Perfect for festival and audition lists requiring standard literature at this early level, this book is designed for students who are exploring authentic literature from the Classic to Modern eras for the first time. All selections are in their original form.

Perfect for festival and audition lists requiring standard literature at this early level, this book is designed for students who are exploring authentic literature from the Classic to Modern eras for the first time. All selections are in their original form.

This exciting edition contains 100 early intermediate selections in their original form, spanning the Baroque period to present day. The repertoire, which includes several minuets, folk dances, character pieces and much more, has been carefully graded and selected for student appeal by editor Lynn Freeman Olson.

This exciting new teaching method, by the renowned piano pedagogue Hans-Günter Heumann is ideal for adults and young people looking to learn the piano from scratch, or for those returning to the piano after a break from playing. Using classical music as a basis for learning, this method introduces interesting, varied and well-known pieces right from the outset. The two method books have been carefully designed to progress in small manageable steps, beginning with simple fingering patterns and exercises, onto some of the most beautiful melodies and pieces from the baroque, classical and romantic eras, such as the Ode to Joy, Für Elise and the Blue Danube Waltz. Leading the student through a range of exercises, repertoire pieces, theory checks, tips on practicing, playing and technique, and composer biographies, the process of learning is made interesting, informed and fun. The four supplementary volumes present further material to help learning at each stage of the students' development, as well as offering up a wider range of beautiful pieces, for the solo pianist, or piano duet.

Easy Classics to Moderns Compiled and Edited by Denes Agay These 142 pieces by the masters of piano literature date from the second half of the 17th century to the present day.

This collection of classic intermediate literature contains pieces from the four style periods. Theoretical elements are highlighted to hasten the evaluation and presentation of each piece.

The five books in this series present 100 masterworks ranging from early-intermediate through advanced level that the editors believe developing pianists should study and perform. Each book contains 20 pieces selected from the four main style periods as well as additional suggestions for repertoire from the 20th century. Book 1 contains selections for early-intermediate pianists. Titles: *Allegro in B-flat Major, K. 3 (W. A. Mozart) *Arabesque, Op. 100, No. 2 (Burgmüller) *The Bear (Rebikov) *Burleske (L. Mozart) *Chinese Figurine (Rebikov) *Écossaise in C Major, D. 299, No. 8 (Schubert) *Écossaise in G Major, D. 529, No. 3 (Schubert) *Écossaise in G Major, WoO 23 (Beethoven) *German Dance in G Major (Haydn) *Le petit rien (The Little Trifle) (Couperin) *Melody, Op. 68, No. 1 (Schumann) *Menuet en rondeau (Rameau) *Menuet in G Major, BWV Anh. 114 (J. S. Bach) *Minuet in A Minor (Purcell) *Minuet in G Major (Telemann) *Musette in D Major, BWV Anh. 126 (J. S. Bach) *Play Song, Sz. 42, No. 5 (Bartók) *Sonatina in G Major, Anh. 5, No. 1 (Beethoven) *Song ("Come Home, Lidi"), Sz. 42, No. 3 (Bartók) *The Wild Rider, Op. 68, No. 8 (Schumann) "This book provides great editing for familiar pieces that most of us teach." - Jean Ritter, Progressions

Book 1 introduces the child to the keyboard, staves, clefs, simple time signatures, note values, and rests. Reading encompasses notes to a 5th above and a 5th below Middle C. The notes A and E are introduced first, played by a braced 3rd finger of each hand. This encourages free movement of the whole arm from the shoulder, and develops a natural, balanced hand position, before the 5-finger position is gradually mastered. The first line of the treble staff and the fifth line of the bass staff are highlighted, and further lines are similarly treated as the child learns more notes. Staccato, slurs, ties, upbeats, and repeat signs are all experienced in Book 1. Tempo and dynamic markings encourage musical playing, and are in English, in order to avoid "knowledge overload."