Floodgate Companion is Robert Beatty's debut monograph, a cosmic and immersive collection of artwork from the renowned album cover artist.

An inspiring story about a young Black girl who wants to be an astronaut, written years before Black astronauts were sent into space. This remarkable picture book has been out of print for decades, until now. First published in 1973, a year after the final Apollo mission, when American astronauts were exclusively white and male, Blast Off is the story of a young African American girl with a vision and a mission. Regina Williams wants to be an astronaut. One day she’s drawing a picture of a rocket ship on the sidewalk when her friends come by and start to tease her. “You’ll never be an astronaut,” they say. In reply, she builds her own spaceship with old boxes, pipes, and cans. Before long she’s in space, her eyes wide with wonder at the smallness of the blue-green Earth, the blackness of space, the stars and satellites. When she comes back down to earth, her friends don’t believe her, but she knows her dream is real. An inspiring story of interstellar space travel with illustrations by the legendary Diane and Leo Dillon.

All Gates Open presents the definitive story of arguably the most influential and revered avant-garde band of the late twentieth century: CAN. It consists of two books. In Book One, Rob Young gives us the full biography of a band that emerged at the vanguard of what would come to be called the Krautrock scene in late sixties Cologne. With Irmin Schmidt and Holger Czukay - two classically trained students of Stockhausen - at the heart of the band, CAN's studio and live performances burned an incendiary trail through the decade that followed: and left a legacy that is still reverberating today in hip hop, post rock, ambient, and countless other genres. Rob Young's account draws on unique interviews with all founding members of CAN, as well as their vocalists, friends and music industry associates. And he revisits the music, which is still deliriously innovative and unclassifiable more than four decades on. All Gates Open is a portrait of a group who worked with visionary intensity and belief, outside the system and inside their own inner space. Book Two, Can Kiosk, has been assembled by Irmin Schmidt, founding member and guiding spirit of the band, as a 'collage - a technique long associated with CAN's approach to recording. There is an oral history of the band drawing on interviews that Irmin made with musicians who see CAN as an influence - such as Bobby Gillespie, Geoff Barrow, Daniel Miller, and many others. There are also interviews with artists and filmmakers like Wim Wenders and John Malkovitch, where Schmidt reflects on more personal matters and his work with film. Extracts of Schmidt's notebook and diaries from 2013-14 are also reproduced as a reflection on the creative process, and the memories, dreams, and epiphanies it entails. Can Kiosk offers further perspectives on a band that have inspired several generations of musicians and filmmakers in the voices of the artists themselves. CAN were unique, and their legacy is articulated in two books in this volume with the depth, rigour, originality, and intensity associated with the band itself. It is illustrated throughout with previously unseen art, photographs, and ephemera from the band's archive.

An intensely honest book, brimming with ideas and emotion. How do you make the most difficult decision in life when your family, friends and lover are more distant than the nearest galaxy?

Cyn, a witch, and Avian, executioner of the truly evil, discover that Cyn is an Echo, a conduit for souls of the dead, who will lose control unless she risks her life to vanquish the source of her power in Sleepy Hollow.

"Before the rise of underground comics in the late 1960s, there was no place for eccentric talent in the comics industry. Rather than creating super heroes like Superman and Spider-Man, comic strips like Peanuts and Krazy Kat, or graphic novels like Jimmy Corrigan: The Smartest Kid on Earth and Ghost World, the artists represented in Art Out of Time created their own "ingenious" versions of the super hero, western, romance, humor, and horror genres that dominated the comics of their day." "Their visions found a home, but were mostly obscured by the more accessible mainstream work of others. These artists have a distinct, fully formed visual sensibility, and their comics stray from the usual thematic and visual ideas of what we now consider the medium to be. All of them were under-recognized in their lifetimes, and all of them remain outside the usual narratives of comic book history." "Art Out of Time reprints complete comic book and comic strip stories, most of which are being reprinted here for the first time since their initial publication. In five thematic sections, this anthology is a "counter history" of comics, containing nearly thirty often-unknown visionary American cartoonists from 1900 to 1969. These artists foreshadowed and influenced the innovations within the comics medium of today. Together for the first time, these oddballs and obsessives truly constitute an underground that wasn't."--BOOK JACKET.

The compelling, poignant true stories of victims of a notorious adoption scandal—some of whom learned the truth from Lisa Wingate’s bestselling novel Before We Were Yours and were reunited with birth family members as a result of its wide reach From the 1920s to 1950, Georgia Tann ran a black-market baby business at the Tennessee Children’s Home Society in Memphis. She offered up more than 5,000 orphans tailored to the wish lists of eager parents—hiding the fact that many weren’t orphans at all, but stolen sons and daughters of poor families, desperate single mothers, and women told in maternity wards that their babies had died. The publication of Lisa Wingate’s novel Before We Were Yours brought new awareness of Tann’s lucrative career in child trafficking. Adoptees who knew little about their pasts gained insight into the startling facts behind their family histories. Encouraged by their contact with Wingate and award-winning journalist Judy Christie, who documented the stories of fifteen adoptees in this book, many determined Tann survivors set out to trace their roots and find their birth families. Before and After includes moving and sometimes shocking accounts of the ways in which adoptees were separated from their first families. Often raised as only children, many have joyfully reunited with siblings in the final decades of their lives. Christie and Wingate tell of first meetings that are all the sweeter and more intense for time missed and of families from very different social backgrounds reaching out to embrace better-late-than-never brothers, sisters, and cousins. In a poignant culmination of art meeting life, many of the long-silent victims of the tragically corrupt system return to Memphis with the authors to reclaim their stories at a Tennessee Children’s Home Society reunion . . . with extraordinary results. Advance praise for Before and After “In Before and After, authors Judy Christie and Lisa Wingate tackle the true stories behind Wingate’s blockbuster Before We Were Yours, of the orphans who survived the Tennessee Children’s Home Society. With a journalist’s keen eye and a novelist’s elegant prose, Christie and Wingate weave together the stories that inspired Before We Were Yours with the lives that were changed as a result of reading the novel. Readers will be educated, enlightened, and enraptured by this important and flawlessly executed book.”—Pam Jenoff, author of The Orphan’s Tale and The Lost Girls of Paris

Buried deep under sand sits a library the size of a small city, owned by the eerily powerful Mr. Wish and protected by roving bands of toughs and lethal sentient vehicles. When a small but heavy interdimensional spider demands access to the vault, poor William Softkey, with assistance from the gravity-experimenter Gigglewindow sisters, is hired to deal with the problem. Rendered in the artist's trademark stark linework--against a backdrop of paranoid techno-fantasy, strange emblematic beings, and woozy halftone patterns--William Softkey and the Purple Spider is acclaimed cartoonist CF's second dreamy narrative published under the Anthology Editions banner.

An artist's book guide to the world of sound from musician and sonic healer Lavender Suarez.

Following the worldwide success of his Poemotion trilogy, Takahiro Kurashima's latest book delights the eye with ingenious visual play Kurashima's interactive book objects feature graphic patterns that are animated by the reader/viewer with a special foil contained within the book, so that figures and forms are created out of optical overlays, set in motion and then disappear again. Here, an astonishing panorama of unseen moiré effects (i.e. interference patterns produced when an opaque ruled pattern with gaps is overlaid on another similar pattern) unfolds. Kurashima deploys the digital tools for his creations with tremendous virtuosity, while also evoking and alluding to the rich precedents of kinetic art. Moirémotion offers contemplative recreation for our eyes. Takahiro Kurashima (born 1970) studied at the Musashino Art University and since 1993 has lived in Tokyo, where he works as an artist and designer. He collaborates with artists from various genres such as fashion, design and music. Kurashima's series Poemotion 1-3 is known all over the world.