Gurrey and Grime are detectives prowling the gritty streets of Digby Neck and the Islands, pursuing purloined possessions and bringing evil-doers to account. Some of their hilarious stories first appeared in the local newspaper, Passages. Their full epic unfolds in these pages for the first time.

Porchlight’s Best Leadership & Strategy Book of The Year An inspiring memoir from the CEO of DICK’s Sporting Goods that is “not only entertaining but will be of great value to any entrepreneur” (Phil Knight, New York Times bestselling author of Shoe Dog). It’s How We Play the Game shows how a trailblazing business was created by giving back to the community and by taking principled, and sometimes controversial, stands—including against the type of weapons that are too often used in mass shootings and other tragedies. Ed Stack’s memoir tells the story of a complicated founder and an ambitious son—one who transformed a business by making it about more than business, conceiving it as a force for good in the communities it serves. In 1948, Ed Stack’s father started Dick’s Bait and Tackle in Binghamton, New York. Ed Stack bought the business from his father in 1984, and grew it into the largest sporting goods retailer in the country, with 800 locations and close to $9 billion in sales. The transformation Ed wrought wasn’t easy: economic headwinds nearly toppled the chain twice. But DICK’s support for embattled youth sports programs earned the stores surprising loyalty, and the company won even more attention when, in the wake of yet another school shooting—at Marjory Stoneman Douglas High School in Parkland, Florida—it chose to become the first major retailer to pull all semi-automatic weapons from its shelves, raise the age of gun purchase to twenty-one, and, most strikingly, destroy the assault-style-type rifles then in its inventory. With vital lessons for anyone running a business and eye-opening reflections about what a company owes the people it serves, It’s How We Play the Game is “a compelling narrative…In a genre that can frequently be staid, Mr. Stack’s corporate biography is deeply personal…[Features] surprising openness [and] interesting and humorous anecdotes” (Pittsburgh Post-Gazette).

"A great and calamitous sequence of arguments with the universe: poignant, terrifying, ludicrous, and brilliant. The Exegesis is the sort of book associated with legends and madmen, but Dick wasn't a legend and he wasn't mad. He lived among us, and was a genius."-Jonathan Lethem Based on thousands of pages of typed and handwritten notes, journal entries, letters, and story sketches, The Exegesis of Philip K. Dick is the magnificent and imaginative final work of an author who dedicated his life to questioning the nature of reality and perception, the malleability of space and time, and the relationship between the human and the divine. Edited and introduced by Pamela Jackson and Jonathan Lethem, this will be the definitive presentation of Dick's brilliant, and epic, final work. In The Exegesis, Dick documents his eight-year attempt to fathom what he called "2-3-74," a postmodern visionary experience of the entire universe "transformed into information." In entries that sometimes ran to hundreds of pages, Dick tried to write his way into the heart of a cosmic mystery that tested his powers of imagination and invention to the limit, adding to, revising, and discarding theory after theory, mixing in dreams and visionary experiences as they occurred, and pulling it all together in three late novels known as the VALIS trilogy. In this abridgment, Jackson and Lethem serve as guides, taking the reader through the Exegesis and establishing connections with moments in Dick's life and work.

The author of SOMETHING MISSING returns with another hilarious and sneakily profound tale about a man whose behavior is truly odd, but also oddly relatable. Milo Slade, a thirty-three year old home healthcare aide, is witnessing the rapid dissolution of his three-year marriage to a polished, high-powered attorney named Christine. Though Milo doesn't quite know the root of his marital problems, he inevitably blames himself, or more specifically, he faults the demands his obsessive compulsive personality place upon him--the need to open a jar of Smuckers grape jelly or sing 99 Luftballons in front of an audience, to name just a couple. Yet Christine is still none the wiser about these inexplicable quirks as Milo has painstakingly hidden them from her and everyone else for years. No one knows the true--and in his mind more insidious--Milo, and such is the root of his profound loneliness, especially now that he and Christine are living apart during a trial separation. Then one day Milo stumbles across a video camera and tapes, left behind in a park. He watches the first tape, which is a heartfelt confessional by a young woman who begins to reveal her secrets, starting small at first, and finally revealing that she blames herself for a tragic death of a friend. But not all the details add up and Milo is struck with the urge to free the sweet confessor from her guilt. He is, after all, an expert in keeping secrets… In typical screwball fashion, Milo sets out on a cross-country journey to crack the case, but quickly gets sidetracked as his un-ignorable demands call. But it is during these sidetracks that the true meaning of his adventure takes shape. Milo is weird, but as he discovers, so is everyone else. UNEXPECTEDLY, MILO is a humorous and touching novel about finding oneself, embracing the journey, and, unexpectedly, love.