Forensic facial reconstruction is the reproduction of an individual's face from skeletal remains. Used when other forms of identification are very difficult or impossible, it can give a name to the dead in forensic cases, or in archaeological contexts, provide a tangible impression of real individuals from our past. This comprehensive work starts with a discussion of the importance of the face in society and the history of facial reconstruction, going on to evaluate the accuracy of modern reconstruction methods. The Manchester method of facial reconstruction, and the relationships between the hard and soft tissues of the face are described in detail. Uniquely, it also describes the methods and problems associated with reconstructing the faces of children. Collating all published facial tissue data and describing tissue variations with reference to age, sex, stature and ethnic origin, this book will be an important reference volume for all practitioners in the field.

The goal of a forensic artist is to produce a likeness of an individual that might lead to recognition, using various skeletal markers and identifiers to reconstruct the face. This reference provides information that will help forensic artists increase their skills, enhance their talents, and learn those details that will add additional realism to their work.

As the number of stranger-on-stranger crimes increases, solving these crimes becomes more challenging. Forensic illustration has become increasingly important as a tool in identifying both perpetrators and victims. Now a leading forensic artist, who has taught this subject at law enforcement academies, schools, and universities internationally, off

This unique books looks at a cost-efficient, fast and accurate means of facial reconstruction--from segmented, decomposed, or skeletal remains--using computer-graphic and computational means.Computer-Graphic Facial Reconstruction is designed as a valuable resource for those scientists designing new research projects and protocols, as well as a practical handbook of methods and techniques for medico-legal practitioners who actually identify the faceless victims of crime. It looks at a variety of approaches: artificial intelligence using neural networks, case-based reasoning, Baysian belief systems, along with a variety of imaging methods: radiological, CT, MRI and the use of imaging devices.The methods described in this book complement, or may even replace, the less-reliable, more traditional means of securing identification by presumptive means, i.e., recognition of clothing, personal effects and clay reconstruction.- Covers cutting-edge technologies in the context of historical forensic reconstruction methods- Features stellar authors from around the globe- Bridges the areas of computer graphics, animation, and forensic anthropology

Draws together a wide range of elements relating to craniofacial analysis and identification, examining the latest advances in the field.

Forensic art may be defined as 'portrait art minus a tangible subject.' The main objective of this book is to present a series of practical indices interrelating the key features of the human face that will provide a foundation for any exercise in forensic art from composite sketch to post-mortem 're-facing.' These indices are illustrated with a survey of the numerous and often surprising geometric forms that permeate facial design. The various triangles and rectangles, rhomboids and trapezoids, parallelograms and circles that define the human face (the theme) and give it individuality (variations on the theme) are examined. The chapters provide necessary information to define the cephalometric points, planes, areas and lines that demarcate the human face, including the detailed surface anatomy of the eye, nose, mouth and ear. The underlying geometry of the human facial plan is revealed, illustrating a selection of triangles, rectangles, and other polygons. The graphic facial analysis (GFA) of the frontal face is covered, with sixteen indices and triangles defining and illustrating their means and ranges of variation. The GFA details the lateral face by means of eight angles and indices with special attention given to the nose and ear. With 45 illustrations and two tables in this clear and comprehensive text, this book leaves little to the imagination and is truly a unique treatise and source of information.

Applied also to modern criminal investigations, facial reconstruction brings together the work of numerous specialists ranging from dentists to geneticists, and from archaeologists to radiologists. The important historical implications of their work are no more strongly demonstrated than in their confirmation that the body resting in Tomb II at Verginia was that of King Philip II, the father of Alexander the Great: when the face was reconstructed, the eye-injury received by Philip at Methone was unmistakable. Making Faces takes the reader into byways of forensic study, surgery and folklore and reveals how the art of facial reconstruction has opened up whole new vistas of the past.

"Takes readers into the morgues and forensic labs where experts use advanced technology to determine the identities of dead bodies whose names are not known because the bodies are mutilated, decomposed beyond recognition, or cut into pieces. She also explores what happens to the cadavers and remains that belong to people who have been missing for so long that law enforcement and forensic files are no longer active"--Provided by publisher.

Highlights the role of anthropologists in revealing the histories and contemporary social facts that are reflected in dead bodies.

This is the first comprehensive guide to a new soft computing technique which is used in complex forensic cases. The chapters include detailed technical and practical overviews, and discussions about the latest tools, open problems and ethical and legal issues involved. The book is closely associated with a successful research initiative, MEPROCS, and it will be of interest to researchers and practitioners in forensic medicine and computational intelligence.