Judith Sargent Murray (1751-1820), poet, essayist, playwright, and one of the most thoroughgoing advocates of women's rights in early America, was as well known in her own day as Abigail Adams or Martha Washington. Her name, though, has virtually disappeared from the public consciousness. Thanks to the recent discovery of Murray's papers—including some 2,500 personal letters—historian Sheila L. Skemp has documented the compelling story of this talented and most unusual eighteenth-century woman. Born in Gloucester, Massachussetts, Murray moved to Boston in 1793 with her second husband, Universalist minister John Murray. There she became part of the city's literary scene. Two of her plays were performed at Federal Street Theater, making her the first American woman to have a play produced in Boston. There as well she wrote and published her magnum opus, The Gleaner, a three-volume "miscellany" that included poems, essays, and the novel-like story "Margaretta." After 1800, Murray's output diminished and her hopes for literary renown faded. Suffering from the backlash against women's rights that had begun to permeate American society, struggling with economic difficulties, and concerned about providing the best possible education for her daughter, she devoted little time to writing. But while her efforts diminished, they never ceased. Murray was determined to transcend the boundaries that limited women of her era and worked tirelessly to have women granted the same right to the "pursuit of happiness" immortalized in the Declaration of Independence. She questioned the meaning of gender itself, emphasizing the human qualities men and women shared, arguing that the apparent distinctions were the consequence of nurture, not nature. Although she was disappointed in the results of her efforts, Murray nevertheless left a rich intellectual and literary legacy, in which she challenged the new nation to fulfill its promise of equality to all citizens.

Collects letters, some of which appear as full-size facsimiles, written over the centuries to America's first ladies by ordinary citizens and famous figures, and includes historical information to illuminate the writer's concerns and ideas.

NATIONAL BESTSELLER • Here is the Nobel Prize winner in her own words: a rich gathering of her most important essays and speeches, spanning four decades that "speaks to today’s social and political moment as directly as this morning’s headlines” (NPR). These pages give us her searing prayer for the dead of 9/11, her Nobel lecture on the power of language, her searching meditation on Martin Luther King Jr., her heart-wrenching eulogy for James Baldwin. She looks deeply into the fault lines of culture and freedom: the foreigner, female empowerment, the press, money, “black matter(s),” human rights, the artist in society, the Afro-American presence in American literature. And she turns her incisive critical eye to her own work (The Bluest Eye, Sula, Tar Baby, Jazz, Beloved, Paradise) and that of others. An essential collection from an essential writer, The Source of Self-Regard shines with the literary elegance, intellectual prowess, spiritual depth, and moral compass that have made Toni Morrison our most cherished and enduring voice.

Esteemed first lady of Bishop John Bryant in the AME Church and an honored pastor in her our right, Rev. Dr. Cecelia Williams Bryant has complied a collection of letters that mentor other first ladies of the church, letters rich in comfort, encouragement, and challenge. Written in the tradition of Pauls pastoral epistles and crafted by Rev Cs own poetic voice, each chapter addresses a woman who is wrestling with a particular issue common to first ladiescovering topics such as church conflict, financial stress, self esteem, discouragement, and the death of a pastoral spouse. One letter even offers advice to the woman whose husband is the pastors spouse. A practical and inspirational resource that offers self-help with spiritual depth and honest practicality.

One of the most important women of the 20th Century, Eleanor Roosevelt (1884-1962) was also one of its most prolific letter writers. Yet never before has a selection of her letters to public figures, world leaders, and individuals outside her family been made available to general readers and to historians unable to visit the archives at Hyde Park. It Seems to Me demonstrates Roosevelt's significance as a stateswoman and professional politician, particularly after her husband's death in 1945. These letters reveal a dimension of her personality often lost in collections of letters to family members and friends, that of a shrewd, self-confident woman unafraid to speak her mind. In her letters, Roosevelt lectured Truman, badgered Eisenhower, and critiqued Kennedy. She disagreed with the Catholic Church over aid to parochial schools, made recommendations for political appointments, expressed her opinion on the conviction of Alger Hiss. Some letters demonstrate her commitment to civil rights, many her understanding of Cold War politics, and still others her support of labor unions. As a whole, this collection provides unique insights into both Eleanor Roosevelt's public life, as well as American culture and politics during the decades following World War II.

Karle Wilson Baker was the best-known Texas poet of the early twentieth century. Yet, while many of her male contemporaries remain well known to Texas literature, she is not. Her energy and significant role in shaping the literature of Texas equaled those of Walter Prescott Webb or J. Frank Dobie, with whom she ranked as the first Fellows of the Texas Institute of Letters. Her modern lifestyle as an independent, “new” woman and her active career as a writer, teacher, and lecturer placed her among the avant-garde of women in the nation, although she lived in the small town of Nacogdoches. She was a multi-talented writer with a wide range of interests, yet she championed Texas and the history and natural beauty of East Texas above all else. Sarah R. Jackson’s thoroughly researched biography of Karle Wilson Baker introduces her to a new generation. Baker’s life also opens a window onto the literary times in which she lived and particularly the path of a woman making her way in the largely male-dominated world of nationally acclaimed writers. Beyond the literary insights this book offers, Jackson spotlights developments in East Texas such as the discovery of oil and the founding of what would become Stephen F. Austin State University in Baker’s hometown. Extensive work in a number of regional and state archives and interviews with many who remembered Baker allow Jackson to offer an account that is not only thorough but also lively and entertaining.

Impoverished young Americans had no greater champion during the Depression than Eleanor Roosevelt. As First Lady, Mrs. Roosevelt used her newspaper columns and radio broadcasts to crusade for expanded federal aid to poor children and teens. She was the most visible spokesperson for the National Youth Administration, the New Deal's central agency for aiding needy youths, and she was adamant in insisting that federal aid to young people be administered without discrimination so that it reached blacks as well as whites, girls as well as boys. This activism made Mrs. Roosevelt a beloved figure among poor teens and children, who between 1933 and 1941 wrote her thousands of letters describing their problems and requesting her help. Dear Mrs. Roosevelt presents nearly 200 of these extraordinary documents to open a window into the lives of the Depression's youngest victims. In their own words, the letter writers confide what it was like to be needy and young during the worst economic crisis in American history. Revealing both the strengths and the limitations of New Deal liberalism, this book depicts an administration concerned and caring enough to elicit such moving appeals for help yet unable to respond in the very personal ways the letter writers hoped.

Barbara Bray (1924-2010) was an English woman of letters who translated some hundred novels, plays, and essays from French to English and was Marguerite Duras’s preferred translator. She also collaborated with some of the most prestigious directors and playwrights of the 20th century – Harold Pinter, Samuel Beckett, Joseph Losey, and Franco Zeffirelli – helping them write screenplays and radioplays. This literary biography (re)evaluates in a textual, sociological, and historical perspective the social role of an English writer and translator in the history of ideas and contemporary art. Highlighting Bray’s influence in cultural transfers of ideas and literatures between France, Great Britain, and the United States, it renders visible the yet unrecognised work of a female mediator and creator. It nourishes the debate about women’s public voice and the representation of women in the media industries and contributes to enrich the ‘other’ history that is being currently written by feminist scholars around the world.

In a world of the short and swift, of texts and Twitter, there's something of special value about a carefully composed letter. In homage to this most civilised of activities, Marieke Hardy and Michaela McGuire created the literary afternoons of Women of Letters. Some of Australia's finest dames of stage, screen and page have delivered missives on a series of themes, collected here for the first time. Claudia Karvan sends 'A love letter' to love itself, Helen Garner contacts ghosts of her past in 'The letter I wish I'd written', Noni Hazlehurst dispatches a stinging rebuke 'To my first boss', and Megan Washington pays tribute to her city and community as she writes 'To the best present I ever received'. And some gentlemen correspondents - including Paul Kelly, Eddie Perfect and Bob Ellis - have been invited to put pen to paper in a letter 'To the woman who changed my life'. By turns hilarious, moving and outrageous, this is a diverse and captivating tribute to the art of letter writing. All royalties for this book will go to Edgar's Mission animal rescue shelter.