This volume examines folk art in North and South America, including sections for Canada, the United States, Mexico, Antilles, Guatemala, Honduras, El Salvador, Nicaragua, Costa Rica, Panama, Colombia, Venezuela, Brazil, Ecuador, Peru, Bolivia, Chile, Paraguay, Argentina, and Uruguay. The art forms covered include basketry, beadwork, jewelry, weaving, toys, metalwork, woodwork, pottery, carving, waxwork, and painting.

A classic reference to the rise in popularity of folk artists in America, this book presents 258 photos of early folk art pieces, including decoys, whirligigs and carvings, and tells the history of the folk art movement from the early 20th century and the founding of the Museum of American Folk Art in New York. Anecdote is blended with history as pioneer collector Earnest shares her experiences and folk art treasures with readers.

This book presents watercolor renderings along with a selection of the artifacts in the Index of American Design, a visual archive of decorative, folk, and popular arts made in America from the colonial period to about 1900. Three essays explore the history, operation, and ambitions of the Index of American Design, examine folk art collecting in America during the early decades of the twentieth century, and consider the Index's role in the search for a national cultural identity in the early twentieth-century United States.

"Richly illustrated with over 260 color plates, Folk Art in American Life presents a broad sampling of the wealth and variety of American folk art from the late seventeenth century through the late twentieth century. Its scope includes objects from many diverse subject areas - from paintings to household furnishings of many kinds, to textiles, to sculpture, to environments."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Forms from African and American popular arts, photojournalism, advertising, voodoo and the landscape reflect oral traditions of black culture: rural legends, popular history, Biblical stories, revivalism. No index. Annotation copyrighted by Book News, Inc., Portland, OR

Fans of Charles Wysocki, Mary Engelbreit, Grandma Moses, and folk art in general will fall in love with this guide to painting, organized by seasons. Featuring projects that instruct artists of all skill levels how to draw and paint subjects that include quaint homes, pretty patterns, colorful gardens, picturesque farms, beautiful birds, and textured florals, this book features American-themed folk art infused with a modern twist. Beginning with an overview of what folk art is, followed by introductory topics like color, tools and materials, and drawing and painting techniques, Folk Art Fusion: Americana also includes sixteen simple step-by-step projects done in approachable and popular mediums. Rounding out the book is a gallery of folk-art pieces sure to inspire lovers of all things Americana. Simultaneously fresh and nostalgic, Folk Art Fusion: Americana draws on America’s rich artistic tradition and heritage and provides a fun, accessible take on creating beloved scenes from the heartland.

Comprehensive encyclopedia of twentieth century American folk art and artists.

"The unique charm of the folk art of Spain and the Americas is celebrated in this book. Encompassing ceramics, paintings and drawings, sculpture, furniture, kitchen tools, jewelry, and votive art, as well as objects used in the performing arts, this wide-ranging book presents the full spectrum of Spanish folk art expression." "The 124 paintings and objects featured here, mostly in color, span almost five hundred years and have been drawn from museums and private collections from every region of Spain as well as Latin America and the United States. The works demonstrate the vibrancy and appeal of objects designed to be purely decorative as well as those fashioned to fill specific needs. They range from wooden bread stamps used to distinguish a family's loaves and intricately crafted model ships offered to saints in thanks for deliverance from dangerous seas to glazed pottery introduced by Spaniards centuries ago and reinterpreted in Mexico, Guatemala, Peru, and Ecuador." "The text, edited by Marion Oettinger, Jr., with contributions by leading scholars, describes the full range of folk art expression that has been part of Spanish cultural life for hundreds of years and that was transformed into a new aesthetic after arriving in the Americas."--Jacket.

American Weathervanes: The Art of the Winds, published to coincide with an exhibition at the American Folk Art Museum, reveals the beauty, historical significance, and technical virtuosity of American vanes fashioned between the late seventeenth and early twentieth centuries. This American art form has long been an enduring part of the country's skylines. Early church steeples were graced with weathercocks, following a European tradition that dates to the MiddleAges. America's first documented vane maker, metalsmith Shem Drowne of Boston, crafted a number of surviving vanes, including the iconic golden grasshopper that has topped the city's Faneuil Hall since 1742. Farmers, blacksmiths, and other craftsmen proudly fashioned roosters, cows, horses, and other forms for country barns, and as the tradition and public demand expanded over the course of the nineteenth century, so did the diversity of forms, which grew to fill the mail order catalogs of commercial manufacturers in Boston, New York, and other cities. Today, weathervanes hold a well-established place in the canon of American folk art and American Weathervanes celebrates this artistry in the most up-to-date and authoritative work on the subject. Lavishly illustrated with masterworks from prominent private and public collections, this is a book to be treasured by anyone who collects or simply admires American vernacular art and sculpture.

"Combining new research, never-before-published color photographs, and detailed entries on each artwork, American Radiance is indispensable for students and collectors, yet broadly appealing to the folk art market. The book celebrates the opening of the Museum's new building, where the Esmerian Collection is the widely publicized inaugural exhibition."--BOOK JACKET.