Follies in America examines historicized garden buildings, known as "follies," from the nation's founding through the American centennial celebration in 1876. In a period of increasing nationalism, follies—such as temples, summerhouses, towers, and ruins—brought a range of European architectural styles to the United States. By imprinting the land with symbols of European culture, landscape gardeners brought their idea of civilization to the American wilderness. Kerry Dean Carso's interdisciplinary approach in Follies in America examines both buildings and their counterparts in literature and art, demonstrating that follies provide a window into major themes in nineteenth-century American culture, including tensions between Jeffersonian agrarianism and urban life, the ascendancy of middle-class tourism, and gentility and social class aspirations.

America's Trade Follies controversially argues that the global political economy is hardening into regional blocs, in North America, Latin America, Europe and the Asia Pacific, organized around a powerful economic base and suspicious of each other. Bernard K. Gordon's masterful analysis shows that this division threatens American prosperity by limiting US access to the world's richest and largest markets, and endangers US security by dividing the globe along economic and political lines. Provocative, original and stimulating this book is essential reading for all those interested in American politics, trade and international political economy.

Architectural Follies in America More than mere curiosities, all of the architectural follies described in this illustrated guide are masterpieces in their own right. Each is the incarnation of its creator's singular passion, vanity, or idée fixe, from the home of the future to the storybook castle, the palace of love to the monument of spite, the house of devotion to the pleasure garden. Architectural Follies in America offers readers an unparalleled opportunity to become acquainted with some of the most outstanding examples of this class of architectural marvel. With Gwyn Headley as our guide, we travel the length and breadth of the United States—from the Leaning Tower of Pisa in Niles, Illinois, to a house made of glass bottles in Death Valley; from the floating Taj Mahal in Sausalito, to the grotto of Lourdes in Emmitsburg, Maryland. In a narrative rich with historical erudition, choice tidbits of gossip, and no small measure of sparkling wit, Headley describes more than 130 structures in loving detail. He tells the full story behind each folly, what is known about its creator, the circumstances surrounding its construction, and its prospects for the future. "Follies stem from passion, obsession, and suspicion. They also come from happiness, grief, and confusion. They can take any form, any style. A folly is a state of mind, not an architectural style. Follies can even have a use or purpose, whether that was in the creator's mind or not." — Gwyn Headley

The book discusses the dangers of the "unipolar view" of world politics, one in which the United States is overwhelmingly predominant and should act accordingly. The book notes the damage caused by this view in action - as in the Middle East and Europe. It assesses the real strengths and weaknesses of American power - "soft," military, economic, and moral. It contrasts the federal systems of "Old America" and "New Europe" as models for governing today's increasingly plural system. It notes how friendly balancing from Europe is critical for maintaining America's own constitutional equilibrium.

The United States once was a traditional republic, remaining aloof from foreign conflicts. Today no problem on earth is exempt from Washington's meddling. The result is an oversize military, perpetual intervention, and consistent conflict, according to Bandow, who says it's time for a new foreign policy.

Follies in America examines historicized garden buildings, known as "follies," from the nation's founding through the American centennial celebration in 1876. In a period of increasing nationalism, follies—such as temples, summerhouses, towers, and ruins—brought a range of European architectural styles to the United States. By imprinting the land with symbols of European culture, landscape gardeners brought their idea of civilization to the American wilderness. Kerry Dean Carso's interdisciplinary approach in Follies in America examines both buildings and their counterparts in literature and art, demonstrating that follies provide a window into major themes in nineteenth-century American culture, including tensions between Jeffersonian agrarianism and urban life, the ascendancy of middle-class tourism, and gentility and social class aspirations.

First Published in 1987. This is the second edition with an additional foreword. The purpose of this book—the first to recount the history of the popular musical stage on Broadway and its intersecting streets—is to tell what the various entertainments were like, how they looked and sounded, who was in them, and why they made people laugh or cry. The values employed in the book are changeable and inconsistent. Sometimes an affable smile is bestowed upon a musical comedy, burlesque, or revue that was really very bad. Sometimes a harsh verdict is brought in against an entertainment that received widespread approval and praise.