be better viewed and used for analysis or comparison, from contrast enhancement and pattern removal to even forensic video analysis. The companion CD-ROM provides sample images—including various accident and crime scenes—you can use to practice the techniques from the book while?following along with the tutorials. It also includes several scripts, plug-ins, and actions so you can work more effectively. In addition, instructor's materials are available so you can use book in workshops and training seminars. Order this one-of-a-kind resource today! Note: CD-ROM/DVD and other supplementary materials are not included as part of eBook file.

Understanding Forensic Digital Imaging offers the principles of forensic digital imaging and photography in a manner that is straightforward and easy to digest for the professional and student. It provides information on how to photograph any setting that may have forensic value, details how to follow practices that are acceptable in court, and recommends what variety of hardware and software are most valuable to a practitioner. In addition to chapters on basic topics such as light and lenses, resolution, and file formats, the book contains forensic-science-specific information on SWGIT and the use of photography in investigations and in court. Of particular note is Chapter 17, Establishing Quality Requirements, which offers information on how to create a good digital image, and is more comprehensive than any other source currently available. - Covers topics that are of vital importance to the practicing professional - Serves as an up-to-date reference in the rapidly evolving world of digital imaging - Uses clear and concise language so that any reader can understand the technology and science behind digital imaging

Photographic imagery has come a long way from the pinhole cameras of the nineteenth century. Digital imagery, and its applications, develops in tandem with contemporary society’s sophisticated literacy of this subtle medium. This book examines the ways in which digital images have become ever more ubiquitous as legal and medical evidence, just as they have become our primary source of news and have replaced paper-based financial documentation. Crucially, the contributions also analyze the very profound problems which have arisen alongside the digital image, issues of veracity and progeny that demand systematic and detailed response: It looks real, but is it? What camera captured it? Has it been doctored or subtly altered? Attempting to provide answers to these slippery issues, the book covers how digital images are created, processed and stored before moving on to set out the latest techniques for forensically examining images, and finally addressing practical issues such as courtroom admissibility. In an environment where even novice users can alter digital media, this authoritative publication will do much so stabilize public trust in these real, yet vastly flexible, images of the world around us.

"This hands-on guide clarifies the difference between what can be done digitally and what should be done in a forensic setting, and helps the reader "learn by doing" with exercises and step-by-step instructions. The images and exercises in the CD-ROM provide practical examples of the techniques described in the book." "Law enforcement professionals who follow the recommendations in this text can feel confident that their handling of imaging evidence will stand up to the high standards necessary for prosecuting criminal cases."--BOOK JACKET.

Fully updated, the second edition of this book covers the widespread advances in digital imaging technology, techniques, and devices. It discusses the increased power, storage capacity, and use of digital cameras, laptop computers, tablets, and cell phones in forensic science. It addresses methods for presenting evidence in a courtroom, includin

Digital Forensics with Open Source Tools is the definitive book on investigating and analyzing computer systems and media using open source tools. The book is a technical procedural guide, and explains the use of open source tools on Mac, Linux and Windows systems as a platform for performing computer forensics. Both well-known and novel forensic methods are demonstrated using command-line and graphical open source computer forensic tools for examining a wide range of target systems and artifacts. Written by world-renowned forensic practitioners, this book uses the most current examination and analysis techniques in the field. It consists of 9 chapters that cover a range of topics such as the open source examination platform; disk and file system analysis; Windows systems and artifacts; Linux systems and artifacts; Mac OS X systems and artifacts; Internet artifacts; and automating analysis and extending capabilities. The book lends itself to use by students and those entering the field who do not have means to purchase new tools for different investigations. This book will appeal to forensic practitioners from areas including incident response teams and computer forensic investigators; forensic technicians from legal, audit, and consulting firms; and law enforcement agencies. - Written by world-renowned forensic practitioners - Details core concepts and techniques of forensic file system analysis - Covers analysis of artifacts from the Windows, Mac, and Linux operating systems

Well-documented scenes can prove to be invaluable pieces of evidence at trial, and the ability to take compelling photographs is a critical skill for forensic scientists and investigators. Practical Forensic Digital Imaging: Applications and Techniques is an up-to-date and thorough treatment of digital imaging in the forensic sciences. Balancing practical considerations with scientific and standards-based requirements, the book’s clear, concise presentation illustrates the essentials of digital imaging required by professionals in the field. Enhanced with crisp color photos, the book covers a host of critical topics, including: The fundamentals of photographing crime scenes The history of photography and the transition to digital imaging Digital camera hardware and photographic techniques Light, filters, and macro/micro imaging Lay, professional, and expert witnesses, and the implications of Frye and Daubert Enhancement of images and digital panoramic camera scanning Storage of digital media Ultraviolet and infrared imaging Digital photo imaging microscopes Covering the full range of scenarios that forensic professionals encounter, the author includes special sections dedicated to photography involving footwear and tire impressions, vehicles, death and morgue scenes, and taphonomic and entomological imaging, as well as fingerprints, burglaries, fire and arson, sex offenses, blood, and trace evidence and microscopy. The techniques in this volume enable photographers to capture the images that will not only tell the story, but will also stand up in court. Watch Patrick Jones in his laboratory on the CRC Press YouTube channel.

Digital image processing and analysis is a field that continues to experience rapid growth, with applications in many facets of our lives. Areas such as medicine, agriculture, manufacturing, transportation, communication systems, and space exploration are just a few of the application areas. This book takes an engineering approach to image processing and analysis, including more examples and images throughout the text than the previous edition. It provides more material for illustrating the concepts, along with new PowerPoint slides. The application development has been expanded and updated, and the related chapter provides step-by-step tutorial examples for this type of development. The new edition also includes supplementary exercises, as well as MATLAB-based exercises, to aid both the reader and student in development of their skills.

It happens all too often: The vague images of a poor quality video from a surveillance camera splash across the screen in a darkened courtroom and the guilt or innocence of the defendant hinges on whether or not the jury can determine if he or she is really the person in those images. Interpretation and misinterpretation of information about imagin