Folk Songs Of Eastern Europe
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Author |
: Ralph Radcliffe Whitehead |
Publisher |
: |
Total Pages |
: 76 |
Release |
: 1912 |
ISBN-10 |
: MINN:31951002134528A |
ISBN-13 |
: |
Rating |
: 4/5 (8A Downloads) |
Synopsis Folk-songs of Eastern Europe by : Ralph Radcliffe Whitehead
Author |
: Ralph Radcliffe Whitehead |
Publisher |
: |
Total Pages |
: |
Release |
: 1922 |
ISBN-10 |
: OCLC:946227424 |
ISBN-13 |
: |
Rating |
: 4/5 (24 Downloads) |
Synopsis Folk-songs of Eastern Europe by : Ralph Radcliffe Whitehead
Author |
: Ralph Radcliffe-Whitehead |
Publisher |
: |
Total Pages |
: 82 |
Release |
: 1912 |
ISBN-10 |
: UCAL:C2866123 |
ISBN-13 |
: |
Rating |
: 4/5 (23 Downloads) |
Synopsis Folk-songs of Eastern Europe by : Ralph Radcliffe-Whitehead
Author |
: Robert Dalley-Scarlett |
Publisher |
: |
Total Pages |
: 4 |
Release |
: 1931 |
ISBN-10 |
: OCLC:658150447 |
ISBN-13 |
: |
Rating |
: 4/5 (47 Downloads) |
Synopsis Folk Songs of Eastern Europe by : Robert Dalley-Scarlett
Author |
: Bibs Ekkel |
Publisher |
: Mel Bay Publications |
Total Pages |
: 97 |
Release |
: 2010-10-07 |
ISBN-10 |
: 9781609742614 |
ISBN-13 |
: 1609742613 |
Rating |
: 4/5 (14 Downloads) |
Synopsis Russian Gypsy Folk Songs by : Bibs Ekkel
Presented here is a rare collection of some of the best Gypsy folk songs popular among the Romanies of Russia and Eastern Europe. All offered in the original Romany tribal dialect, as appropriate to each song, with easy-to-follow pronunciation guide specially formulated for the native English speaker and literal (word-for-word) English translation. the appended short historical and linguistic overview offers a rare insight into the history, traditions, language as well as the music and songs of this unique and mysterious people. Great addition to any pianist's collection!
Author |
: Ewa Mazierska |
Publisher |
: Springer |
Total Pages |
: 310 |
Release |
: 2016-12-21 |
ISBN-10 |
: 9781137592736 |
ISBN-13 |
: 1137592737 |
Rating |
: 4/5 (36 Downloads) |
Synopsis Popular Music in Eastern Europe by : Ewa Mazierska
This book explores popular music in Eastern Europe during the period of state socialism, in countries such as Poland, Hungary, Yugoslavia, Romania, Czechoslovakia, the GDR, Estonia and Albania. It discusses the policy concerning music, the greatest Eastern European stars, such as Karel Gott, Czesław Niemen and Omega, as well as DJs and the music press. By conducting original research, including interviews and examining archival material, the authors take issue with certain assumptions prevailing in the existing studies on popular music in Eastern Europe, namely that it was largely based on imitation of western music and that this music had a distinctly anti-communist flavour. Instead, they argue that self-colonisation was accompanied with creating an original idiom, and that the state not only fought the artists, but also supported them. The collection also draws attention to the foreign successes of Eastern European stars, both within the socialist bloc and outside of it. v>
Author |
: Jelena M. Djuric |
Publisher |
: |
Total Pages |
: 84 |
Release |
: 1978 |
ISBN-10 |
: UVA:X002499674 |
ISBN-13 |
: |
Rating |
: 4/5 (74 Downloads) |
Synopsis The Music of Eastern Europe by : Jelena M. Djuric
Author |
: |
Publisher |
: |
Total Pages |
: |
Release |
: 1990 |
ISBN-10 |
: OCLC:650103830 |
ISBN-13 |
: |
Rating |
: 4/5 (30 Downloads) |
Synopsis Folk Music from Eastern Europe by :
Author |
: Philip V. Bohlman |
Publisher |
: Cambridge University Press |
Total Pages |
: 943 |
Release |
: 2013-12-12 |
ISBN-10 |
: 9781316025666 |
ISBN-13 |
: 1316025667 |
Rating |
: 4/5 (66 Downloads) |
Synopsis The Cambridge History of World Music by : Philip V. Bohlman
Scholars have long known that world music was not merely the globalized product of modern media, but rather that it connected religions, cultures, languages and nations throughout world history. The chapters in this History take readers to foundational historical moments – in Europe, Oceania, China, India, the Muslim world, North and South America – in search of the connections provided by a truly world music. Historically, world music emerged from ritual and religion, labor and life-cycles, which occupy chapters on Native American musicians, religious practices in India and Indonesia, and nationalism in Argentina and Portugal. The contributors critically examine music in cultural encounter and conflict, and as the critical core of scientific theories from the Arabic Middle Ages through the Enlightenment to postmodernism. Overall, the book contains the histories of the music of diverse cultures, which increasingly become the folk, popular and classical music of our own era.
Author |
: Philip V. Bohlman |
Publisher |
: Routledge |
Total Pages |
: 342 |
Release |
: 2013-10-28 |
ISBN-10 |
: 9781136508066 |
ISBN-13 |
: 1136508066 |
Rating |
: 4/5 (66 Downloads) |
Synopsis Central European Folk Music by : Philip V. Bohlman
This is the first annotated bibliography, in German or English, to gather the rich sources for German-language folk-music scholarship. It presents a comprehensive view of both historical and contemporary trends in a field embracing folkloristics and ethnomusicology, as well as philological and cultural studies. Beginning with early theories of folk song-formulated by Herder, Goethe, the Brothers Grimm, and others-the book examines the most important collections of the 19th-century folk-song movement, and surveys the 20th-century institutions and publications that have made folk-music scholarship essential to an understanding of German-speaking Europe. The book represents the enormous diversity of folk music. Ideas of genre and classification contrast with the ways in which minority and ethnic groups have contributed to the complex constructs of 19th- and 20th-century nationalism. The intellectual history in this book often takes the form of a clash between institutions and the forceful personalities of scholars who theorized that folk music was the product of individuals or the linguistic core of nations. Entries that illustrate the ways in which constructs of folk music have contributed to the politics of culture (e.g., in Nazi Germany or in the workers' culture of the former German Democratic Republic) also constitute the expansive musical landscape covered by this book The author includes diverse disciplinary perspectives, not just those of folklorists, but also concepts from ethnomusicology, historical musicology, and religious and cultural studies. In addition to traditional studies of the canons of German folk music (e.g., ballads and singing-society repertories), Bohlman includes studies of religious and ethnic minorities, and of German folk music in nations and regions outside Central Europe. The comprehensive nature of this book, not only makes available a rich history of scholarship, but also contextualizes Central European folk music as a vital and critical discipline for the interpretation of a changing Europe. Includes index.