The kingdoms of the east have all but forgotten the old magic. Science has replaced the wizards; muskets and cannons have replaced the swords and armor of the old knights. But across the mountains, Atark, a shaman of their ancient enemy, the nomadic Kaifeng, has rediscovered the old magic and, thirsting for revenge for his murdered family, he unleashes it in a new war of conquest. As city after city falls to the invader, Matt, a young soldier, and Jarren, a reluctant scholar, desperately search for an answer to this seemingly unstoppable weapon. Meanwhile, Kareen and Thelena, two young women from different cultures, are thrown together by fate—and find that in a world drenched in blood, the only thing they can count on is each other.

The author reconstructs the movement from cold to warm architecture, reintroduces energy to the discussion, and reminds the reader the sense of touch is necessary to an understanding of the environment. Illustrations.

All three books in the American Book Award–winning Memory of Fire Trilogy available in a single volume for the first time. Eduardo Galeano’s Memory of Fire Trilogy defies categorization—or perhaps creates its own. It is a passionate, razor-sharp, lyrical history of North and South America, from the birth of the continent’s indigenous peoples through the end of the twentieth century. The three volumes form a haunting and dizzying whole that resurrects the lives of Indians, conquistadors, slaves, revolutionaries, poets, and more. The first book, Genesis, pays homage to the many origin stories of the tribes of the Americas, and paints a verdant portrait of life in the New World through the age of the conquistadors. The second book, Faces and Masks, spans the two centuries between the years 1700 and 1900, in which colonial powers plundered their newfound territories, ultimately giving way to a rising tide of dictators. And in the final installment, Century of the Wind, Galeano brings his story into the twentieth century, in which a fractured continent enters the modern age as popular revolts blaze from North to South. This celebrated series is a landmark of contemporary Latin American writing, and a brilliant document of culture.

Callie Bates’s debut novel, The Waking Land, announced the arrival of a brilliant new talent in epic fantasy. Now, with The Memory of Fire, Bates expertly deepens her tale, spinning glittering threads of magic and intrigue into a vibrant tapestry of adventure, betrayal, mystery, and romance. Thanks to the magic of Elanna Valtai and the Paladisan noble Jahan Korakides, the lands once controlled by the empire of Paladis have won their independence. But as Elanna exhausts her powers restoring the ravaged land, news that the emperor is readying an invasion spurs Jahan on a desperate mission to establish peace. Going back to Paladis proves to be anything but peaceful, however. As magic is a crime in the empire, punishable by death, Jahan must hide his abilities. Nonetheless, the grand inquisitor’s hunters suspect him of sorcery, and mysterious, urgent messages from the witch who secretly trained Jahan only increase his danger of exposure. Worst of all, the crown prince has turned his back on Jahan, robbing him of the royal protection he once enjoyed. As word of Jahan’s return spreads, long-sheathed knives, sharp and deadly, are drawn again. And when Elanna, stripped of her magic, is brought to the capital in chains, Jahan must face down the traumas of his past to defeat the shadowy enemies threatening his true love’s life, and the future of the revolution itself. Don’t miss any of Callie Bates’s magical Waking Land trilogy: THE WAKING LAND • THE MEMORY OF FIRE • THE SOUL OF POWER Praise for The Memory of Fire “Gripping . . . [this] vivid first-person, present-tense narrative [creates] a remarkably mature, balanced addition to the story that avoids the most common flaws of middle books and will leave readers hungry for the conclusion.”—Publishers Weekly (starred review) “[Callie] Bates does an excellent job of delving into Jahan’s past and showing his growth. . . . The relatable characters and riveting adventure make this fantasy world very accessible for all.”—Booklist “The Memory of Fire is a beautiful expansion of a promising story that delivers something rich and captivating. . . . Putting it down is likely to be the biggest challenge readers will encounter.”—Books, Vertigo & Tea

This book is a visual, theoretical and historical resource about the photography of war, and how images are used as instruments of war. It comprises essays and interviews by prominent theorists, artists and photographers and covers the urgent issues of the depiction of war, the use of images of war by the media and the circulation of unofficial images and the impact of the digital mediascape.

"A hauntingly witty, illustrated debut in the vein of Edward Gorey, that explores the power and mystery of human memory, by artist Cecilia Ruiz"--

In Mountains of Memory, seasoned wilderness dweller Don Scheese charts a long season of watching for and fighting fires in the largest federal wilderness area in the mainland United States. In the tradition of Edward Abbey and Gary Snyder, Scheese offers readers a meditation on the meaning and value of wilderness at the beginning of the twenty-first century, painting a complex portrait of the natural, institutional, and historical forces that have shaped the great forested landscapes of the American West. Book jacket.

“An epic work of literary creation . . . There could be no greater vindication of the wonders of the lands and people of Latin America than Memory of Fire.” —The Washington Post Eduardo Galeano’s monumental three-volume retelling of the history of the New World begins with Genesis, a vast chain of legends sweeping from the birth of creation to the era of savage colonialism. Through lyrical prose and deep understanding, Galeano (author of the celebrated Open Veins of Latin America) recounts creation myths, pre-Columbian societies, and the brutality of conquest, from the Andes to the Great Plains. Galeano’s project to restore to history “breath, liberty, and the word” unfolds as a unique, powerful work of literature. This daring masterpiece sets the past free, weaving a new kind of history from mythology, silenced voices, and the clash of worlds. Genesis is the first book of the Memory of Fire trilogy, which continues with Faces and Masks and Century of the Wind.

The controversial English-language debut of celebrated Israeli novelist Yishai Sarid is a harrowing, ironic parable of how we reckon with human horror, in which a young, present-day historian becomes consumed by the memory of the Holocaust. Written as a report to the chairman of Yad Vashem, Israel’s memorial to the victims of the Holocaust, our unnamed narrator recounts his own undoing. Hired as a promising young historian, he soon becomes a leading expert on Nazi methods of extermination at concentration camps in Poland during World War II and guides tours through the sites for students and visiting dignitaries. He hungrily devours every detail of life and death in the camps and takes pride in being able to recreate for his audience the excruciating last moments of the victims’ lives. The job becomes a mission, and then an obsession. Spending so much time immersed in death, his connections with the living begin to deteriorate. He resents the students lost in their iPhones, singing sentimental songs, not expressing sufficient outrage at the genocide committed by the Nazis. In fact, he even begins to detect, in the students as well as himself, a hint of admiration for the murderers—their efficiency, audacity, and determination. Force is the only way to resist force, he comes to think, and one must be prepared to kill. With the perspicuity of Kafka’s The Trial and the obsessions of Delillo’s White Noise, The Memory Monster confronts difficult questions that are all too relevant to Israel and the world today: How do we process human brutality? What makes us choose sides in conflict? And how do we honor the memory of horror without becoming consumed by it? Praise for The Memory Monster: “Award-winning Israeli novelist Sarid’s latest work is a slim but powerful novel, rendered beautifully in English by translator Greenspan…. Propelled by the narrator’s distinctive voice, the novel is an original variation on one of the most essential themes of post-Holocaust literature: While countless writers have asked the question of where, or if, humanity can be found within the profoundly inhumane, Sarid incisively shows how preoccupation and obsession with the inhumane can take a toll on one’s own humanity…. it is, if not an indictment of Holocaust memorialization, a nuanced and trenchant consideration of its layered politics. Ultimately, Sarid both refuses to apologize for Jewish rage and condemns the nefarious forms it sometimes takes. A bold, masterful exploration of the banality of evil and the nature of revenge, controversial no matter how it is read.” —Kirkus Reviews, Starred Review “[A] record of a breakdown, an impassioned consideration of memory and its risks, and a critique of Israel’s use of the Holocaust to shape national identity…. Sarid’s unrelenting examination of how narratives of the Holocaust are shaped makes for much more than the average confessional tale.” —Publishers Weekly “Reading The Memory Monster, which is written as a report to the director of Yad Vashem, felt like both an extremely intimate experience and an eerily clinical Holocaust history lesson. Perfectly treading the fine line between these two approaches, Sarid creates a haunting exploration of collective memory and an important commentary on humanity. How do we remember the Holocaust? What tolls do we pay to carry on memory? This book hit me viscerally, emotionally, and personally. The Memory Monster is brief, but in its short account Sarid manages to lay bare the tensions between memory and morals, history and nationalism, humanity and victimhood. An absolute must-read.” —Julia DeVarti, Literati Bookstore (Ann Arbor, MI) “In Yishai Sarid’s dark, thoughtful novel The Memory Monster, a Holocaust historian struggles with the weight of his profession…. The Memory Monster is a novel that pulls no punches in its exploration of the responsibility—and the cost—of holding vigil over the past.” —Eileen Gonzalez, Foreword Reviews