Your Grandma, Gemma, escaped from North Korea, December 1950 at a negative fifteen degrees Fahrenheit from Hung Nam port, North Korea, boarding the Meredith Victory, an American freighter. For four days and four nights, no foods, water were available and no access to bathrooms. A miracle took place. God watched over the ship and listened to the prayers of its people. The Meredith Victory and its passengers completed a long voyage without any dangerous storms. The ship arrived safely in South Korean port on Christmas day. Among the refugees, there was an eleven-year-old girl, who is your grandma, Gemma. Hence Chung’s family tree started to grow.

David Levy brings these "ghostly apparitions" to life. With fascinating scenarios both real and imagined, he shows how comets have wreaked their special havoc on Earth and other planets. Beginning with ground zero as comets take form, we track the paths their icy, rocky masses take around our universe and investigate the enormous potential that future comets have to directly affect the way we live on this planet and what we might find as we travel to other planets. In this extraordinary volume, David Levy shines his expert light on a subject that has long captivated our imaginations and fears, and demonstrates the need for our continued and rapt attention.

"A funny, marvelously readable portrait of one of the most brilliant and eccentric men in history." --The Seattle Times Paul Erdos was an amazing and prolific mathematician whose life as a world-wandering numerical nomad was legendary. He published almost 1500 scholarly papers before his death in 1996, and he probably thought more about math problems than anyone in history. Like a traveling salesman offering his thoughts as wares, Erdos would show up on the doorstep of one mathematician or another and announce, "My brain is open." After working through a problem, he'd move on to the next place, the next solution. Hoffman's book, like Sylvia Nasar's biography of John Nash, A Beautiful Mind, reveals a genius's life that transcended the merely quirky. But Erdos's brand of madness was joyful, unlike Nash's despairing schizophrenia. Erdos never tried to dilute his obsessive passion for numbers with ordinary emotional interactions, thus avoiding hurting the people around him, as Nash did. Oliver Sacks writes of Erdos: "A mathematical genius of the first order, Paul Erdos was totally obsessed with his subject--he thought and wrote mathematics for nineteen hours a day until the day he died. He traveled constantly, living out of a plastic bag, and had no interest in food, sex, companionship, art--all that is usually indispensable to a human life." The Man Who Loved Only Numbers is easy to love, despite his strangeness. It's hard not to have affection for someone who referred to children as "epsilons," from the Greek letter used to represent small quantities in mathematics; a man whose epitaph for himself read, "Finally I am becoming stupider no more"; and whose only really necessary tool to do his work was a quiet and open mind. Hoffman, who followed and spoke with Erdos over the last 10 years of his life, introduces us to an undeniably odd, yet pure and joyful, man who loved numbers more than he loved God--whom he referred to as SF, for Supreme Fascist. He was often misunderstood, and he certainly annoyed people sometimes, but Paul Erdos is no doubt missed. --Therese Littleton

Originally published in 1954, The Theory of Celestial Influence is an exploration of the universe and man’s place in it. Drawing extensively on the teachings of Russian mathematician and esotericist P. D. Ouspensky and Greek-Armenian Esoteric doctrine teacher George Gurdjieff, author Rodney Collins examines 20th century scientific discoveries and attempts to unite astronomy, physics, chemistry, human physiology and world history with his own version of planetary influences. He concludes that the driving force behind everything is neither procreation nor survival, but expansion of awareness. Collin sets out to reconcile the considerable contradictions of the rational and imaginative minds and of the ways we see the external world versus our inner selves.

This book explores the evolution of space and time from the "apeiron" -the spaceless, timeless chaos of primordial nature. Rosen examines Western culture's effort to deny "apeiron," and the critical need now to lift the repression on "apeiron" for the sake of human individuation. "This groundbreaking book brings to fruition Rosen's reflexive theory of time and space. With recent physics breaking linear time symmetry, this unique integration of physics and philosophy is indeed timely." -Eugene T. Gendlin, Emeritus Professor of Philosophy and Psychology, University of Chicago "Rosen's ideas are precisely stated, and he draws upon an impressive range of sources, both ancient and modern. The author shows the inadequacy of conventional thinking about space and time and argues persuasively for an intriguing new alternative. This important book may have radical implications for the conduct of science in the 21st century." -Brian Josephson, Cambridge University Professor of Physics, Nobel Laureate

A comprehensive study of an award-winning playwright known for unconventional blending of genres John Guare, one of the most innovative and influential contemporary American playwrights of the last sixty years, is best known for such works as House of Blue Leaves, winner of an Obie Award, the New York Drama Critics Circle Award for Best American Play, and four Tony Awards, and Six Degrees of Separation, recipient of the New York Drama Critics Circle Award for Best American Play and the Olivier Best Play Award and a finalist for the Pulitzer Prize in Drama. In Understanding John Guare, William W. Demastes provides a concise biography and analyzes the playwright's career from his earliest works produced off-off Broadway in the 1960s to his most recent Broadway play, A Free Man of Color, a finalist for the 2011 Pulitzer Prize in Drama. Often compared to his contemporaries Sam Shepard and David Mamet, who have distinctive voices tied to their mastery of realistic, idiomatic American English, Guare has a style that is perhaps more varied, Demastes speculates, the result of his formal training in theater. After earning a bachelor's degree from Georgetown University, Guare earned an M.F.A. from the Yale School of Drama. He then polished his theater craft in New York City during the exciting and turbulent 1960s, breaking from realist conventions and creating an unlikely blend of comedy, burlesque, stand-up comedy, and absurdly incongruous plotlines. The result has been a theater of surprise that is rich in stage action and experimentally invigorating. Demastes examines Guare's tools and techniques such as mixing serious with comic, creating characters who break into song and dance, inserting stand-up comedy routines, and drawing from the most absurd incongruities of everyday life. In doing so, Guare has created plays about the best and worst of humanity, about lost souls, and about delusional ideals.

Fictional novelists and other author characters have been a staple of novels and stories from the early nineteenth century onwards. What is it that attracts authors to representing their own kind in fiction? Author Fictions addresses this question from a theoretical and historical perspective. Narrative representations of literary authorship not only reflect the aesthetic convictions and social conditions of their actual authors or their time; they also take an active part in negotiating and shaping these conditions. The book unfolds the history of such ‘author fictions’ in European and North American texts since the early nineteenth century as a literary history of literary authorship, ranging from the Victorian bildungsroman to contemporary autofiction. It combines rhetorical and sociological approaches to answer the question how literature makes authors. Identifying ‘author fictions’ as narratives that address the fragile material conditions of literary creation in the actual and symbolic economies of production, Ingo Berensmeyer explores how these texts elaborate and manipulate concepts and models of authorship. This book will be relevant to English, American and comparative literary studies and to anyone interested in the topic of literary authorship.