Two hundred years ago, there was war. The humans lost and were exiled to the island of Mospheira, trading titbits of advanced technology for continued peace and a secluded refuge. Only one single human - the paidhi - is allowed off the island and into the dangerous society of their conquerors.

Mick Jones, the founder of Foreigner and composer of their greatest hits, has written the story of Foreigner & the story of his life. Illustrated throughout with classic and previously unseen photos from Mick's own collection, this lavish book is published as Foreigner celebrate their 40th anniversary.

“Moore captures the children’s complicated mix of feelings: embarrassment, defiance, pride, appreciation and, most palpably, love.” —The New York Times Academy Award–winning actress and New York Times–bestselling author of the Freckleface Strawberry series Julianne Moore pays homage to all the Muttis, Mammas, and Mamans who are from another country. A foreign mom may eat, speak, and dress differently than other moms—she may wear special clothes for holidays, twist hair in strange old-fashioned braids, and cook recipes passed down from grandma. Such a mom may be different than other moms, but . . . she is also clearly the best! Vividly illustrated by Meilo So, this funny and heartwarming picture book about growing up in multiple cultures celebrates the diverse world in which we live.

What should we do about foreigners? Should we try to make them more like us or keep them at bay to protect our democracy, our culture, our well-being? This dilemma underlies age-old debates about immigration, citizenship, and national identity that are strikingly relevant today. In Democracy and the Foreigner, Bonnie Honig reverses the question: What problems might foreigners solve for us? Hers is not a conventional approach. Instead of lauding the achievements of individual foreigners, she probes a much larger issue--the symbolic politics of foreignness. In doing so she shows not only how our debates over foreignness help shore up our national or democratic identities, but how anxieties endemic to liberal democracy themselves animate ambivalence toward foreignness. Central to Honig's arguments are stories featuring ''foreign-founders,'' in which the origins or revitalization of a people depend upon a foreigner's energy, virtue, insight, or law. From such popular movies as The Wizard of Oz, Shane, and Strictly Ballroom to the biblical stories of Moses and Ruth to the myth of an immigrant America, from Rousseau to Freud, foreignness is represented not just as a threat but as a supplement for communities periodically requiring renewal. Why? Why do people tell stories in which their societies are dependent on strangers? One of Honig's most surprising conclusions is that an appreciation of the role of foreigners in (re)founding peoples works neither solely as a cosmopolitan nor a nationalist resource. For example, in America, nationalists see one archetypal foreign-founder--the naturalized immigrant--as reconfirming the allure of deeply held American values, whereas to cosmopolitans this immigrant represents the deeply transnational character of American democracy. Scholars and students of political theory, and all those concerned with the dilemmas democracy faces in accommodating difference, will find this book rich with valuable and stimulating insights.

Experience postwar Europe through the diary of a fascinating and witty twentieth-century writer and artist. Recording his travels in France and Switzerland, Curzio Malaparte encounters famous figures such as Cocteau and Camus and captures the fraught, restless spirit of Paris after the trauma of war. In 1947 Curzio Malaparte returned to Paris for the first time in fourteen years. In between, he had been condemned by Mussolini to five years in exile and, on release, repeatedly imprisoned. In his intervals of freedom, he had been dispatched as a journalist to the Eastern Front, and though many of his reports from the bloodlands of Poland and Ukraine were censored, his experiences there became the basis for his unclassifiable postwar masterpiece and international bestseller, Kaputt. Now, returning to the one country that had always treated him well, the one country he had always loved, he was something of a star, albeit one that shines with a dusky and disturbing light. The journal he kept while in Paris records a range of meetings with remarkable people—Jean Cocteau and a dourly unwelcoming Albert Camus among them—and is full of Malaparte’s characteristically barbed reflections on the temper of the time. It is a perfect model of ambiguous reserve as well as humorous self-exposure. There is, for example, Malaparte’s curious custom of sitting out at night and barking along with the neighborhood dogs—dogs, after all, were his only friends when in exile. The French find it puzzling, to say the least; when it comes to Switzerland, it is grounds for prosecution!

Feri, an Iranian woman in her thirties, left Iran to study and work in the United States, where she married an American and settled down. After fourteen years she returns to Iran to visit her family. Unexpectedly, she finds herself strangely pulled by the old culture, and is confronted with the question of where she belongs and how she wants to live.

Winner of the Edgar® Award for Best First Novel by an American Author Set against the Taiwanese criminal underworld, The Foreigner is Francie Lin's audacious debut novel. A noirish tale about family, fraternity, conscience, and the curious gulf between a man's culture and his deepest self Emerson Chang is a mild mannered bachelor on the cusp of forty, a financial analyst in a neatly pressed suit, a child of Taiwanese immigrants who doesn't speak a word of Chinese, and, well, a virgin. His only real family is his mother, whose subtle manipulations have kept him close--all in the name of preserving an obscure idea of family and culture. But when his mother suddenly dies, Emerson sets out for Taipei to scatter her ashes, and to convey a surprising inheritance to his younger brother, Little P. Now enmeshed in the Taiwanese criminal underworld, Little P seems to be running some very shady business out of his uncle's karaoke bar, and he conceals a secret--a crime that has not only severed him from his family, but may have annihilated his conscience. Hoping to appease both the living and the dead, Emerson isn't about to give up the inheritance until he uncovers Little P's past, and saves what is left of his family. The Foreigner is a darkly comic tale of crime and contrition, and a riveting story about what it means to be a foreigner--even in one's own family.

The third novel in Cherryh’s Foreigner space opera series, a groundbreaking tale of first contact and its consequences… Six months have passed since the reappearance of the starship Phoenix—the same ship which brought a colony of humans to the hostile environment of alien atevi nearly two hundred years ago. During these six months, the atevi have reconfigured their fledgling space program in a bid to take their place in the heavens alongside humans. But the return of the Phoenix has added a frighteningly powerful third party to an already volatile situation, polarizing both human and atevi political factions, and making the possibility of all-out planetary war an even more likely threat. On the atevi mainland, human ambassador Bren Cameron, in a desperate attempt to maintain the peace, has arranged for one human representative from the Phoenix to take up residence with him in his apartments, and for another to be stationed on humanity's island enclave. Bren himself is unable to return home for fear of being arrested or assassinated by the powerful arch conservative element who wish to bar the atevi from space. Responsible for a terrified, overwhelmed young man, and desperately trying to keep abreast of the atevi associations, how can Bren possibly find a way to save two species from a three-sided conflict that no one can win? The long-running Foreigner series can also be enjoyed by more casual genre readers in sub-trilogy installments. Inheritor is the 3rd Foreigner novel. IT is also the final book in the first subtrilogy.