NEW YORK TIMES and MIBA BESTSELLER From the St. Louis–based journalist often credited with first predicting Donald Trump’s presidential victory. "A collection of sharp-edged, humanistic pieces about the American heartland...Passionate pieces that repeatedly assail the inability of many to empathize and to humanize." — Kirkus In 2015, Sarah Kendzior collected the essays she reported for Al Jazeera and published them as The View from Flyover Country, which became an ebook bestseller and garnered praise from readers around the world. Now, The View from Flyover Country is being released in print with an updated introduction and epilogue that reflect on the ways that the Trump presidency was the certain result of the realities first captured in Kendzior’s essays. A clear-eyed account of the realities of life in America’s overlooked heartland, The View from Flyover Country is a piercing critique of the labor exploitation, race relations, gentrification, media bias, and other aspects of the post-employment economy that gave rise to a president who rules like an autocrat. The View from Flyover Country is necessary reading for anyone who believes that the only way for America to fix its problems is to first discuss them with honesty and compassion. “Please put everything aside and try to get ahold of Sarah Kendzior’s collected essays, The View from Flyover Country. I have rarely come across writing that is as urgent and beautifully expressed. What makes Kendzior’s writing so truly important is [that] it . . . documents where the problem lies, by somebody who lives there.”—The Wire “Sarah Kendzior is as harsh and tenacious a critic of the Trump administration as you’ll find. She isn’t some new kid on the political block or a controversy machine. . . .Rather she is a widely published journalist and anthropologist who has spent much of her life studying authoritarianism.” —Columbia Tribune

"Blaze TV and ... radio host Dana Loesch [posits] that the biggest political problem today is that the people who run this country have no idea what life is really like for ordinary Americans. In fact, they have contempt for the very people they claim to represent ... [and there's a] growing disconnect between the government and media elites and the rest of us, the old-fashioned, hard-working, God-fearing Americans who are proud to live in middle America"--Amazon.com.

Dana Loesch believes in Christianity, patriotism, traditional marriage, and the right to bear arms, among other “quaint” ideas. For the elites in DC, Los Angeles, New York, and Silicon Valley, that makes her as bizarre as a three-headed dog. Loesch is alarmed that America is fracturing into two countries—not North and South, but Coastal and Flyover. Worse, the people in charge don’t understand the first thing about how most of the country thinks and lives. Consider a few examples . . . • In Flyover America, people believe criminals should be punished. Coastal America focuses on “rehabilitation.” • Flyovers think the Declaration of Independence was crystal clear: “All men are created equal.” For Coastals, Black Lives Matter—but anyone who adds that all lives matter must be a racist. • Coastals think they understand firearms because they watched a TV movie about Columbine. Fly- overs get a deer rifle for their thirteenth birthday. • Coastals talk about blue-collar workers in the abstract. Flyovers have a relative who works the night shift in a granola bar factory, where the big perk is taking home a bag full of granola bars every Friday. • Coastals think every problem—from hurt feelings to the cost of birth control—requires government intervention and huge federal spending. Flyovers know that money isn’t magic fairy dust, and many problems can be solved only by individual character and hard work. It would all be funny—if Coastals weren’t winning on most of today’s big issues. As Loesch writes, “Most of these pinkies-out, cocktail- drinking-appletini fans selfishly entertain grandiose plans of economic equality without realizing the negative impact their plans would have on the very people they pride themselves on helping. That’s the true class warfare.” Loesch shines the light of truth on everything from feminism to gun violence to abortion. She reveals the damage done by elitists who flat-out don’t get the lives and values of people in the heart of the country. And she asks commonsense questions such as: How can you be angry at Walmart if you’ve never shopped in one? How can you hate the police if you’ve never needed help from a cop? How can you attack Christians if you don’t have a single friend who goes to church? In other words, how can you run a country you’ve never been to? And how much could our politics improve if Coastals would actually listen to their fellow Americans? This book is a rallying cry for anyone who wants our leaders to understand and respect the culture that made America exceptional in the first place.

A new collection about violence and the rural Midwest from a poet whose first book was hailed as “memorable” (Stephanie Burt, Yale Review) and “impressive” (Chicago Tribune) Flyover Country is a powerful collection of poems about violence: the violence we do to the land, to animals, to refugees, to the people of distant countries, and to one another. Drawing on memories of his childhood on a dairy farm in Illinois, Austin Smith explores the beauty and cruelty of rural life, challenging the idea that the American Midwest is mere “flyover country,” a place that deserves passing over. At the same time, the collection suggests that America itself has become a flyover country, carrying out drone strikes and surveillance abroad, locked in a state of perpetual war that Americans seem helpless to stop. In these poems, midwestern barns and farmhouses are linked to other lands and times as if by psychic tunnels. A poem about a barn cat moving her kittens in the night because they have been discovered by a group of boys resonates with a poem about the house in Amsterdam where Anne Frank and her family hid from the Nazis. A poem beginning with a boy on a farmhouse porch idly swatting flies ends with the image of people fleeing before a drone strike. A poem about a barbwire fence suggests, if only metaphorically, the debate over immigration and borders. Though at times a dark book, the collection closes with a poem titled “The Light at the End,” suggesting the possibility of redemption and forgiveness. Building on Smith’s reputation as an accessible and inventive poet with deep insights about rural America, Flyover Country also draws profound connections between the Midwest and the wider world.

Winner of The Believer Book Award for Nonfiction "Meghan O'Gieblyn's deep and searching essays are written with a precise sort of skepticism and a slight ache in the heart. A first-rate and riveting collection." --Lorrie Moore A fresh, acute, and even profound collection that centers around two core (and related) issues of American identity: faith, in general and the specific forms Christianity takes in particular; and the challenges of living in the Midwest when culture is felt to be elsewhere. What does it mean to be a believing Christian and a Midwesterner in an increasingly secular America where the cultural capital is retreating to both coasts? The critic and essayist Meghan O'Gieblyn was born into an evangelical family, attended the famed Moody Bible Institute in Chicago for a time before she had a crisis of belief, and still lives in the Midwest, aka "Flyover Country." She writes of her "existential dizziness, a sense that the rest of the world is moving while you remain still," and that rich sense of ambivalence and internal division inform the fifteen superbly thoughtful and ironic essays in this collection. The subjects of these essays range from the rebranding (as it were) of Hell in contemporary Christian culture ("Hell"), a theme park devoted to the concept of intelligent design ("Species of Origin"), the paradoxes of Christian Rock ("Sniffing Glue"), Henry Ford's reconstructed pioneer town of Greenfield Village and its mixed messages ("Midwest World"), and the strange convergences of Christian eschatology and the digital so-called Singularity ("Ghosts in the Cloud"). Meghan O'Gieblyn stands in relation to her native Midwest as Joan Didion stands in relation to California - which is to say a whole-hearted lover, albeit one riven with ambivalence at the same time.

“[A] vivid . . . quest for roots. . . . Splendid.” —The New York Times Book Review Growing up in the small river town of Moline, Illinois, Diane Johnson always dreamed of venturing off to see the world—and did. Now having traveled widely and lived part-time in Paris for many years, she is stung when a French friend teases her about Americans’ indifference to history. Could it be true? The j’accuse haunts Diane and inspires her to dig into her family’s past, working back from the Friday night football of her youth to the adventures illuminated in the letters and memoirs of her stalwart pioneer ancestors—beginning with a lonely young soldier who came to America from France in 1711. As enchanting as her bestselling novels, Flyover Lives is a moving examination of identity and the “wispy but material” family ghosts who shape us. As Johnson pays tribute to her deep Midwestern roots, she captures the perpetual tug-of-war between the magnetic pull of home and our lust for escape and self-invention.

Leading journalists between the coasts offer perspectives on immigration, drug addiction, climate change, and more that you won’t find in national mainstream media. After the 2016 presidential election, the national media fretted over what they could have missed in the middle of the country, launching a thousand think pieces about so-called “Trump Country.” Yet in 2020, the polling was way off—again. Journalists between the coasts could only shake their heads at the persistence of the false narratives around the communities where they lived and worked. Contributor Ted Genoways foresaw how close the election in 2016 would be and, in its aftermath, put out a public call on Facebook, calling on writers from those midland states to help answer the national media’s puzzlement. Representing a true cross-section of America, both geographically and ethnically, these writers highlight the diversity of the American experience in essays and articles that tell the hidden local truths behind the national headlines. For instance: -Esther Honig describes the effects of the immigration crackdown in Colorado -C.J. Janovy writes about the challenges of being an LGBTQ+ activist in Kansas -Karen Coates and Valeria Fernández show us the children harvesting our food -And Sydney Boles chronicles a miner’s protest in Kentucky. For readers willing to look at the American experience that the pundits don’t know about or cover, Midland is an invaluable peek into the hearts and minds of largely unheard Americans.

Flyover Country focuses on a group of baby boomers who graduated from high school in 1969 in the Midwest before setting off into the world in a time of turbulence to fight in Vietnam, to protest against that war, to find jobs, to have families, and to live lives throughout the United States and overseas. Many of these people have made significant contributions to their communities as business owners, doctors, lawyers, ministers, politicians, and teachers. Many have suffered through tough times, losing their way due to alcohol or drugs or facing family crises from divorce to the death of a spouse or a child. The story also is Harper's story. It is the story of a kid from flyover country who used what he learned in the Midwest to travel throughout the world as a journalist and then as a college professor to try to teach those lessons to his students.

A society addicted to outrage is in trouble. It's a seductive yet toxic drug that kills reason, nuance, and kindness. Dana Loesch has been the target of as much outrage as anyone. And as she forthrightly acknowledges here, she has dished it out as well. As passionately attached to faith and freedom as ever, she warns that our addiction to outrage has debased our politics and reduced us to a vicious tribalism. The antidote to outrage is grace—a generous and forgiving spirit that tolerates those with whom one disagrees and offers redemption to the offender. But grace is hard even under the best conditions, and leftist rage mobs have stoked the fires of anger so assiduously—with help from some of their foes on the right—that grace is almost impossible. Fortunately, as Dana reminds us, grace comes from God, who specializes in the impossible. In Grace Canceled, Dana Loesch explains: • How America got cut up into competing tribes • Why a society without grace falls for socialism • Why outrage makes us dumb • How violence became an acceptable political tactic on the left • When anger is called for and when it's just self-indulgence • The three golden rules of a happy warrior Make no mistake: our freedom, our faith, our very way of life are under attack. The stakes are incredibly high, and Dana doesn't pretend they aren't. But the social justice warriors are already slaves of outrage, and if the rest of us become slaves as well, then no one wins.

A brilliant, kaleidoscopic narrative of Oklahoma City—a great American story of civics, basketball, and destiny, from award-winning journalist Sam Anderson NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review • NPR • Chicago Tribune • San Francisco Chronicle • The Economist • Deadspin Oklahoma City was born from chaos. It was founded in a bizarre but momentous “Land Run” in 1889, when thousands of people lined up along the borders of Oklahoma Territory and rushed in at noon to stake their claims. Since then, it has been a city torn between the wild energy that drives its outsized ambitions, and the forces of order that seek sustainable progress. Nowhere was this dynamic better realized than in the drama of the Oklahoma City Thunder basketball team’s 2012-13 season, when the Thunder’s brilliant general manager, Sam Presti, ignited a firestorm by trading future superstar James Harden just days before the first game. Presti’s all-in gamble on “the Process”—the patient, methodical management style that dictated the trade as the team’s best hope for long-term greatness—kicked off a pivotal year in the city’s history, one that would include pitched battles over urban planning, a series of cataclysmic tornadoes, and the frenzied hope that an NBA championship might finally deliver the glory of which the city had always dreamed. Boom Town announces the arrival of an exciting literary voice. Sam Anderson, former book critic for New York magazine and now a staff writer at the New York Times magazine, unfolds an idiosyncratic mix of American history, sports reporting, urban studies, gonzo memoir, and much more to tell the strange but compelling story of an American city whose unique mix of geography and history make it a fascinating microcosm of the democratic experiment. Filled with characters ranging from NBA superstars Kevin Durant and Russell Westbrook; to Flaming Lips oddball frontman Wayne Coyne; to legendary Great Plains meteorologist Gary England; to Stanley Draper, Oklahoma City's would-be Robert Moses; to civil rights activist Clara Luper; to the citizens and public servants who survived the notorious 1995 bombing of the Alfred P. Murrah federal building, Boom Town offers a remarkable look at the urban tapestry woven from control and chaos, sports and civics.