"For thirty-five years Gary Barwin has been opening up new ways of being in poetry. In this long-awaited new and selected collection, For It Is a Pleasure and a Surprise to Breathe, Barwin and his editor, Alessandro Porco, have drawn from his extensive writings in previously published books, chapbooks, small press works, magazine and journal publications, including unpublishing and uncollected works to create this category-defying book. Over the course of the collection Barwin uses a variety of forms and styles to explore themes from aesthetic investigations to questions of identity and culture, from ecopoetics to questions of language. Throughout Barwin stretches language to its fullest extent, whether he's exploring alternative translations or working with images as poems; he continually moves readers from surprise to delight."--

In the years around 1492, Moishe, a Bar Mitzvah boy, leaves home to join a ship's crew, where he meets Aaron, the polyglot parrot who becomes his near-constant companion. But Inquisition Spain is a dangerous time to be Jewish and Moishe joins a band of hidden Jews trying to preserve some forbidden books. He falls in love with a young woman, Sarah; though they are separated by circumstance, Moishe's wanderings are motivated as much by their connection as by his quest for loot and freedom. When all Jews are expelled from Spain, Moishe travels to the Caribbean with the ambitious Christopher Columbus, a self-made man who loves his creator. Moishe eventually becomes a pirate and seeks revenge on the Spanish while seeking the ultimate booty: the Fountain of Youth. Bestseller. Winner of the 2017 Stephen Leacock Memorial Medal for Humour. 2016.

Poetry. Winner of the 2017 Robert Kroetsch Award for Innovative Poetry. Voyeurism and fact go head to head in PORT OF BEING, a debut poetry collection that mines speech from the city streets and the Internet. These are poems set firmly on the threshold of the private and public, the future-haunted and the real, forging the human adrift in a terrain of space junk, drones, and addiction. PORT OF BEING speaks just in time, navigating the worlds of surveillance, migration, and money, only to carve a way into intimacy and connection. "Shazia Hafiz Ramji writes with an intimacy that echoes the unspoken familiar across the ocean to map us--to 'root and hold' us--right now, right here where we live. PORT OF BEING is a collection of keen listening, where words are found, spliced, and always woven with sunshine, pain, and memory that shimmers."--Juliane Okot Bitek "PORT OF BEING by Shazia Hafiz Ramji, is a revelation: one that reveals the surface beneath the surface, and the uncertain in the overdetermined. If the city is a machine of social sublimation, then these poems are the glint of its gears. Ramji demonstrates with devastating energy how form is infrastructure. You could drown in the static of our times, or you could traverse it like an ocean. PORT OF BEING is an ingenious manual, in verse, for how to do the latter."--Wayde Compton "Like a section of ocean caught, cubed, and shot through with the light of our closest star, Shazia Hafiz Ramji's PORT OF BEING moves with and against time and borders. Her poems surveil what's witnessed and what we admit to witnessing, the secrets we tell and those we keep, and the questions: why and for whose benefit? In equal measures, this book is bioluminescent, galactic, humane. Daring and intimate, it holds worlds."--Dani Couture "Like Teju Cole, Shazia Hafiz Ramji presents a city in full intricacy: the expansive possibilities of human connection and the digital silos that separate. Like Solmaz Sharif, she teaches us to look at violence: the quotidian bedrooms, buses, and spaces in which it is experienced, the ideologies that allow for its transmission. PORT OF BEING is urgent and uncomfortable, comforting and necessary."--Benjamin Hertwig "PORT OF BEING confronts us with the global algorithms and state apparatuses docked in our consciousness, and the cyborgs of time and space that mark the shock of bodies rammed through ideologies. Here we find out how to navigate fake news, flags of convenience, and engineered personhood. A brilliant debut collection. Its politics bite back."--Meredith Quartermain "In PORT OF BEING, a desiring, witnessing body moves through Vancouver, speaking our individual human vulnerability to surveillance, technologies of war, and neo-capitalism's brutal structuring of spaces and dreams. In a world where 'Google knows more than our lovers, ' Shazia Hafiz Ramji sees us acutely as ports: as soft animal receptacles for what travels at light speed through fibre optic cables, and as jagged, welcoming horizons, where we might exchange our cargos of experience and offer fellow voyagers tender language. Plug this book directly into your cardiac rhythms."--Sonnet L'Abb

Boy’s final year of high school is unraveling. Fast. He had it all worked out, from crushing his final exams to military school to a career in the air force. But his family’s tragic past and its complicated present have caught up to him, and his marks are slipping, jeopardizing all of his plans.

Poetry. "A town is a tin of children in an ocean," writes Anna van Valkenburg in her debut poetry collection, QUEEN AND CARCASS, a rich, unpredictable, and deeply surreal exploration of identity and the multiple contradictions we each embody. These poems, set in locations real and imaginary, magical and banal, inhabited by figures out of Slavic folklore and a Boschian landscape, strive to unearth truths, especially those that are difficult or uncomfortable, using Bertolt Brecht's maxim "Do not fear death so much as an inadequate life" as a touchstone. At once ecstatic, meditative, and grotesque, the poems in QUEEN AND CARCASS confront some of the most fundamental existential questions.

Nineteen-year-old Cowney Sequoyah yearns to escape his hometown of Cherokee, North Carolina, in the heart of the Smoky Mountains. When a summer job at Asheville's luxurious Grove Park Inn and Resort brings him one step closer to escaping the hills that both cradle and suffocate him, he sees it as an opportunity. The experience introduces him to the beautiful and enigmatic Essie Stamper—a young Cherokee woman who is also working at the inn and dreaming of a better life. With World War II raging in Europe, the resort is the temporary home of Axis diplomats and their families, who are being held as prisoners of war. A secret room becomes a place where Cowney and Essie can escape the white world of the inn and imagine their futures free of the shadows of their families' pasts. Outside of this refuge, however, racism and prejudice are never far behind, and when the daughter of one of the residents goes missing, Cowney finds himself accused of abduction and murder. Even As We Breathe invokes the elements of bone, blood, and flesh as Cowney navigates difficult social, cultural, and ethnic divides. Betrayed by the friends he trusted, he begins to unearth deeper mysteries as he works to prove his innocence and clear his name. This richly written debut novel explores the immutable nature of the human spirit and the idea that physical existence, with all its strife and injustice, will not be humanity's lasting legacy.

"It's full of the unexpected - bits of lace cut through with the odd and the horrible and the beautiful. Through it all I sense the power of a survivor!! And I love that!" -Sue Harrison, internationally bestselling author of Mother Earth Father Sky (Ivory Carver Trilogy) "Breathe. Breathe. is at times haunting, visceral, bittersweet, and tender. Erin Al Mehairi bares her soul and invites readers to devour it whole." -Hunter Shea, author of We Are Always Watching "Erin Al-Mehairi weaves a web of narrative and poetry both beautiful and nightmare-inducing in Breathe. Breathe., invoking heartache and the need to see through the shining masks life presents us to confront the darkness it truly holds." -Michelle Garza, co-author of Bram Stoker nominated Mayan Blue Breathe. Breathe. is a collection of dark poetry and short fiction exploring the surreal depths of humanity. It's a representation of how life breaks us apart and words put us back together. Purged onto the pages, dark emotions flow, urging readers into murky seas and grim forests, to the fine line between breathing and death. In Act One, readers are presented with a serial killer in Victorian London, a lighthouse keeper with an eerie legacy, a murderous spouse that seems to have walked right out of a mystery novel, and a treacherous Japanese lady who wants to stay immortal. The heightened fears in the twilight of your minds will seep into the blackest of your nights, where you have to breathe in rhythm to stay alive. In Act Two, the poetry turns more internal and pierces through the wall of denial and pain, bringing visceral emotions to the surface unleashing traumas such as domestic abuse, violence, and illness. In the short stories, you'll meet residents of Valhalla Lane whose lives are on a violent parallel track to collision, a man who is driven mad by the sound of a woodpecker, a teenage girl who wakes up on the beach and can't find another soul in sight, a woman caught in a time shift pitting her against the Egyptian goddess Anuket, and a little girl whose whole world changes when her favorite dandelion yellow crayon is discontinued. Amid these pages the haunting themes of oppression, isolation, revenge, and madness unfold through folklore, nightmares, and often times, raw, impulsive passion crafted to sear from the inside out. With a touching foreword by the Bram Stoker nominated author Brian Kirk, Breathe. Breathe. will at times unsettle you, and at times embrace you. Erin Sweet Al-Mehairi, a veteran writer and editor of the written word, offers up a mixed set of pieces, identifying her as a strong, new voice in dark fiction that will tear the heart from your chest, all the while reminding you to breathe.

Two years ago, on the same day but miles apart, Finn Darby lost two of the most important people in his life: his wife Lorena, struck by lightning on the banks of the Chattahoochee River, and his abusive, alcoholic grandfather, Tom Darby, creator of the long-running newspaper comic strip Toy Shop. Against his grandfather’s dying wish, Finn has resurrected Toy Shop, adding new characters, and the strip is more popular than ever, bringing in fan letters, merchandising deals, and talk of TV specials. Finn has even started dating again. When a terrorist attack decimates Atlanta, killing half a million souls, Finn begins blurting things in a strange voice beyond his control. The voice says things only his grandfather could know. Countless other residents of Atlanta are suffering a similar bizarre affliction. Is it mass hysteria, or have the dead returned to possess the living? Finn soon realizes he has a hitcher within his skin... his grandfather. And Grandpa isn’t terribly happy about the changes Finn has been making to Toy Shop. Together with a pair of possessed friends, an aging rock star, and a waitress, Finn races against time to find a way to send the dead back to Deadland... or die trying!

Cephalopography 2.0 is as much a passionate celebration of cephalopods in all their plurality and finery as it is a collection of poems exploring human identity and experience through the lens of these marine animals. Through experimental takes on traditional poetic forms such as ghazals, tankas and cinquains, as well as more contemporary forms, Rasiqra Revulva delves into ecopoetics and marine biology, creating unique and beautifully composed poems. Cephalopography 2.0 plunges into the depths of human experience to pull out diverse perspectives of how cephalopods and humanity are linked together in ways that stretch beyond the land and the sea.

A middle-aged Jewish man who fantasizes about being a cowboy goes on an eccentric quest across Europe after the 1941 Nazi invasion of Lithuania in this wild and witty yet heartrending novel from the bestselling author of Yiddish for Pirates, shortlisted for the Scotiabank Giller Prize. Motl is middle-aged, poor, nerdy, Jewish and in desperate need of a shave. Since having his balls shot cleanly off as a youth in WWI, he's lived a quiet life at home in Vilnius with his shrewd and shrewish mom, Gitl, losing himself in the masculine fantasy world of cowboy novels by writers like Karl May--novels equally loved by Hitler, whose troops have just invaded Lithuania and are out to exterminate people like Motl. In his dreams, Motl is a fast-talking, rugged, expert gunslinger capable of dealing with the Nazi threat. But only in his dreams. As friends and neighbours are killed around them, Motl and Gitl escape from Vilnius, saving their own skins. But they immediately risk everything to try rescue relatives they hope are still alive. With death all around him, Motl decides that a Jew's best revenge is not only to live, but to procreate. In order to achieve this, though, he must relocate those most crucial pieces of his anatomy lost to him in a glacier in the Swiss Alps in the previous war. It's an absurd yet life-affirming mission, made even more urgent when he's separated from his mother, and isn't sure whether she's alive or dead. Joining forces, and eventually hearts, with Esther, a Jewish woman whose family has been killed, Motl ventures across Europe, a kaleidoscope of narrow escapes and close encounters with everyone from Himmler, to circus performers, double agents, quislings, fake "Indians" and real ones. Motl at last figures out that he has more connection to the Indigenous characters in western novels than the cowboys. An imaginative and deeply felt exploration of genocide, persecution, colonialism and masculinity--saturated in Gary Barwin's sharp wit and perfect pun-play--Nothing the Same, Everything Haunted: The Ballad of Motl the Cowboy is a one-of-a-kind novel of sheer genius.