When artifacts from the tomb of an ancient Chinese legend, the Warrior King, go missing from a New Zealand museum, a forgotten world of darkness and an ancient war re-emerges. Isabelle Kweon is enraged by the theft: She had worked alongside a team of Chinese scholars seeking to find the tomb. She found the tombs entrance, and everyone was astounded when they stepped inside to find it amazingly well preserved. Meanwhile, Jian Zhao, a young Chinese man who fled the triads in Hong Kong, is living a quiet life in New Zealand, when he suddenly finds himself caught up in events connected to the tomb, together with his neighbour, Chris Mortimer. At one point, Jian finds himself running for his life only to hear the voice of his dead unclea man hed seen murderedcry out, I am coming for you! The cry is followed by a cackling, evil laugh. No one is safe as ancient forces return to haunt the present in Footsteps from the Shadows.

I do not know why most poets write poetry but I know why I do so. I write because a thought gets in my head and bounces around till I write it down. You could say that I don't try to write but that I am forced to write. Now I do try to write ""good"" poetry that people will enjoy reading, but I don't try to write poems for people to read. Most people find that they like some of my poems and hate others of them.

A celebration of the San Francisco films of Alfred Hitchcock, this book examines the master director's familiarity with Northern California and how it greatly influenced his decision to use the Bay Area location in several of his landmark motion pictures. More importantly, this book shows how San Francisco was often the source of inspiration for many of these same cinema classics. The masterpieces that are examined are Shadow of a Doubt, Vertigo, The Birds, Suspicion, Psycho, and Family Plot. Hitchcock fans are taken on a journey around the Bay Area, experiencing cinematographic intrigue and learning about Bay Area history, lore, and the timeless elegance of San Francisco and its picturesque surroundings. Hundreds of historical and contemporary photos are included, with an emphasis on those buildings and businesses that no longer exist.--From publisher description.

A rhythmic, lyrical text and soft, glowing paintings evoke the quiet fascination of these transitory images.

As memorable for the beauty of his descriptions as for his poetic vision, in these poems Mwangwegho captures the tenderness of Malawi and the fragility of it, as well as exploring the depths of our universal lives. In three sections, Shadows of Footsteps, takes us to corners of the past, to a view of shared African experience and to a space where internal freedoms speak. The journey is wild in parts, but graceful in completion.

It was just a bit of fun, a local legend. The Devil's Footsteps: thirteen stepping stones, and whichever one you stopped on in the rhyme could predict how you would die. A harmless game for kids - and nobody ever died from a game. But it's not a game to Bryan. He's seen the Dark Man, because the Dark Man took his brother five years ago. He's tried to tell himself that it was his imagination, that the Devil's Footsteps are just stones and the Dark Man didn't take Adam. But Adam's still gone. And then Bryan meets two other boys who have their own unsolved mysteries. Someone or something is after the children in the town. And it all comes back to the rhyme that every local child knows by heart: Thirteen steps to the Dark Man's door, Won't be turning back no more . . .

"Wonderful . . . J. V. Jones is a striking writer." So says Robert Jordan, the author of The Wheel of Time epic fantasy series. And Jones lives up to that praise in the highly charged epic adventure of Ash March and Raif Sevrance, two outcasts whose fate are entwined by ancient prophecies and need, in the cold, dark world that threatens to be torn asunder by a war to end all wars. Isolated by their birthrights, they are but two who fight the dreaded Endlords, and their strength and courage will be needed if the world is to be saved from darkness." Raif, wrongly accused and cut off from his clan by the treachery of their new headsman, has a talent for killing that is part of his curse and his burden. But he bears another burden of greater weight. Ash is a sacred warrior to the Sull, an ancient race whose numbers have declined. Raised as a foundling, never knowing her true history, she must learn to accept the terrible gifts of her heritage. But as Ash learns more of her greater fate, Raif's task looms dark and desperate, for he must journey through the nightmare realm of the Want, a place where even the Sull now fear to tread. For deep within the Want is the Fortress of Grey Ice, and there he must heal the breach in the Blindwall that already threatens the world. Should he fail, not even Ash's powers can save them. . . . At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Discusses where footprints and shadows go, as when footprints in the snow melt away or shadows are dispelled by light.

Dancing with someone is an act of trust. Elegant and intimate; you're close enough to kiss, close enough to feel your partner's heartbeat. But for Vanessa, dance is deadly - and she must be very careful who she trusts . . .Vanessa Adler attends an elite ballet school - the same one her older sister, Margaret, attended before she disappeared. Vanessa feels she can never live up to her sister's shining reputation. But Vanessa, with her glorious red hair and fair skin, has a kind of power when she dances - she loses herself in the music, breathes different air, and the world around her turns to flames . . . Soon she attracts the attention of three men: gorgeous Zep, mysterious Justin, and the great, enigmatic choreographer Josef Zhalkovsky. When Josef asks Vanessa to dance the lead in the Firebird, she has little idea of the danger that lies ahead - and the burning forces about to be unleashed . . .

If you loved The Haunting of Hill House, welcome to Thistlecrook...