Some say it was a super weapon, some a portal to other worlds. Whatever the truth, all know that the Legacy disappeared on the Day of Mourning. But now Ashrem's heirs have unearthed clues of the Legacy's whereabouts, and the hunt is on. Some want to use the Legacy to bring about a new age. Others want to destroy it before it shatters the fragile peace in a world that is trying to put war behind it. But others find their fate caught in Ashrem's Legacy, and in the frozen lands of the far north, they'll have to find a way to stay alive before they can save the world.

The first B\-29 flew over Tokyo on 1 November 1944. It was a photographic reconnaissance aircraft ironically named ‘Tokyo Rose’. The Ki.44 fighters of the 47th Sentai took off to intercept it but as it turned out the Superfortress flew at such an altitude and speed that they could not reach it. The Ki\-44\-II\-Otsu had been specifically designed for this type of interception and could reach the astonishing rate of climb of 5,000 m in four minutes; however it was not good enough. During the following ten months, a devastating bombing campaign of thousands of Superfortress destroyed 67 Japanese cities and half of Tokyo. The cultural shock and the political consequences were huge, when it was realised that the Japanese industry was not able to produce the specially heat and stress\-resistant metallic alloys that were required to manufacture the turbo superchargers needed by the fighters in charge of defending the Japanese mainland. They lacked the essential chromium and molybdenum metals to harden the steel. This fact thwarted the manufacturing of numerous advanced projects of both conventional fighters and those derived from the transfer of German technology fitted with turbojets and rocket engines. They are thoroughly described in this book.

Two plays deal with the efforts of a group of white officers to survive after the end of the Civil War, and an engineer who travels into the past in a time machine and returns with Ivan the Terrible.

“A veritable tour de force of Eastern Front armored combat replete with slashing counterattacks, defending to the last man, and overcoming odds.” —Mark J. Reardon, author of Victory at Mortain On Christmas Eve 1944, the men of the IV. SS-Panzerkorps and its two divisions—the 3rd SS Panzer Division “Totenkopf” and the 5th SS Panzer Division “Wiking”—were eagerly anticipating what the holiday would bring, including presents from home and perhaps sharing a bottle of schnapps or wine with their comrades. This was not to be, for that very evening, the corps commander, SS-Obergruppenführer Herbert Otto Gille, received a telephone call notifying him that the 35,000 men of his corps would begin boarding express trains the following day that would take them from the relative quiet of the Vistula Front to the front lines in Hungary, hundreds of kilometers away. Their mission: Relieve Budapest! Thus would begin the final round in the saga of the IV. SS-Panzerkorps. In Hungary, it would play a key role in the three attempts to raise the siege of that fateful city. Threatened as much by their high command as by the forces of the Soviet Union, Gille and his troops overcame seemingly insurmountable obstacles in their attempts to rescue the city’s garrison, only to have their final attack called off at the last minute. At that moment, they were only a few kilometers away from the objective towards which they had striven for nearly a month. After the relief attempt’s failure sealed the fate of hundreds of thousands of Hungarians and Germans, the only course of action remaining was to dig in and protect the Hungarian oilfields as long as possible.

Ahmadou Kourouma's award winning novel, The Suns of Independence is one of the great classics of Francophone African literature, capturing the dreams and struggles of a newly independent nation. Fama is the last of an ancient line of Dumbuya princes who, before the Europeans came, reigned undisputed over the Malinke tribe. Yet even after independence, Fama is forced to beg for his place amongst the bureaucratic elite. Meanwhile, his wife, Salimata, is desperately attempting to save the Dumbuya legacy from extinction. Beyond the gripping political intrigue, Ahmadou Kourouma weaves together an in-depth tapestry of Malinke culture, blending the everyday experience of 1960s postcolonial life with age-old myths and traditions. 'Perhaps the most remarkable African novelist writing in French.' Guardian

The world is balanced on the edge of a knife, and war is almost certain between the empire and the Phoenix Riders. Veronyka finally got her wish to join the Riders, but while she's supposed to be in training, all she really wants to do is fly out to defend the villages of Pyra from the advancing empire. Tristan has been promoted to Master Rider, but he has very different ideas about the best way to protect their people than his father, the commander. Sev has been sent to spy on the empire, but maintaining his cover may force him to fight on the wrong side of the war. And Veronyka's sister, Val, is determined to regain the empire she lost--even if it means inciting the war herself. As tensions reach a boiling point, the characters all find themselves drawn together into a fight that will shape the course of the empire--and determine the future of the Phoenix Riders. Each must decide how far they're willing to go--and what they're willing to lose in the process.

Unlocking the Poetry of W.B. Yeats undertakes a thorough re-reading of Yeats' oeuvre as an extended meditation on the image and theme of the heart as it is evident within the poetry. It places the heart at the centre of a complex web of Yeatsian preoccupations and associations—from the biographical, to the poetic and philosophical, to the mythological and mystical. In particular, the book seeks to unlock Yeats’ mystifying aesthetic vision via his understanding of the ancient Egyptian "Weighing of the Heart" ceremony. The work provides a chronological narrative arc that looks to use the theme of the heart as it recurs in the poetry in order to circumvent and overcome more established frameworks. Its purpose is to offer refreshing ways of conceptualizing and building alternatives to more deeply entrenched, but not entirely satisfactory arguments that have been offered since Yeats' death in 1939, while demonstrating the centrality of the occult to Yeats' art.