Stephen Brust continues the Khaavren Romances, his remix of Alexandre Dumas' d'Artagnan Romances, with Five Hundred Years Later, extending his a fantasy twist to the original The Three Musketeers sequel. The heroes of The Phoenix Guards are reunited a mere five centuries later...just in time for an uprising that threatens to destroy the Imperial Orb itself! This is the story of the conspiracy against the Empire that begins in the mean streets of the Underside and flourishes in the courtly politics of the Palace where Khaavren has loyally served in the Guards this past half-millennium. It is the tale of the Dragonlord Adron's overweening schemes, of his brilliant daughter Aliera, and of the eldritch Sethra Lavode. And it is the tale of four boon companions, of love, and of revenge...a tale from the history of Dragaera, of the events that changed the world. The Khaavren Romances, set in the world of Vlad Taltos's Dragaera: 1. The Phoenix Guards 2. Five Hundred Years After 3. The Paths of the Dead (The Viscount of Adrilankha, Vol. 1) 4. The Lord of Castle Black (The Viscount of Adrilankha, Vol. 2) 5. Sethra Lavode (The Viscount of Adrilankha, Vol. 3) The Baron of Magister Valley [standalone] At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

This study of five centuries of book designs looks at the successes and failures, and examines some classics of layout and production from Western Europe and America.

This is about a man, his lost love, the imperfect world he lives in, and how he finds his true love after he discovers his true self and life’s purpose when he realized that much of the world’s imperfections are caused by lack of love for others, fueled by greed and selfishness, which cause social cancer. Anton Hinirang was unhappy for the last twenty-four years, after losing his first and only love, when Marian’s parents forced her to marry someone with money and stature. Decades later, not even success could make Anton happy. When his unhappiness was complicated by tragic events that happened to his father and two siblings, caused by his country’s social ills, it woke and changed Anton forever. It led to his self-discovery of his life’s purpose, which in turn led him to find his true love. In its core, the story is about love, how its absence can render a person’s life unhappy and miserable, and how lack of love in people’s hearts, especially among leaders, can cause poverty and misery among many in society and the world. Alex Lacson is a bestselling author in the Philippines. He is known as a builder of hope in his country, especially among the youth. Alex believes that love is the answer to most of the problems confronting humanity today; love as expressed in kindness, compassion, generosity, fairness and justice. Though a lawyer by profession, Alex’s first passion is writing. He served as a newspaper columnist for seven years. He also worked as editor-in-chief of a lawyers’ magazine for a few years before he wrote in 2005 his first book, which became an instant national bestseller in the Philippines. Alex is a graduate of the College of Law, University of the Philippines. In 2002, he took a short summer program at Harvard Law School, Harvard University, Cambridge, Massachusetts, US. He also took a leadership training at Haggai Institute, Singapore in 2007.

Five Hundred Years of Printing is essential reading for the book collector, the cultural historian, the professional publisher and book designer, and teachers and students of typography, graphic design and communications studies. It immediately became established as a standard work on its publication as a Pelican in 1955 and saw two new editions within twenty years.

This controversial book challenges existing world-system theories, and the Marxist approach to capitalism and the modern world. It offers new theses on the cycle of world economy.

A lavishly illustrated, beautiful collection of highlights from the Tate collection over the past 500 years Tate Britain is the home of British art from 1500 to the present day. This guide to the collection provides an essential introduction to the extraordinary development of British art over the centuries. British art is notable for genres unique to itself: group portraits, known as "conversation pieces," focusing on social relations between friends, family, and allies; themes from British literature, particularly Shakespeare, Milton, and Tennyson; and topical subjects in the late 18th and early 19th centuries reflecting the wars with France and the scientific innovations of the Industrial Revolution. The art from Britain in Tate's collection is rich with imaginative invention and reinvention, and this panoramic book celebrates this aesthetic ingenuity as an ongoing story, revealing how 500 years of art can act as a fascinating lens through which to deepen our understanding of ourselves and society, past and present, in both Britain and in the rest of the world.

John Huss came from the ancient Kingdom of Bohemia, but his voice belongs to our collective religious heritage. He carved a place for himself in the history of revolutionary theology by taking a position that was dangerously contrary to the orthodoxy of his time and his church. Whether Roman Catholic, protestant or of an orthodox denomination this work has far reaching implications for all Christians and scholars. Orthodox denominations find in his style of preaching a resonance with the roots of their church and an older style of religious leadership. Huss can rightly be said to have rocked the Roman Catholic Church to its very foundations, threatening to rip Bohemia permanently from the bosom of mother Church. His subsequent death sentence was utterly unsuccessful in attempting to consign his views to the inferno. To Protestants, particularly those who know the roots of rebellion run deeper and further than Martin Luther ever dreamed, Huss is a hero and a martyr for the cause of religious reformation. He redefined church, fellowship within Christianity and the nature of religious orthodoxy was changed forever by his radical message. To those who do not believe he represents the powerful figure of a man of conscience, determined to get his message to the masses, no matter what it cost him personally. To some John Huss remains unabsolved, unforgiven, but his resolute conviction, right to the very end ensures that as readers we realise he also remains unapologetic. A tragic, racing read by David Schaff that ensures that we know the value of standing up for those beliefs we hold dear as well as the terrible cost. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

'Machiavelli's Legacy' situates Machiavelli in general and 'The Prince' in particular at the birth of modernity. Joining the conversation with established Machiavelli scholars are political theorists, Americanists, and international relations scholars, ensuring a diversity of viewpoints and approaches

An argument that we have a moral duty to explore other planets and solar systems--because human life on Earth has an expiration date. Inevitably, life on Earth will come to an end, whether by climate disaster, cataclysmic war, or the death of the sun in a few billion years. To avoid extinction, we will have to find a new home planet, perhaps even a new solar system, to inhabit. In this provocative and fascinating book, Christopher Mason argues that we have a moral duty to do just that. As the only species aware that life on Earth has an expiration date, we have a responsibility to act as the shepherd of life-forms--not only for our species but for all species on which we depend and for those still to come (by accidental or designed evolution). Mason argues that the same capacity for ingenuity that has enabled us to build rockets and land on other planets can be applied to redesigning biology so that we can sustainably inhabit those planets. And he lays out a 500-year plan for undertaking the massively ambitious project of reengineering human genetics for life on other worlds. As they are today, our frail human bodies could never survive travel to another habitable planet. Mason describes the toll that long-term space travel took on astronaut Scott Kelly, who returned from a year on the International Space Station with changes to his blood, bones, and genes. Mason proposes a ten-phase, 500-year program that would engineer the genome so that humans can tolerate the extreme environments of outer space--with the ultimate goal of achieving human settlement of new solar systems. He lays out a roadmap of which solar systems to visit first, and merges biotechnology, philosophy, and genetics to offer an unparalleled vision of the universe to come.