Microscopic Roman centurions? Elderly ghosts clobbering gangsters? A haunted vintage of French wine? No conceit is too strange for Forbidden Worlds, the playfully bizarre anthology series that hit newsstands in 1951 and continued for 145 outlandish issues! Comic-book giants Al Williamson, Wally Wood, Frank Frazetta, and Ogden Whitney helped to illustrate these pre-Comics Code gems! Issues #1 to #4 of the rare and fascinating Forbidden Worlds are now gathered into an archival hardcover, featuring the first in a series of introductory essays by comic-book historian and connoisseur of the obscure, Dan Nadel (Art Out of Time: Unknown Comics Visionaries, 1900-1969)!

An ideal agrarian community run by women and ruled by love and harmony. A city-state that mirrored history's most famous utopian vision. a society aglow with the wit and style that only Regency England had briefly achieved. All were real, all were flourishing. All were waiting to astound and entrap four space voyagers from Earth who had violated all odds by landing on this unknown planet.

In Argentina, a group of scientists make an accidental and shocking discovery, which is sure to change the world. In Boston, a self-made billionaire is contacted by an unknown being. A contact, which broadens his world and puts him in the direct path of danger. Who will survive, escape danger and live to tell about it; only time will tell.

SOMETHING HAPPENED ONE DAY ON A LONG FLIGHT-TRIP IN A METAL CRAFT AS IT TRAVERSED OVER THE INTERNATIONAL TIME LINE AT A SPEED APPROACHING THE SOUND BARRIER. THE FIRST NOTICABLE THING WAS THAT THE COLORS OF THE CLOTHES THE PASSENGERS WORE WERE MUCH BRIGHTER, AND HAD MORE COLOR, AND THE CRAFT WAS MUCH QUIETER. LIKE AN EXCITING DREAM COME TRUE, LATER, IN A LAND CRAFT WHEN THE, NOW ALIENS, CROSSED UNDER A GREAT, HUGE WALL, THEY WERE IN ANOTHER WORLD. THE CIVILIZATION THESE ALIENS, RAN INTO HAD TOTALLY BEEN UNTOUCHED BY ANY OTHER CIVILIZATION ON EARTH. THE STRANGE STREETS AND BUILDINGS WERE DENSLY POPULATED. THE BEINGS IN THIS STRANGE WORLD WOULD TOUCH THEIR SKIN TO SEE IF IT WAS REAL, THEY HAD A STRANGE WAY OF COMMUNICATING WORDS FROM THEIR MOUTHS, BUT A FEW KNEW THE LANGUAGE AND WOULD ASK "WHERE DID YOU COME FROM?", NOT "WHERE ARE YOU FROM?" Has taught school in inner-city with mixed nationalities; in an African-American school; in a rural one ethnic school; in a Bureau of Indian Affairs, American-Indian school, and an all Chinese school. Has taught in middle-school, elementary school, and special education. Has worked with children and the youth in YMCAs, Cub Scouts, Boy Scouts, and has assisted people groups in Burkina-Faso, the Gypsies in Romania, the Hispanics in America, and the Chinese in China. Is currently working with the Hans and Mongolians in northeast China.

Chronicles decades of low-budget films featuring sex and sensation originally screened in low-rent venues known as "grindhouses"

In an “other world” composed of language—it could be a fathomless Martian well, a labyrinthine hotel or forest—a narrative unfolds, and with it the experiences, memories, and dreams that constitute reality for Haruki Murakami’s characters and readers alike. Memories and dreams in turn conjure their magical counterparts—people without names or pasts, fantastic animals, half-animals, and talking machines that traverse the dark psychic underworld of this writer’s extraordinary fiction. Fervently acclaimed worldwide, Murakami’s wildly imaginative work in many ways remains a mystery, its worlds within worlds uncharted territory. Finally in this book readers will find a map to the strange realm that grounds virtually every aspect of Murakami’s writing. A journey through the enigmatic and baffling innermost mind, a metaphysical dimension where Murakami’s most bizarre scenes and characters lurk, The Forbidden Worlds of Haruki Murakami exposes the psychological and mythological underpinnings of this other world. Matthew Carl Strecher shows how these considerations color Murakami’s depictions of the individual and collective soul, which constantly shift between the tangible and intangible but in this literary landscape are undeniably real. Through these otherworldly depths The Forbidden Worlds of Haruki Murakami also charts the writer’s vivid “inner world,” whether unconscious or underworld (what some Japanese critics call achiragawa, or “over there”), and its connectivity to language. Strecher covers all of Murakami’s work—including his efforts as a literary journalist—and concludes with the first full-length close reading of the writer’s newest novel, Colorless Tsukuru Tazaki and His Years of Pilgrimage.

Fantasy role-playing at its most exciting. Imagine you are Grey Star, the wizard, embarking on a perilous journey to The Forbidden City. Your magical powers protect you, but the power of the Wytch-king threatens . . .

"The most direct, irreverent and devious self-improvement book on the market." There is nothing "pretty" about this book. It's about doing what it takes to "get what you want." Whether you want to get rich, get laid or get even or anything else this book will give you the straightforward insight and knowledge to do it. This is not a "white lighters" book of "manifestation" but a down and dirty no-holds-barred grimoire designed to set your brain in a fixed direction toward your goal. Sometimes it takes all the subtlety of a sledgehammer of get the point across and that is why "The Forbidden Book of Getting What You Want" was written. Warning! "The Forbidden Book of Getting What You Want" is a trap. Once you read it you can't "un-read" it.

A history of exploitation cinema from low budget pictures of the 1930s and 40s through an era of 'nudie cuties' and into the days of free love and beyond. Portraits of the artists and auteurs behind the films are provided including: Russ Meyer, Dwain Esper, Radley Metzger and The Mitchell Brothers.

It was the eleventh day of the school holidays and Rebecca was bored. But events take a dramatic turn for the better (or worse) when she finds herself transported to a distant planet whose people are terrorized by jelly-like monsters called Ghosts. Suggested level: primary, intermediate.