In Edwin A. Abbott's 'Flatland: A Romance of Many Dimensions (Illustrated Edition)', readers are transported to a unique world where geometric shapes exist and interact in a society defined by rigid hierarchy based on the number of their sides. This satirical novella explores themes of class structure, perception, and the limits of human understanding. Written in the form of a social satire, Abbott uses geometric figures to critique the Victorian society of his time and to examine the complexities of dimensions beyond our comprehension. The inclusion of illustrations expands upon the narrative, enhancing the reader's visual understanding of this multi-dimensional world. Abbott's writing style is both thought-provoking and playful, making this book a classic work of mathematical fiction. Edwin A. Abbott was a schoolmaster and theologian with a keen interest in mathematics. His background in education and mathematics likely inspired him to write a book that challenges readers to think beyond conventional boundaries. 'Flatland' is recommended to readers interested in exploring philosophical concepts through imaginative storytelling and to those fascinated by the intersection of mathematics and literature.

A book that combines science fiction, satire of Victorian society and politics, proving to be a great literary allegory. The illustrated world is populated by Squares, Triangles, Circles and Lines living in a two-dimensional universe, all strictly divided by class and gender. The narrator is precisely one of them, a Square. He will guide readers into his world by explaining the brilliant implications of two-dimensional life. Later, however, he will tell of his discovery of other, more geometrically complex universes such as the three-dimensional one, represented by his encounter with a Sphere. Thus begins a true journey of knowledge, which will lead him to that which can hardly be conceived by the mind. A unique book that has become a cult object by the scientific community and beyond.

Flatland: A Romance of Many Dimensions is a satirical novella by the English schoolmaster and clergyman Edwin Abbott Abbott. The story describes a two-dimensional world occupied by geometric figures, whereof women are simple line-segments, while men are polygons with various numbers of sides. Written pseudonymously by "A Square", the book used the fictional two-dimensional world of Flatland to comment on the hierarchy of Victorian culture, but the novella's more enduring contribution is its examination of dimensions. This masterpiece of science (and mathematical) fiction is a delightfully unique and highly entertaining satire that has charmed readers for more than 100 years.

First there was Edwin A. Abbott's remarkable Flatland, published in 1884, and one of the all-time classics of popular mathematics. Now, from mathematician and accomplished science writer Ian Stewart, comes what Nature calls "a superb sequel." Through larger-than-life characters and an inspired story line, Flatterland explores our present understanding of the shape and origins of the universe, the nature of space, time, and matter, as well as modern geometries and their applications. The journey begins when our heroine, Victoria Line, comes upon her great-great-grandfather A. Square's diary, hidden in the attic. The writings help her to contact the Space Hopper, who tempts her away from her home and family in Flatland and becomes her guide and mentor through ten dimensions. In the tradition of Alice in Wonderland and The Phantom Toll Booth, this magnificent investigation into the nature of reality is destined to become a modern classic.

The pot thief is going back to school, but someone on campus is trying for a different kind of degree—murder in the first—in this “smartly funny series” (Anne Hillerman). Before making a somewhat notorious name for himself as a salvager of antiquated pottery and other desert artifacts, Hubie Schuze was an eager student at the University of New Mexico—right up until they booted him out. Now, he’s back at UNM as a pottery teacher. It should be a breeze, but campus life has changed dramatically in the past twenty-five years. From cell phones to trigger warnings to sensitivity workshops, Hubie has to get up to speed fast or risk losing control of his class. But his dismay at the state of modern academia takes a back seat when a young beauty working as a life model is murdered—and Hubie becomes a suspect. Taking the investigation into his own hands, he soon uncovers a wide palette of sketchy suspects that includes both the self-involved student body and the quarrelsome art school faculty. But what he doesn’t know is that the murderer has a new artistic project in the works: a headstone for the grave of Hubie Schuze . . . The Pot Thief Who Studied Edward Abbey is the 8th book in the Pot Thief Mysteries, but you may enjoy reading the series in any order.

Joe Cube is a Silicon Valley hotshot--well, a would-be hotshot anyway--hoping that the 3-D TV project he's managing will lead to the big money IPO he's always dreamed of. On New Year's Eve, hoping to impress his wife, he sneaks home the prototype. It brings no new warmth to their cooling relationship, but it does attract someone else's attention. When Joe sees a set of lips talking to him (floating in midair) and feels the poke of a disembodied finger (inside him), it's not because of the champagne he's drunk. He has just met Momo, a woman from the All, a world of four spatial dimensions for whom our narrow world, which she calls Spaceland, is something like a rug, but one filled with motion and life. Momo has a business proposition for Joe, an offer she won't let him refuse. The upside potential becomes much clearer to him once she helps him grow a new eye (on a stalk) that can see in the fourth-dimensional directions, and he agrees. After that it's a wild ride through a million-dollar night in Las Vegas, a budding addiction to tasty purple 4-D food, a failing marriage, eye-popping excursions into the All, and encounters with Momo's foes, rubbery red critters who steal money, offer sage advice and sometimes messily explode. Joe is having the time of his life, until Momo's scheme turns out to have angles he couldn't have imagined. Suddenly the fate of all life here in Spaceland is at stake. Rudy Rucker is a past master at turning mathematical concepts into rollicking science fiction adventure, from Spacetime Donuts and White Light to The Hacker and the Ants. In the tradition of Edwin A. Abbott's classic novel, Flatland, Rucker gives us a tour of higher mathematics and visionary realities. Spaceland is Flatland on hyperdrive! At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

In 1913, Russian imperial marines stormed an Orthodox monastery at Mt. Athos, Greece, to haul off monks engaged in a dangerously heretical practice known as Name Worshipping. Exiled to remote Russian outposts, the monks and their mystical movement went underground. Ultimately, they came across Russian intellectuals who embraced Name Worshipping—and who would achieve one of the biggest mathematical breakthroughs of the twentieth century, going beyond recent French achievements. Loren Graham and Jean-Michel Kantor take us on an exciting mathematical mystery tour as they unravel a bizarre tale of political struggles, psychological crises, sexual complexities, and ethical dilemmas. At the core of this book is the contest between French and Russian mathematicians who sought new answers to one of the oldest puzzles in math: the nature of infinity. The French school chased rationalist solutions. The Russian mathematicians, notably Dmitri Egorov and Nikolai Luzin—who founded the famous Moscow School of Mathematics—were inspired by mystical insights attained during Name Worshipping. Their religious practice appears to have opened to them visions into the infinite—and led to the founding of descriptive set theory. The men and women of the leading French and Russian mathematical schools are central characters in this absorbing tale that could not be told until now. Naming Infinity is a poignant human interest story that raises provocative questions about science and religion, intuition and creativity.

Aboard a long-range research vessel, in the vast reaches of the South Pacific, the cast and crew of the reality show Sealife believe they have found a ratings bonanza. For a director dying for drama, a distress call from Henders Island—a mere blip on any radar—might be just the ticket. Until the first scientist sets foot on Henders—and the ultimate test of survival begins. For when they reach the island’s shores, the scientists are utterly unprepared for what they find—creatures unlike any ever recorded in natural history. This is not a lost world frozen in time; this is Earth as it might have looked after evolving on a separate path for half a billion years—a fragment of a lost continent, with an ecosystem that could topple ours like a house of cards.

A detailed description of what the fourth dimension would be like.