The Breakfast Club meets One Day in Floored, a unique collaborative novel by seven bestselling and award-winning YA authors: Sara Barnard, Holly Bourne, Tanya Byrne, Non Pratt, Melinda Salisbury, Lisa Williamson and Eleanor Wood. When they got in the lift that morning, they were strangers. Sasha, who is at the UK's biggest TV centre desperately trying to deliver a parcel; Hugo, who knows he's by far the richest – and best-looking – guy in the lift; Velvet, who regrets wearing the world's least comfortable shoes to work experience; Dawson, who isn't the good-looking teen star he was and desperate not to be recognized; Kaitlyn, who's slowly losing her sight but won't admit it, and Joe, who shouldn't be there at all, but who wants to be there the most. And one more person, who will bring them together again on the same day every year . . .

In October 2008, as the U.S. economy plunged, the Federal Reserve began paying interest on banks' reserve balances. The resulting switch to a "floor system" of monetary control, in which changes in the interest rate on reserves, rather than reserve creation or destruction, became the Fed's chief tool for influencing economic activity, was to have far-reaching consequences--almost all of them regrettable. Besides intensifying the downturn by causing banks to hoard reserves, the floor system all but destroyed the market for unsecured interbank loans that had been banks' ordinary "first resort" source of last-minute liquidity. By depriving the Fed's asset purchases of the ability to stimulate investment and spending, it also compelled the Fed to compensate by purchasing assets on an unprecedented scale. All of this resulted in a substantial increase in the Fed's role in allocating scarce credit. Finally, by severing the ordinary connection between the stance of monetary policy and the extent of the Fed's asset holdings, the floor system risks turning the Fed's balance sheet into a fiscal-policy playground. Floored! offers a matchless account of our post-crisis monetary system's history and shortcomings.

In this laugh-out-loud funny and inspiring autobiography, one of Hollywood’s best-loved comediennes muses about movies, men, motherhood, and MS In a book that is at once Hollywood hilarious and personally moving, Teri Garr, star of such classic films as Young Frankenstein, Oh God!, Close Encounters of the Third Kind, Mr. Mom, and Tootsie, for which she received an Academy Award nomination, writes about her life with the same wit and warmth that have won the hearts of fans for over three decades. From sipping Cokes with Elvis Presley to hangin’ with the Beatles; from her secrets to succeeding in Hollywood without losing her sanity, to dealing with the fear, anxiety, and denial of being plagued by mysterious physical problems that eluded diagnosis for over twenty years—the insights in Speedbumps, while always couched in Garr’s trademark humor, are honest, heartfelt, and often profound. BACKCOVER: “The driven comedian tells (almost) all…[and] she’s as dizzily funny as ever.” —Entertainment Weekly “Garr sticks to the truth whether it’s hysterically funny, or, at times, heart wrenching. Read this book, it’s a lesson in courage.” —Mel Brooks

Erin Upton is too embarrassed to tell the cops what she was really doing while her townhouse was burglarized, especially since the first officer on the scene is former nuisance next door Charlie Dwyer. Where's the justice in the world when a neighborhood know-it-all grows up to be six-foot-three inches of solid muscle with gorgeous blue eyes and a slow, sexy please-arrest-me-now-officer smile? It's bad enough she's wearing her robe and slippers—did he have to notice her fuzzy hand cuffs on the bathroom sink? He's arrogant as he ever was, which is fine by her—she's too busy with her dance studio's grand opening to make time for a man. But they keep crossing paths, and when Charlie offers to help her put in new flooring at the studio one night, things go from hammering nails to hammering each other in a hurry. And about those hand cuffs… They agree it's a one-time thing. But when that becomes a two-time thing, then a three-time thing, Erin starts to wonder if maybe she and Charlie could be a life-time thing. Her best friends Mia and Coco found love in unexpected places. Is it finally her turn?

Peasant Perceptions of Landscape marks a change in the discipline of landscape history, as well as making a major contribution to the history of everyday life. Until now, there has been no sustained analysis of how ordinary medieval and early modern people experienced and perceived their material environment and constructed their identities in relation to the places where they lived. This volume provides exactly such an analysis by examining peasant perceptions in one geographical area over the long period from AD 500 to 1650. The study takes as its focus Ewelme hundred, a well-documented and archaeologically-rich area of lowland vale and hilly Chiltern wood-pasture comprising fourteen ancient parishes. The analysis draws on a range of sources including legal depositions and thousands of field-names and bynames preserved in largely unpublished deeds and manorial documents. Archaeology makes a major contribution, particularly for understanding the period before 900, but more generally in reconstructing the fabric of villages and the framework for inhabitants' spatial practices and experiences. In its focus on the way inhabitants interacted with the landscape in which they worked, prayed, and socialised, Peasant Perceptions of Landscape supplies a new history of the lives and attitudes of the bulk of the rural population who so seldom make their mark in traditional landscape analysis or documentary history.

Joseph Truini demonstrates how to floor with wood and laminate, lay a subfloor, cut flooring to size, set tile and stone, lay flooring on steps and around doors, and install finish materials.