Secular Musicals - Classroom

(Expressive Art (Choral)). Now you can use technology with FIRST, WE SING! Here are easy-to-use digital tools to help you implement this practical, creative and flexible resource for bringing Kodaly's approach into your elementary music class! No special software is needed. DIGITAL TEMPLATES FOR PLANNING & ASSESSMENT: Planning tools to use "as is" or customize the templates for grade level objectives (yearly plans), daily lesson plans and checklists; Assessment templates that are easy to use for efficient assessment for group and individual progress. Use rubrics and checklists to modify the sequence, keep track of students' progression through the three-step process, track students' growth and development of musical skills, record individual and class progress from the scope and sequence for each grade. DIGITAL SUPPLEMENTS FOR TEACHING STRATEGIES: Create student activity slides for preparation, presentation and practice lessons. Each file contains music notation "snips" and graphics designed for use with your tablet, computer or interactive whiteboard. Teacher-friendly, step-by-step instructions make it easy to customize the content. DIGITAL ACTIVITY CARDS: Now in digital form, individual activity cards can be sorted, selected and saved for easy access. Copy, drag and drop the .pdf or .png files into folders for specific lessons, or just browse the digital card file for ideas. Suggested for grades K-5.

Secular Musicals - Classroom

In this new edition of their groundbreaking Kodály Today, Mícheál Houlahan and Philip Tacka offer an expertly-researched, thorough, and -- most importantly -- practical approach to transforming curriculum goals into tangible, achievable musical objectives and effective lesson plans. Their model -- grounded in the latest research in music perception and cognition -- outlines the concrete practices behind constructing effective teaching portfolios, selecting engaging music repertoire for the classroom, and teaching musicianship skills successfully to elementary students of all degrees of proficiency. Addressing the most important questions in creating and teaching Kodály-based programs, Houlahan and Tacka write through a practical lens, presenting a clear picture of how the teaching and learning processes go hand-in-hand. Their innovative approach was designed through a close, six-year collaboration between music instructors and researchers, and offers teachers an easily-followed, step-by-step roadmap for developing students' musical understanding and metacognition skills. A comprehensive resource in the realm of elementary music education, this book is a valuable reference for all in-service music educators, music supervisors, and students and instructors in music education.

Music Outside the Lines is an informative and practical resource for all who are invested in making music composition an integral part of curriculum. Author Maud Hickey addresses the practical needs of music educators by offering both a well-grounded justification for teaching music composition and also a compendium of useful instructional ideas and classroom activities. Hickey begins with a rationale for teachers to begin composition activities in their own classrooms, with a thoughtful argument that demonstrates that all music teachers possess the skills and training needed to take children along the path toward composing satisfying musical compositions even if they themselves have never taken formal composition lessons. She also addresses some of the stickier issues that plague teaching music composition in schools such as assessment, notation, and technology. Most importantly, she introduces a curricular model for teaching composition, a model which provides an array of composition activities to try in the music classrooms and studios. These activities encourage musical and creative growth through music composition; while they are organized in logical units corresponding to existing teaching modules, they also offer jumping off points for music teachers to exercise their own creative thinking and create music composition activities that are customized to their classes and needs. As a whole, Music Outside the Lines both successfully reasons that music composition should be at the core of school music curriculum and also provides inservice and pre-service educators with an essential resource and compendium of practical tips and plans for fulfilling this goal.

Classroom Instructional Resources

Lullabies to Circle Games: An Early Childhood Music & Movement Curriculum by Jo Kirk. This curriculum is jammed packed with joy-filled time-tested/classroom-tested music and movement experiences for children, birth through Pre-K and early elementary school. It is designed for parents, early childhood specialist and music & movement educators. It offers teaching tips, approaches for leading a song or rhyme, methods for teaching a song by rote, "greeting" songs, choosing songs & rhymes, and song that incorporate the child's name. Special attention is directed to (a) a movement sequence that provides greater movement success for the child, (b) the vocal and rhythmic development of the child, and (c) suggested ways to use simple percussion instruments to enhance the child's musical ear and awareness. This developmentally appropriate curriculum is organized by 1-12 month (passive stage of learning), 13-24 month (transitional stage of learning), 2-3 years (active stage of learning), 4-5 years and school age through 3rd or 4th grade (early musical literacy focus). Game directions and teaching suggestions are provided for EVERY song, rhyme and activity in the book. The 1-12-month curriculum connects the caregiver and child in joy-filled one-on-one musical experiences through bonces, wiggles, tickles, taps, claps, use of simple percussion instruments, easy to sing songs, fostering movement exploration, movement to recordings and lullabies. The 13-24-month curriculum contains vigorous bounces, delightful wiggles, beginning finger plays & tickles, claps, songs for movement exploration, taps, easy to sing songs, use of simple percussion instruments, beginning circle games, lullabies, songs for listening, and movement to recordings that the child and teacher/caregiver can share together as well as side-by-side. The 2-3-year curriculum includes finger plays, action songs, activities & songs with the steady beat, songs for independent singing: fill in the blank, echoing and resting tone, active movement exploration, circle games, and songs for listening which motivate the child toward independent exploration. The 4-5-year & school age curriculum actively leads the child through sophisticated finger plays and action songs, steady beat activities, simple songs, movement exploration and complex circle games, fun-filled opportunities for independent singing and creative movement to recorded music that challenges the imagination.

Grade level: 4, 5, 6, 7, 8, 9, 10, 11, 12, e, i, s, t.

Grade level: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, k, p, e, i, s.

Grade level: 1, 2, 3, 4, 5, 6, 7, p, e, i, t.