In a telegram sent on 29 April 1963, Ingrid Jonker thanks André Brink for his letter and flowers. They had met a few days before. He was almost twenty- eight; she thirty. This was the beginning of a correspondence between two writers that lasted up until three months before Jonker drowned herself at Three Anchor Bay. Half a century later, their love letters are published here for the first time. In more than two hundred letters that have never been seen before, a gripping love affair unfolds.

New edition includes the sentencing and identifies Don Steenkamp as the murderer for the first time ... Just after dusk on Good Friday, 6 April 2012, the peace and quiet permeating the small Northern Cape town of Griekwastad was disrupted when a young teenage boy sped into town in his father’s Isuzu bakkie and screeched to a halt in front of the town’s nearly deserted police station to announce that his parents and sister had been brutally shot and killed on the family farm, Naauwhoek Based on interviews with all the role-players, including the investigating officers on the case, the forensic and ballistic experts, and family and friends of the deceased, this is the riveting account of what really happened on Naauwhoek farm on that fateful day, as told by the reporter who first broke the story ...

The Love Song of André P Brink is the first biography of this major South African novelist who, during his lifetime, was published in over 30 languages and ranked with the likes of Gabriel García Márquez, Peter Carey and Aleksandr Solzhenitsyn. Leon de Kock's eagerly awaited account of Brink's life is richly informed by a previously unavailable literary treasure: the dissident Afrikaner's hoard of journal-writing, a veritable chronicle that was 54 years in the making. In this massive new biographical source – running to a million words – Brink does not spare himself, or anyone else for that matter, as he narrates the ups and downs of his five marriages and his compulsive affairs with a great number of women. These are precisely the topics that the rebel in both politics and sex skated over in his memoir, A Fork in the Road. De Kock's biographical study of the author who came close to winning the Nobel Prize for Literature not only synthesises the journals but also subjects them to searching critical analysis. In addition, the biographer measures the journals against additional sources, both scholarly and otherwise, among them the testimony of Brink's friends, family, wives and lovers. The Love Song of André P Brink subjects Brink's literary legacy to a bracing scholarly re-evaluation, making this major new biography a crucial addition to scholarship on Brink.

In March 2013, South Africa suffered its worst military defeat since the end of apartheid. After a battle that lasted almost two days, 200 crack troops who engaged 7 000 rebels in the Central African Republic were forced to negotiate a ceasefire at their base. Thirteen South African soldiers died in the battle, with two more later succumbing to their wounds. The mission was shrouded in mystery from the start. The deployment and the diplomatic machinations that led to it were kept secret from the South African public and Parliament. So, too, were an assortment of shadowy commercial interests held by businessmen, some with close ties to the African National Congress. In an investigation spanning more than seven years, the authors gained exclusive access to the soldiers who fought valiantly against overwhelming odds; travelled to Bangui to obtain documentation and meet the rebel leaders who took part in the battle; interviewed a deposed dictator living in exile in Paris; and spoke to the widows of the fallen soldiers. They also met influen¬tial fixers and dealmakers, and unearthed secret files containing bribe agreements to unravel an intricate web of corruption and patronage reaching the highest echelons of power in South Africa and the CAR. After close to a decade of speculation and rumour, The Battle of Bangui lays bare for the first time both the litany of strategic, tactical and logistical blunders that ended in military disaster, and the secret diplomatic and commercial deals that led to South Africa’s worst foreign misad¬venture of the democratic era. It’s also a cracking war story filled with heroism, camaraderie, terror, pathos and triumph over adversity.

In spite of Cyril Ramaphosa’s ‘new dawn’; there are powerful forces in the ruling party that risk losing everything if corruption and state capture finally do come to an end. At the centre of the old guard’s fightback efforts is Ace Magashule; a man viewed by some as South Africa’s most dangerous politician. In this explosive book; investigative journalist Pieter-Louis Myburgh ventures deeper than ever before into Magashule’s murky dealings; from his time as a struggle activist in the 1980s to his powerful rule as premier of the Free State province for nearly a decade; and his rise to one of the ANC’s most influential positions. Sifting through heaps of records; documents and exclusive source interviews; Myburgh explores Magashule’s relationship with the notorious Gupta family and other tender moguls; investigates government projects costing billions that enriched his friends and family but failed the poor; reveals how he was about to be arrested by the Scorpions before their disbandment in the late 2000s; and exposes the methods used to keep him in power in the Free State and to secure him the post of ANC secretary-general. Most tellingly; Myburgh pieces together a pack of leaked emails and documents to reveal shocking new details on a massive Free State government contract and Magashule’s dealings with a businessman who was gunned down in Sandton in 2017. These files seem to lay bare the methods of a man who usually operated without leaving a trace. Gangster State is an unflinching examination of the ANC’s top leadership in the post– Jacob Zuma era; one that should lead readers to a disconcerting conclusion: When it comes to the forces of capture; South Africa is still far from safe.

Issues for Nov. 1957- include section: Accessions. Aanwinste, Sept. 1957-

Karin Schimke is a widely published journalist and columnist, and the Cape Times books editor. She also works as a writing tutor and mentor, an author of non-fiction - including the best-selling Fabulously Forty and Beyond, co-written with Margie Orford - of children's books and of short stories. She edited Open, an anthology of erotic short stories written by some of South Africa's best known women writers. Her poetry has appeared in South Africa Writing, New Contrast, New Coin and Carapace magazines. Bare & Breaking is her first collection of poems.

"Andre Brink grew up in the deep interior of South Africa, as his magistrate father moved from one dusty dorp to the next. With searing honesty, he describes his conflicting experiences of growing up in a world where innocence was always surrounded by violence. From an early age he found in storytelling the means of reconciling the stark contrasts of his world - between religion and play-acting, between the breathless discovery of a girl called Maureen and the merciless beating of a black boy, between meeting with a dwarf who lived in a hole in the ground and an encounter with a magician who threatened to teach him what he hadn't bargained for." "While living in Paris in the sixties his discovery of a wider artistic life, allied to the exhilaration of the student uprising of 1968, confirmed in him the desire to become a writer. At the same time, the tragedy of Sharpeville crystallised his growing political awareness and sparked the decision to return home and oppose the apartheid establishment with all his strength. This resulted in years of harassment by the South African secret police, in censorship, and in fractured relationships with many people close to him. Equally it led to extraordinary friendships sealed by meetings with leaders of the ANC in exile in both Africa and Europe." "Andre Brink tells the story of a life lived in tumultuous times. His long love affair with music, art, the theatre, literature and sport illuminates this memoir as do relationships with remarkable women, among them the poet Ingrid Jonker, who have shared and shaped his life, and encounters with people like Ariel Dorfman, Anna Netrebko, Nadine Gordimer, Gunter Grass, Beyers Naude, Desmond Tutu and Nelson Mandela. Above all, A Fork in the Road is a love song to the country where he was born, and where, despite its recent troubles and tragedies, he still lives." --Book Jacket.

In her second volume of poetry, Karin Schimke explores the idea of home, contemplating notions of belonging and un-belonging and the various places and ways in which one is “at home”. With her characteristic lyricism, Schimke questions the poet’s right or duty to speak, while delivering a meditation on love in all its cruel, gleaming facets, as she traces her own psychic constellations back into the blistering orbit of her father. Drawing from the blood and milk of memory, in symphonic shifts of language, her poems are as forgiving as they are furious, summoning both the elemental and the numinous in a masterful painting of the relationship between people and the natural world. Traversing the haunted landscapes of the past and present, the political and the personal, Navigate is a psalm, startling in its honesty, unforgettable in its beauty.