Brief biographies of five early American painters including Benjamin West, John Singleton Copley, Charles Willson Peale, Gilbert Stuart, and John Trumbull.

This beautifully illustrated volume presents the complex ways in which the lives of artists, clients, and sitters were interconnected in the early American South. During this period, paintings included not only portraits, but also seascapes, landscapes, and pictures made by explorers and naturalists. The first comprehensive study of this subject, Painters and Paintings in the Early American South draws upon materials including diaries, correspondence, and newspapers in order to explore the stylistic trends of the period and the lives of the sitters, as gentility spread from the wealthiest southerners to the middle class. Featuring works by John Singleton Copley, Charles Willson Peale, and Benjamin West, among many others, this important book examines the training and status of painters, the distinction between fine art and the mechanical arts, the popularity of portraiture, and the nature of clientele between 1540 and 1790, providing a new, critical understanding of the history of art in the American South. Published in association with the Colonial Williamsburg Foundation Exhibition Schedule: Colonial Williamsburg Foundation(03/23/13-09/07/14)

Absorbing book describes, in detail, farm tools and kitchen implements and how they were made. Includes devices used by curriers, wheelwrights, coopers, blacksmiths, loggers, tanners, coachmakers, and other craftsmen of the pre-industrial age. An informal, expressively written book for cultural historians, woodcrafters, and Americana enthusiasts. 184 black-and-white illustrations.

A vibrant and original perspective on the American Revolution through the stories of the five great artists whose paintings animated the new American republic. The images accompanying the founding of the United States--of honored Founders, dramatic battle scenes, and seminal moments--gave visual shape to Revolutionary events and symbolized an entirely new concept of leadership and government. Since then they have endured as indispensable icons, serving as historical documents and timeless reminders of the nation's unprecedented beginnings. As Paul Staiti reveals in Of Arms and Artists, the lives of the five great American artists of the Revolutionary period--Charles Willson Peale, John Singleton Copley, John Trumbull, Benjamin West, and Gilbert Stuart--were every bit as eventful as those of the Founders with whom they continually interacted, and their works contributed mightily to America's founding spirit. Living in a time of breathtaking change, each in his own way came to grips with the history they were living through by turning to brushes and canvases, the results often eliciting awe and praise, and sometimes scorn. Their imagery has connected Americans to 1776, allowing us to interpret and reinterpret the nation's beginning generation after generation. The collective stories of these five artists open a fresh window on the Revolutionary era, making more human the figures we have long honored as our Founders, and deepening our understanding of the whirlwind out of which the United States emerged.

In the fifth album of the Series: "Painters: A New Vision" which are written in both English and Russian... modest attempts are undertaken, having looked in a new fashion (' A New Vision ') to comprehend through own sensations and to state a poetic assessment of activity of protruding Early American artists ('Summary in Verses'). The Author gave his understanding ('A new vision') of the paintings in these verses.

This volume features nearly 500 paintings, watercolors, pastels, and miniatures from Harvard University's storied, yet little-known, collection of American art. These works, many unpublished, are drawn from the Harvard Art Museums, the University Portrait Collection, the Peabody Museum of Archaeology and Ethnology, and other entities, and date from the early colonial years to the mid-19th century. Highlights include a rare group of 17th-century portraits, along with important paintings by Robert Feke, John Singleton Copley, Charles Willson Peale, Gilbert Stuart, and Washington Allston, in addition to works depicting western and Native American subjects by Alexandre de Batz, Henry Inman, and Alfred Jacob Miller, among others. Each work is accompanied by scholarly commentary that draws on extensive new research, as well as a complete exhibition and reference history. An introduction by Theodore E. Stebbins Jr. describes the history of the collection. Lavishly illustrated in color, this compendium is a testament to the nation's oldest collection of American art, and an essential resource for scholars and collectors alike.