Traces the history of flower photography from Talbot to Mapplethorpe, showing a wide range of techniques and aesthetic choices.

Vivid, bold, spectacular and unexpected: a definitive overview of one of contemporary photography's most innovative fields, showcasing flower imagery by more than 120 of the world's leading practitioners. There has never been a period in photography's long history - no school, no movement - when flowers have not been a central focus, whether in the form of the classic still life, the botanical study, incorporated into portraiture and studies of the human body, documented in street photography, or used subversively in surrealist collage and montage. Today, flower photography remains in full bloom, with photographers the world over depicting flowers and floral motifs in novel ways. Featuring works by more than 120 photographers, Flora Photographica links the very best of flower photography from the past thirty years with its predecessors - canonical floral studies from the realms of photography, botanical illustration, drawing and painting that have marked the collective imagination for centuries, if not millennia. Works by contemporary photographers such as Cindy Sherman, Thomas Ruff, Vik Muniz, Valérie Belin, Viviane Sassen, and Martin Schoeller appear across nine thematic chapters, complemented by two in-depth essays by curators William A. Ewing and Danaé Panchaud exploring the relationship between contemporary works and the rich traditions of floral art and photography.

Vivid, colorful, and spectacular: a lush and definitive overview showcasing the masterworks of flower photography by the world’s leading photographers. Flowers have been a source of inspiration for photographers since the medium’s inception; immortalized by luminaries such as Man Ray, Robert Mapplethorpe, Irving Penn, and Julia Margaret Cameron. Today, flower photography has come into full bloom once again, with photographers capturing flowers in inspiring new ways. Featuring two hundred works, Flora Photographica links the very best of flower photography from the past twenty years with its predecessors—canonical floral images from the realms of photography, illustration, and painting that have marked the collective imagination. Works by contemporary photographers such as David LaChapelle, Valérie Belin, Viviane Sassen, and Martin Schoeller appear across ten thematic chapters, among them “Origins,” “Arrangements,” “Essence,” “Persona,” and “Reverie,” which also include a brief introduction to the particular topic. These are complemented by two in-depth essays by authors William Ewing and Danaé Panchaud, which explore the relationship between contemporary works and the rich traditions of floral art and photography. Vibrant and abundant with various species of flora, this stunning book is both a celebration of beauty and a study of form, making it a must-have publication for lovers of flowers and photography alike.

The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.

This book examines the role of photography and visual culture in the emergence of ecological science between 1895 and 1939.