Wangga, originating in the Daly region of Australia's Top End, is one of the most prominent Indigenous genres of public dance-songs. This book focuses on the songmen who created and performed the song

After death, Townes Van Zandt found the success that he sabotaged during life. Diagnosed as bipolar, an alcoholic, and perennially unreliable, Van Zandt died of heart failure at the age of 52 on New Year’s Day 1997. He released sixteen albums during life, and since his death numerous albums both by and in honor of him have been released and many critical articles published, in addition to several books (including Robert Hardy’s A Deeper Blue by UNT Press). Van Zandt, once an underappreciated and self-destructive wandering troubadour, is now a critics’ and fan-favorite. His best-known songs are “Pancho and Lefty,” covered by Waylon Jennings and Willie Nelson, and “If I Needed You.” Steve Earle’s 2009 Townes album of covers jumpstarted a slate of more recent tributes, including those by Robert Earl Keen, Lucinda Williams, and John Prine. For the Sake of the Song collects ten essays on Townes Van Zandt from a variety of approaches. For example, contributors examine his legacy; his use of the minor key; psychological interpretation of “High, Low and In Between”; his reception in the Austin music scene; and an exploration of his relationship with Richard Dobson, a so-called “outlaw songwriter” with whom he toured as part of the Hemmer Ridge Mountain Boys. An introduction by editors Ann Norton Holbrook and Dan Beller-McKenna provides an overview of Van Zandt’s literary excellence and philosophical wisdom, rare among even the best songwriters.

The authors biblically answer contemporary missiological questions. The 299 page book covers a brief history of the Student Volunteer Movement and an explanation for its demise. Several chapters provide a solid theological and philosophical base for mission activity. The later chapters of the book provide some practical steps for involvement in missions. For the Sake of His Name is an excellent tool for college students, graduate students, pastors, missionaries, and mission agency personnel.

Beller-McKenna counters music historians's reluctance to address Brahms's Germanness, wary perhaps of fascist implications. He gives an account of the intertwining of nationalism, politics, and religion that underlies major works, and enriches both our understanding of his art and German culture.

A biography of Texas songwriter Townes Van Zandt, discussing his troubled childhood, the development of his career as a wandering folk singer, and his relationships with women, and including analyses of his songs.

More than twenty stories from the Alaskan Tlingit tradition are accompanied by information on its culture, history and art.