Blodgett suggests that each of the several 'national' groups that compose Canada develops unique narratives that demonstrate their different responses to the notion of nationhood and their sense of place within Canada's borders.

The searing and haunting debut novel from PEN finalist and New York Times bestelling author Andrea J. Buchanan Spanning five generations of women, Five-Part Invention wrestles with the question—if trauma echoes through generations, can love echo, too? Is the love we transmit enough to undo the trauma of the past that we unwittingly carry with us and often re-enact in the present? When Lise, a pianist, suffers a nervous breakdown early in her marriage, her husband, in a warped act of protection and jealousy, has her piano taken away. With prose that is precise and emotionally affecting, Buchanan vividly renders how Lise's separation from her one source of expression and fulfilment cascades into her relationship with her daughter, leaving a legacy of trauma that echoes through the generations to come. Characters emerge broken and passionate, jagged, and yet hopeful and emotionally resonant, written in a way that only Buchanan, herself a conservatory-trained pianist, could achieve. Five-Part Invention is by turns frightening and exquisitely observed, and establishes Buchanan as a literary force.

'One day there is life . . . and then, suddenly, it happens there is death.' So begins Paul Auster's moving and personal meditation on fatherhood. The first section, 'Portrait of an Invisible Man', reveals Auster's memories and feelings after the death of his father. In 'The Book of Memory' the perspective shifts to Auster's role as a father. The narrator, 'A', contemplates his separation from his son, his dying grandfather and the solitary nature of writing and story-telling.

An orphan and thief, Hugo lives in the walls of a busy train station. He desperately believes a broken automaton will make his dreams come true. But when his world collides with an eccentric girl and a bitter old man, Hugo's undercover life are put in jeopardy. Turn the pages, follow the illustrations and enter an unforgettable new world!

Captain Arsenio was a curious man who liked, more than anything, to tinker and explore. One day in 1782, he decided that he would put his unusual skills to work in a most ambitious way: he would build a flying machine. Despite a hodgepodge of materials (and a total unawareness of the laws of physics), Captain Arsenio aimed to get his feet off the ground and his head in the clouds—temporarily, at least. But would any of his crazy inventions ever achieve flight? In this hilarious fictional account, Pablo Bernasconi imagines a legend in the making—a retired cheesemaker and scuba diver turned inventor who sets off to fly with the birds, in spite of himself.

Hunt's novel is a wondrous imagining of an unlikely friendship between theeccentric inventor Nikola Tesla and a young chambermaid in the Hotel New Yorker, where Tesla lived out his last days.

An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library. The question ‘What is Québécois literature?’ may seem innocent and answerable, yet Rosemary Chapman's compelling study shows that to answer it is to chart the cultural history of French Canada, to put francophone writing in Canada in postcolonial context and to ask whether literary history, with its focus on the nation, is in fact obsolete. This remarkable book will be compulsory reading for scholars well-versed in francophone postcolonial studies and will also act as an ideal introduction for Anglophone scholars of Canadian literature.

Revisit old favorites and discover even more facts and stories. The perfect pocket book for any girl on a quest for knowledge. Includes New Chapters + the Best Wisdom & Wonder from The Daring Book for Girls

Chinese edition of The art of invention:The Creative Process of Discovery and Design by Steven J. Paley. In Traditional Chinese. Distributed by Tsai Fong Books, Inc.

This collection of essays focuses on Canadian history and its legacies as represented in novels and films in English and French, produced in Canada mainly in the 1980s and 1990s. The approach is both cross-cultural and interdisciplinary, aiming at articulating Canadian differences through a comparison of anglophone and francophone cultures, illustrated by works treating some of the different groups which make up Canadian society – English-Canadian, Québecois, Acadian, Native, and ethnic minorities. The emphasis is on the problematic representation of Canadianness, which is closely bound up with constructions of history and its legacies – dispossession, criminality, nomadism, Gothicism, the Maritime. The English/French language difference is emblematic of Canadian difference; the two-part arrangement, with one section on Literature and the other on Film, sets up the pattern of relationships between the two forms of cultural representation that these essays explore. Essays in the Literature section are on single texts by such writers as: Margaret Atwood, Tomson Highway, Ann-Marie MacDonald, Anne Michaels, and Alice Munro; Gabrielle Roy, Anne Hébert, Antonine Maillet, Bernard Assiniwi, and Régine Robin. The Film section with its mirror structure both supplements and amplifies this dialogue, extending notions of Canadianness with its emphasis on voices from Quebec and Acadia traditionally ‘othered’ in Canadian history. Filmmakers treated include: Phillip Borsos, Atom Egoyan, Ted Kotcheff, Mort Ransen, and Vincent Ward; Denys Arcand, Gilles Carle, Alanis Obomsawin, Léa Pool, and Jacques Savoie.