At the age of five, Noshir Sanjana's childhood in Shimla was enveloped in his huge blue toy cupboard. Leaving it behind and fleeing Shimla in 1947 with his parents, brother Rusi and sister Lily, in The Burning Blue Cupboard, to marrying the love of his life in Married Six Times to the Same Woman, (hear that, Liz Taylor?) Noshir Sanjana takes his readers on a fun-filled adventure through several decades of his life. Climb aboard his magic carpet in Flying High and meet Mother Teresa in the sky at 30,000 feet in Mother Teresa's Miracle; take a layover in Hotel Marriott in Jeddah and run into Idi Amin, the butcher of Uganda, in the swimming pool changing room in your Speedos in JAMBO! Come, Let's Jacuzzi Together; fly back to Bombay confront the then, reigning world wrestling champion in a road rage encounter (yours, not his) in An Encounter with Dara Singh. Travel with Noshir Sanjana on his multi-faceted career in Air India, his stranger than fiction adventures, his deep attachment to family and friends in a life well lived in harmony with all. Tucked into these 37 nuggets is the somber realization of a here- today gone-tomorrow life with two Air India airplane crashes covered in touching and grief-stricken detail. This masterpiece of contemporary writings, written entirely on a Samsung Galaxy A 71 mobile phone by Noshir Sanjana, is a must read for all Parsis, past and current employees of Air India, and everyone who enjoys the art of good story telling in short captivating beats.

Set in Bombay in the mid-1990s, Family Matters tells a story of familial love and obligation, of personal and political corruption, of the demands of tradition and the possibilities for compassion. Nariman Vakeel, the patriarch of a small discordant family, is beset by Parkinson’s and haunted by memories of his past. He lives with his two middle-aged stepchildren, Coomy, bitter and domineering, and her brother, Jal, mild-mannered and acquiescent. But the burden of the illness worsens the already strained family relationships. Soon, their sweet-tempered half-sister, Roxana, is forced to assume sole responsibility for her bedridden father. And Roxana’s husband, besieged by financial worries, devises a scheme of deception involving his eccentric employer at a sporting goods store, setting in motion a series of events that leads to the narrative’s moving outcome. Family Matters has all the richness, the gentle humour, and the narrative sweep that have earned Mistry the highest of accolades around the world.

A new translation of the foundation texts of the Zoroastrian religion, the Gathas (songs) composed by Zoraster himself, together with the Liturgy in seven chapters composed shortly after his death some 2600 years ago. After a substantial introduction to Zoroaster's religious thought, West presents the translations with facing page explanations of the meaning of each verse.

Based on his own extraordinary life, Gregory David Roberts’ Shantaram is a mesmerizing novel about a man on the run who becomes entangled within the underworld of contemporary Bombay—the basis for the Apple + TV series starring Charlie Hunnam. “It took me a long time and most of the world to learn what I know about love and fate and the choices we make, but the heart of it came to me in an instant, while I was chained to a wall and being tortured.” An escaped convict with a false passport, Lin flees maximum security prison in Australia for the teeming streets of Bombay, where he can disappear. Accompanied by his guide and faithful friend, Prabaker, the two enter the city’s hidden society of beggars and gangsters, prostitutes and holy men, soldiers and actors, and Indians and exiles from other countries, who seek in this remarkable place what they cannot find elsewhere. As a hunted man without a home, family, or identity, Lin searches for love and meaning while running a clinic in one of the city’s poorest slums, and serving his apprenticeship in the dark arts of the Bombay mafia. The search leads him to war, prison torture, murder, and a series of enigmatic and bloody betrayals. The keys to unlock the mysteries and intrigues that bind Lin are held by two people. The first is Khader Khan: mafia godfather, criminal-philosopher-saint, and mentor to Lin in the underworld of the Golden City. The second is Karla: elusive, dangerous, and beautiful, whose passions are driven by secrets that torment her and yet give her a terrible power. Burning slums and five-star hotels, romantic love and prison agonies, criminal wars and Bollywood films, spiritual gurus and mujaheddin guerrillas—this huge novel has the world of human experience in its reach, and a passionate love for India at its heart.

Thirty-two writers share their observations and revelations about the world's most seductive city. "Whether you have lived in Paris or not, this captivating collection will transport you there." —National Geographic Traveler Paris is “the world capital of memory and desire,” concludes one of the writers in this intimate and insightful collection of memoirs of the city. Living in Paris changed these writers forever. In thirty-two personal essays—more than half of which are here published for the first time—the writers describe how they were seduced by Paris and then began to see things differently. They came to write, to cook, to find love, to study, to raise children, to escape, or to live the way it’s done in French movies; they came from the United States, Canada, and England; from Iran, Iraq, and Cuba; and—a few—from other parts of France. And they stayed, not as tourists, but for a long time; some are still living there. They were outsiders who became insiders, who here share their observations and revelations. Some are well-known writers: Diane Johnson, David Sedaris, Judith Thurman, Joe Queenan, and Edmund White. Others may be lesser known but are no less passionate on the subject. Together, their reflections add up to an unusually perceptive and multifaceted portrait of a city that is entrancing, at times exasperating, but always fascinating. They remind us that Paris belongs to everyone it has touched, and to each in a different way.