Flowers of Greece and the Balkans is a unique field guide by one of the best-known botanists of our time. First published in 1987 and never surpassed, this volume names and describes nearly 3,000 species of flowering plants in the region. Many of the richest plant hunting areas in southeast Europe are described firsthand, and each description is accompanied by several line drawings. The book's most outstanding feature is 80 pages of color plates containing almost 500 photographs of flowers in their natural settings. The only comprehensive field guide for the region, this reissued version will delight all botanists, gardeners, conservationists, and naturalists interested in the flora of southeastern Europe.

This pocket-sized book is a study of over 6000 species of flowers in Greece, in which the author has also studied the place the flowers held in the lives of the Ancient Greeks - in their literature, mythology, religion and art.

This engaging book focuses on the perennially fascinating topic of plants in Greek and Roman myth. The author, an authority on the gardens, art, and literature of the classical world, introduces the book’s main themes with a discussion of gods and heroes in ancient Greek and Roman gardens. The following chapters recount the everyday uses and broader cultural meaning of plants with particularly strong mythological associations. These include common garden plants such as narcissus and hyacinth; pomegranate and apple , which were potent symbols of fertility; and sources of precious incense including frankincense and myrrh. Following the sweeping botanical commentary are the myths themselves, told in the original voice of Ovid, classical antiquity’s most colorful mythographer. The volume’s interdisciplinary approach will appeal to a wide audience, ranging from readers interested in archaeology, classical literature, and ancient history to garden enthusiasts. With an original translation of selections from Ovid’s Metamorphoses, an extensive bibliography, a useful glossary of names and places, and a rich selection of images including exquisite botanical illustrations, this book is unparalleled in scope and realization.

Greek tragedy occupies a prominent place in the development of early Greek thought. However, even within the partial renaissance of debates about tragedy’s roots in the popular thought of archaic Greece, its potential connection to the early philosophical tradition remains, with few exceptions, at the periphery of current interest. This book aims to show that our understanding of Aeschylus’ Oresteia is enhanced by seeing that the trilogy’s treatment of Zeus and Justice (Dikê) shares certain concepts, assumptions, categories of thought, and forms of expression with the surviving fragments and doxography of certain Presocratic thinkers (especially Anaximander, Xenophanes, Heraclitus, and Parmenides). By examining several aspects of the tragic trilogy in relation to Presocratic debates about theology and cosmic justice, it shows how such scrutiny may affect our understanding of the theological ‘tension’ and metaphysical assumptions underpinning the Oresteia’s dramatic narrative. Ultimately, it argues that Aeschylus bestows on the experience of human suffering, as it is given in the contradictory multiplicity of the world, the status of a profound form of knowledge: a meeting point between the human and divine spheres.

The first of two volumes addressing the dearth of recent detailed Greek flora.

"Surveying all kinds of evidence—historiographical, literary, dramatic, and visual—Flower provides a comprehensive, readable, and engaging account of the operations of 'seers' during the Classical period."—Mark Griffith, editor of Prometheus Bound and Antigone "In a page-turning tour de force of anthropological reconstruction, classicist Michael Flower revisits hundreds of ancient texts to tease out his case for the absolutely central role of seercraft at all levels of ancient Greek society. Thanks to Flower's invitingly-woven tapestry of their mesmerizing stories and anecdotes, we can now savor, and comprehend through his lucid and persuasive interpretations."—Peter Nabokov, author of Where the Lightning Strikes: American Indian Ways of History