In 1852 Ohio, twelve-year-old Owen steals aboard a floating circus called the River Palace, with nothing more in mind than catching a little of the show. But then a free black man named Solomon offers to take him on as an assistant animal keeper, and Owen discovers a family among the ragtag members of the circus-including a young elephant named Little Bet. A brush with yellowfever in New Orleans and a devastating storm threaten the boat and its crew. But it's the menace of slave catchers that poses the greatest danger of all, and that will put Owen's loyalty to Solomon and Little Bet to the test. This is a memorable tale of prejudice, race, and the relationships that transcend them. Inspired by the riverboat circuses of the nineteenth century, it also brings little known historical facts to life. TRACIE VAUGHN ZIMMER has worked as a special education teacher and reading specialist. She is also the creator of more than 80 teacher's guides for numerous publishers and has published poetry books as well as the novel Reaching for Sun. Tracie lives outside Cincinnati, Ohio, with her husband and two children. www.tracievaughnzimmer.com PRAISE FOR REACHING FOR SUN: "Like taking slow bites from a piece of homemade lemon pie-sharp sweet and honest." -Linda Sue Park, Newbery Medal winner "Josie's strength shines as she handles sadness and loss as well as recovery and progress."-Kirkus Reviews, starred review

#1 NATIONAL BESTSELLER • Two starcrossed magicians engage in a deadly game of cunning in the spellbinding novel that captured the world's imagination. • "Part love story, part fable ... defies both genres and expectations." —The Boston Globe The circus arrives without warning. No announcements precede it. It is simply there, when yesterday it was not. Within the black-and-white striped canvas tents is an utterly unique experience full of breathtaking amazements. It is called Le Cirque des Rêves, and it is only open at night. But behind the scenes, a fierce competition is underway: a duel between two young magicians, Celia and Marco, who have been trained since childhood expressly for this purpose by their mercurial instructors. Unbeknownst to them both, this is a game in which only one can be left standing. Despite the high stakes, Celia and Marco soon tumble headfirst into love, setting off a domino effect of dangerous consequences, and leaving the lives of everyone, from the performers to the patrons, hanging in the balance.

This book explores the circus as a site in and through which science and technology are represented in popular culture. Across eight chapters written by leading scholars – from fields as varied as performance and circus studies, art, media and cultural history, and engineering – the book discusses to what extent the engineering of circus and performing bodies can be understood as a strategy to promote awe, how technological inventions have shaped circus and the cultures it helps constitute, and how much of a mutual shaping this is. What kind of cultural and aesthetic effects does engineering in circus contexts achieve? How do technological inventions and innovations impact on the circus? How does the link between circus and technology manifest in representations and interpretations – imaginaries – of the circus in other media and popular culture? Circus, Science and Technology examines the ways circus can provide a versatile frame for interpreting our relationship with technology.

A collection of thirty-seven stories, reprints from diaries and journals, and other materials published prior to the days of Mark Twain that depict Mississippi River life.