In the vein of The Borrowers and The Indian in the Cupboard, this is an imaginative, irresistible, and incredible exploration into what happens when one boy discovers a kingdom of tiny people. The day before summer vacation, Max's closest friend at boarding school disappears, leaving behind his amazing model collection and a handful of sand on his bedroom floor. Like Max, the eccentric janitor Mr. Darrow is a genius at building tiny models. Eight weeks later, Max finds that the sand has magically transformed into a whole desert kingdom--filled with millions of tiny people! Max wears hearing aids, and they allow him to hear the ant-sized people. There's a boy named Luke who's about to become king. But when Max appears, he plunges their world into chaos. Luckily, Luke has two strong allies: Ivy, a fearless girl, and Luke's trusty steed--a flea. While Max and his new friend Sasha fight to protect the Floor from their evil headmaster, Luke must fight to save it from being destroyed by all-out war.

The World Health Organization's post-World War II work on the epidemiology and classification of mental disorders and its vision of a "world psyche." In 1946, the World Health Organization undertook a project in social psychiatry that aimed to discover the epidemiology and classification of mental disorders. In Mad by the Millions, Harry Y-Jui Wu examines the WHO's ambitious project, arguing that it was shaped by the postwar faith in technology and expertise and the universalizing vision of a "world psyche." Wu shows that the WHO's idealized scientific internationalism laid the foundations of today's highly highly metricalized global mental health system.

In The Millions Within, David Neagle documents his journey from dockworker to multi-millionaire entrepreneur, including how one simple awareness shift tripled his income in year one, and how in year two he transformed his previous annual income into his monthly income. While David's journey began with some "unconscious competency" on his part, he studied to become aware of what forces were at work. The Millions Within serves as a guide to the laws of the Universe -- how things work, and how you and your beliefs and intentions function in that system to produce the results you see in your life. The laws of the Universe produce the life you are living now -- whether you like it or not. But from that point of awareness, David shows how you can employ conscious, intentional use of these rules to produce the results (financial and personal) that you dream of...NOW.

After their mother dies, two brothers find a huge amount of money which they must spend quickly before England switches to the new European currency, but they disagree on what to do with it.

Twelve-year-old Marco's love for travel and for his younger sister Lilly, who has psychic powers, leads him to journey to other universes, gaining the ability to go wherever he wishes without growing old.

An intriguing look at the changing roles of artists in modern America.

Argues that the two popular women's magazines were pivotal in the combining of gender and commercialism at the turn of the century, and that publishers and advertisers conspired to create both a gendered commercial discourse and a commercial gender discourse for both men and women. Annotation copyright by Book News, Inc., Portland, OR

American art in the 1930s—intertwined with the political, social, and economic tumult of an era not so unlike our own—engaged with the public amid global upheaval. This publication examines the search for artistic identity in the United States from the stock market crash of 1929 that began the Great Depression to the closure of the Works Progress Administration in 1943 with a focus on the unprecedented dissemination of art and ideas brought about by new technology and government programs. During this time of civil, economic, and social unrest, artists transmitted political ideas and propaganda through a wide range of media, including paintings and sculptures, but also journals, prints, textiles, postcards, and other objects that would have been widely collected, experienced, or encountered. Insightful essays discuss but go beyond the era’s best-known creators, such as Thomas Hart Benton, Walker Evans, Marsden Hartley, and Georgia O’Keeffe, to highlight artists who have received little scholarly attention, including women and artists of color as well as designers and illustrators. Emphasizing the contributions of the Black Popular Front and Leftist movements while acknowledging competing visions of the country through the lenses of race, gender, and class, Art for the Millions is a timely look at art in the United States made by and for its people.